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99
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24
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14
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11
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8
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6
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1
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24
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22
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14
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14
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13
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12
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12
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10
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9
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8
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7
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7
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7
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7
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7
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7
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6
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6
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6
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6
Clarinette, Trompette (duo)
5
2 Hautbois (duo)
5
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5
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5
Flûte, Violon
4
3 Saxophones (trio)
3
2 Flûte à bec (duo)
3
Hautbois, Flûte
3
Flûte traversière
3
Saxophone Soprano et Piano
3
Hautbois, Basson (duo)
3
Clarinette et Alto
3
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2
Saxophone Baryton, Piano
2
Saxophone Tenor
2
Ensemble de saxophones
2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
Flûte, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
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1
Ocarina
1
Hautbois, Clarinette (duo)
1
Saxophone
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16
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14
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9
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9
2 Trompettes (duo)
7
2 Trombones (duo)
7
Trompette, Saxophone (duo)
6
Trombone et Piano
6
Cor
6
Trompette, Piano
5
Trompette
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 trombones
4
Trompette, Trombone (duo)
4
Tuba et Piano
4
Trombone
3
Ensemble de Trombones
3
2 Euphoniums et 2 Tubas
3
Cor et Piano
3
Instruments en Sib
2
Euphonium, Piano (duo)
2
Tuba
2
Trombone, Orgue
2
2 Cors (duo)
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Ensemble de Tubas
1
Cor anglais, Piano
1
3 Trombones (trio)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
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56
Violon et Piano
19
Harpe
16
Violon, Violoncelle (duo)
14
Violoncelle
14
2 Violons (duo)
13
Violon
13
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle, Piano
8
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
7
2 Altos (duo)
6
Trio à Cordes: 3 violoncelles
6
Alto seul
5
Violon, Alto (duo)
4
4 Violoncelles
4
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse (partie séparée)
3
Alto (partie séparée)
3
Contre Basse
3
Alto, Violoncelle (duo)
2
Violon (partie séparée)
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
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64
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53
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29
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21
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11
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10
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7
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5
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5
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4
Marimba
3
Batterie
3
Batterie (partie séparée)
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Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide...
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French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607868...
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French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607869...
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French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Parallel Universe for solo Horn
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Cor
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Contemporain
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Tomo Hirayama
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Parallel Universe for solo Hor
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Tomo Hirayama
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SheetMusicPlus
French Horn Solo - SKU: A0.924704 Composed by Tomo Hirayama. Contemporary. Individual part. 5 pages. Tomo Hirayama #4403556. Published by Tomo Hirayama ...
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French Horn Solo - SKU: A0.924704 Composed by Tomo Hirayama. Contemporary. Individual part. 5 pages. Tomo Hirayama #4403556. Published by Tomo Hirayama (A0.924704). Parallel Universe is a suit for solo Horn.It has 5 small movements.FanfareScherzoPastoraleNanazumaiSongs for a departed soulYou can listen to good performance of Ilir Kodhim, the principal Hornist of National Theatre of Opera and Ballet of Albania.https://youtu.be/QfP4BG8rXww?list=PLyhI7hieG4PHSRRgzvO55r3d2t_P3gJ0zhttps://youtu.be/58YSdGrP5A8?list=PLyhI7hieG4PHSRRgzvO55r3d2t_P3gJ0zhttps://youtu.be/YChP5crPdgA?list=PLyhI7hieG4PHSRRgzvO55r3d2t_P3gJ0zhttps://youtu.be/Axz7Nfn1_bk?list=PLyhI7hieG4PHSRRgzvO55r3d2t_P3gJ0zhttps://youtu.be/ERLdBeG2hQc?list=PLyhI7hieG4PHSRRgzvO55r3d2t_P3gJ0z
$10.00
A Baker's Dozen: 13 Secular Christmas Duets for French Horn
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Cor
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Noël
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Chris Cooke
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A Baker's Dozen: 13 Secular Ch
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Chris Cooke
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SheetMusicPlus
French Horn Solo - SKU: A0.865256 Arranged by Chris Cooke. Christmas. Individual part. 28 pages. Chris Cooke #3880223. Published by Chris Cooke (A0.8652...
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French Horn Solo - SKU: A0.865256 Arranged by Chris Cooke. Christmas. Individual part. 28 pages. Chris Cooke #3880223. Published by Chris Cooke (A0.865256). This early intermediate collection for French horn, spanning three centuries, provides Christmas cheer for secular settings. These duets (or even the melody line) can accompany carols) since these selections are within reasonable vocal ranges. Any of the books in this series can be paired so that instruments can be mixed and matched. Find a little merriment as the tune from Jolly Old St. Nicholas pairs nicely with several measures of Pachelbel’s cannon, for instance. Duet books in this series are also arranged for flute, clarinet/trumpet, alto sax and French horn. The songs and their keys are as follows: The Boar’s Head Carol, B-flat Carol of the Bells, G Minor Christmas is Coming, E-flat Deck the Halls, E-flat Good King Wenceslas, F Here We Come A-Caroling, C Jingle Bells, C Jolly Old St. Nicholas Visits Pachelbel, F Oh Christmas Tree, F Toyland, F Up on the Housetop, C Wassail Song, F We Wish You a Merry Christmas F
$5.97
A LEARN TO PLAY book of 100 EASY TUNES & 10 EASY DUETS for Beginner HORN,TREBLE CLEF
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Cor
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FACILE
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Various
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Robert A KEATCH
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A LEARN TO PLAY book of 100 EA
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1104817 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditi...
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French Horn Solo - Level 2 - SKU: A0.1104817 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708055. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1104817). For Horn in B-flat or F.If you're a beginner or looking to enhance your musical skills, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes. It's perfect for teacher-student play-along.ENDORSEMENTSProfessional musician Keith Walker highly recommends this book, wishing he had it 50 years ago. It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.It's available in 10 different versions for all Western musical instruments, allowing for unison or octave play.This book is a great source of inspiration and motivation for people of all ages and classrooms.A must-have for beginner instrumentalists of all ages.
$11.99
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