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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Still
Non classifié
1 213
Piano & claviers
Piano seul
450
Piano, Voix
185
Piano, Voix et Guitare
143
Piano Facile
128
Instruments en Do
60
Orgue
46
Piano grosses notes
26
Accompagnement Piano
26
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
6
1 Piano, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
Piano (partie séparée)
1
Accordéon
1
Clavecin
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
45
Guitare
41
Ligne De Mélodie, (Paroles) et Accords
23
Paroles et Accords
10
Ukulele
8
Piano, Guitare (duo)
7
Basse electrique
6
2 Guitares (duo)
5
Dulcimer
2
4 Guitares (Quatuor)
2
Mandoline
1
3 Guitares (trio)
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
348
Chorale 2 parties
132
Chorale 3 parties
88
Chorale TTBB
52
Chorale Unison
43
Chorale SSAA
39
Pack Instrumental pour Chorale
34
Voix duo, Piano
29
Voix duo
14
Voix seule
11
Chorale SSATTB
5
Chorale
5
Voix moyenne, Piano
3
Voix haute
3
Voix basse
2
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix Soprano, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
+ 15 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
65
Flûte traversière et Piano
53
2 Saxophones (duo)
42
Clarinette et Piano
41
Saxophone Alto et Piano
37
2 Flûtes traversières (duo)
35
3 Saxophones (trio)
33
Clarinette
30
Flûte, Hautbois, Clarinette, Basson
29
Flûte traversière
27
Quatuor de Clarinettes: 4 clarinettes
26
Saxophone Soprano et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Hautbois, Piano (duo)
23
Saxophone Tenor et Piano
22
3 Clarinettes (trio)
19
Flûte, Hautbois, Basson
18
Quintette de Saxophone: 5 saxophones
18
2 Clarinettes (duo)
18
Hautbois (partie séparée)
16
Saxophone Baryton, Piano
14
Ensemble de Flûtes
14
Flûte, Hautbois, Clarinette (trio)
14
Flûte, Violon et Violoncelle
12
Flûte, Clarinette et Basson
12
Quatuor de Flûtes : 4 flûtes
12
2 Clarinettes, Basson
10
Trio de Flûtes: 3 flûtes
9
Ensemble de Clarinettes
9
Clarinette (partie séparée)
9
Flûte, Clarinette (duo)
9
Saxophone, Clarinette (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
2 Hautbois (duo)
7
Saxophone Tenor
7
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de saxophones
7
Quintette de Flûte : 5 flûtes
6
Cor anglais, Piano
6
Clarinette, Violon (duo)
6
Saxophone Alto
6
Clarinette, Trompette (duo)
5
Clarinette Basse, Piano
5
Hautbois, Basson (duo)
5
Ocarina
4
Flûte, Saxophone (duo)
4
2 Clarinettes, Piano
4
Flûte à bec Soprano
4
Flute (partie séparée)
4
Saxophone (partie séparée)
4
Flûte, Violon
4
2 Hautbois et Basson
3
Hautbois, Clarinette (duo)
3
Flûte à bec Alto
3
Ensemble à vent
3
Hautbois, Flûte
3
Flûte et Guitare
3
Flute, harpe et violon
3
Flûte à bec Alto, Piano
2
Flûte, Trompette (duo)
2
Flûte à Bec
2
Flûte, Alto (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Basson (duo)
2
Clarinette et Alto
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Hautbois, Violoncelle
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette, Orgue
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Harmonica
1
3 Hautbois
1
5 Flûtes à bec
1
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Cor anglais, Guitare (duo)
1
Saxophone
1
+ 78 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trombone et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trompette, Piano
25
Trompette
24
Trombone
20
Cor et Piano
19
Euphonium, Piano (duo)
18
Quatuor de cuivres: 4 trombones
17
2 Trompettes (duo)
12
2 Trombones (duo)
11
Trompette (partie séparée)
11
Ensemble de Trompettes
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette, Saxophone (duo)
6
Trio de Cuivres
6
Quatuor de Cuivres
6
Ensemble de Trombones
6
Cor anglais, Piano
6
Cor (partie séparée)
6
Trompette, Trombone (duo)
5
Cor
5
2 Cors (duo)
4
Quatuor de cuivres: 4 cors
4
Trompette, Cor (duo)
4
Tuba et Piano
4
Trombone (partie séparée)
4
Euphonium
3
2 Tubas (duo)
3
Tuba (partie séparée)
3
Tuba
2
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Cors
2
Tuba et Orgue
2
3 Cors (trio)
1
Clarinette, Cor (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Guitare (duo)
1
+ 37 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
165
Violon et Piano
64
Violoncelle, Piano
41
Alto, Piano
38
Harpe
36
Violon, Violoncelle (duo)
31
2 Violons (duo)
26
Trio à Cordes: violon, alto, violoncelle
26
Violon
19
Violoncelle
16
Violon, Alto (duo)
13
2 Violoncelles (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
Violon (partie séparée)
11
2 Altos (duo)
8
Piano Trio: Violon, Alto, Piano
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
6
Alto seul
6
4 Violoncelles
6
2 Harpes (duo)
5
Contrebasse, Piano (duo)
4
Alto, Violoncelle (duo)
4
Alto (partie séparée)
4
Violon, Guitare (duo)
4
Trio à Cordes: 3 violoncelles
4
Contre Basse
3
Violoncelle (partie séparée)
3
Trio à cordes: 3 violins
3
Ensemble de Violons
3
Ensemble d'Altos
3
Violoncelle, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Harpe (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
2 Contrebasses (duo)
1
Harpe, Voix
1
2 Violons, Piano
1
+ 41 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
161
Ensemble Jazz
81
Orchestre
80
Fanfare
58
Orchestre de chambre
46
Orchestre à Cordes
41
Cloches
39
Ensemble de cuivres
28
Ensemble de Percussions
26
Jazz combo
4
Percussion (partie séparée)
3
Batterie
2
Marimba
2
Batterie (partie séparée)
1
Vibraphone
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 11 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Be Still
Cor
Partitions à imprimer
5 partitions trouvées
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1
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata - No. 1 - 3rd Movement - Allegro
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Cor
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AVANCÉ
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512...
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French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
Morning Refraction for Solo Horn
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Cor
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INTERMÉDIAIRE
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Contemporain
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Jeremy Wells
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Morning Refraction for Solo Ho
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welljerm
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1030352 Composed by Jeremy Wells. Contemporary. Individual part. 12 pages. Welljerm #6261459. Published by welljerm...
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French Horn Solo - Level 3 - SKU: A0.1030352 Composed by Jeremy Wells. Contemporary. Individual part. 12 pages. Welljerm #6261459. Published by welljerm (A0.1030352). Accessible horn in F solo in a modern style. Very reflective and engaging beginning with plenty of high energy in the middle. I originally wrote this piece to perform in my culminating recital for my music studies at Brigham Young University. The title refers to the beautiful moment when the morning light crests the mountains and everything is seen anew. Includes piano accompaniment.Range for the horn is to the Ab above the staff (played 3 times, but lower notes [Eb] could be substituted for players still working on their range).
$7.99
What Was I Made For?
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Cor
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FACILE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1273292 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Son...
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French Horn Solo - Level 2 - SKU: A0.1273292 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865442. Published by Milanov (A0.1273292). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
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Cor
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FACILE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Son...
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French Horn Solo - Level 2 - SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865439. Published by Milanov (A0.1273289). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
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Be Still
