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TRI ET FILTRES

Tri et filtres :

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PIANO & CLAVIERS

Piano seul 405 Piano, Voix 156 Piano Facile 123 Piano, Voix et Guitare 110 Instruments en Do 48

Orgue 45 Accompagnement Piano 25 Piano grosses notes 21 Piano Trio: piano, violon, violoncelle 12 2 Pianos, 4 mains 9 Piano Quatuor: piano, 2 violons, violoncelle 6 1 Piano, 4 mains 5 Clavier 2 Piano Quintette: piano, 2 violons, alto, violoncelle 2 Piano (partie séparée) 1 Piano Quatuor: piano, violon, alto, violoncelle 1 Accordéon 1 Orgue, Piano (duo) 1 Clavecin 1

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GUITARES

Guitare notes et tablatures 37 Guitare 36 Ukulele 8 Piano, Guitare (duo) 8 Paroles et Accords 6

Ligne De Mélodie, (Paroles) et Accords 6 2 Guitares (duo) 5 Basse electrique 5 Dulcimer 2 4 Guitares (Quatuor) 2 Mandoline 1 Mandoline, Guitare (duo) 1 Banjo 1 3 Guitares (trio) 1

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VOIX

Chorale SATB 327 Chorale 2 parties 132 Chorale 3 parties 85 Chorale TTBB 51 Chorale Unison 43

Chorale SSAA 38 Pack Instrumental pour Chorale 31 Voix duo, Piano 29 Voix duo 14 Voix seule 11 Chorale SSATTB 4 Chorale 4 Voix moyenne, Piano 3 Voix basse 2 Voix Soprano, Piano 2 Voix Alto, Piano 2 Voix Baryton, Piano 2 Voix haute 2 Voix Tenor 1 Soli, choeur mixte et accompagnement 1

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VENTS

Quatuor de Saxophones: 4 saxophones 64 Flûte traversière et Piano 50 2 Saxophones (duo) 41 Clarinette et Piano 39 Saxophone Alto et Piano 36

2 Flûtes traversières (duo) 35 3 Saxophones (trio) 33 Clarinette 30 Flûte, Hautbois, Clarinette, Basson 29 Flûte traversière 27 Quatuor de Clarinettes: 4 clarinettes 25 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 24 Saxophone Soprano et Piano 24 Hautbois, Piano (duo) 23 Saxophone Tenor et Piano 22 3 Clarinettes (trio) 19 Flûte, Hautbois, Basson 18 Quintette de Saxophone: 5 saxophones 18 2 Clarinettes (duo) 18 Hautbois (partie séparée) 16 Flûte, Hautbois, Clarinette (trio) 14 Saxophone Baryton, Piano 14 Ensemble de Flûtes 14 Flûte, Violon et Violoncelle 12 Quatuor de Flûtes : 4 flûtes 12 Flûte, Clarinette et Basson 12 2 Clarinettes, Basson 10 Flûte, Clarinette (duo) 9 Ensemble de Clarinettes 9 Trio de Flûtes: 3 flûtes 9 Clarinette (partie séparée) 8 Saxophone, Clarinette (duo) 8 Hautbois, Clarinette, Basson (trio d'anches) 8 Saxophone Tenor 7 Quintette de Clarinettes: 5 clarinettes 7 2 Hautbois (duo) 7 Ensemble de saxophones 7 Clarinette, Violon (duo) 6 Saxophone Alto 6 Cor anglais, Piano 6 Quintette de Flûte : 5 flûtes 6 Clarinette, Trompette (duo) 5 Clarinette Basse, Piano 5 Hautbois, Basson (duo) 5 Ocarina 4 Flute (partie séparée) 4 2 Clarinettes, Piano 4 Saxophone (partie séparée) 4 Flûte, Saxophone (duo) 4 Flûte à bec Soprano 4 Flûte, Violon 4 2 Hautbois et Basson 3 Hautbois, Flûte 3 Hautbois, Clarinette (duo) 3 Flûte et Guitare 3 Flûte à bec Alto 3 Flûte à Bec 2 Flûte à bec Alto, Piano 2 Flûte, Alto (duo) 2 Flûte, Trompette (duo) 2 Ensemble à vent 2 Piccolo, Piano 2 Clarinette et Alto 2 2 Flûte à bec (duo) 2 Flûte, Violoncelle, Piano (trio) 2 Clarinette, Basson (duo) 2 2 Cors Anglais Et Pianoforte 1 3 Flûtes à bec (trio) 1 Cor anglais, Guitare (duo) 1 Hautbois, Violoncelle 1 Clarinette, Violoncelle (duo) 1 Flûte, Violon, Piano 1 2 Flûtes traversières, Piano 1 Flûte à bec Tenor 1 Saxophone 1 Harmonica 1 Clarinette, Orgue 1 Saxophone et Orgue 1 Quatuor de Flûtes à bec 1 3 Hautbois 1 Flûte à Bec, Piano 1 5 Flûtes à bec 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 35 Trombone et Piano 31 Quatuor de Cuivres : 2 trompettes, trombone, tuba 27 Trompette, Piano 25 Trompette 24 Cor et Piano 19 Euphonium, Piano (duo) 18 Trombone 18 Quatuor de cuivres: 4 trombones 17 2 Trompettes (duo) 12 2 Trombones (duo) 11 Trompette (partie séparée) 11 Ensemble de Trompettes 9 Quatuor de Cuivres: 2 trompettes, Cor, trombone 8 Trio de Cuivres 6 Quatuor de Cuivres 6 Trompette, Saxophone (duo) 6 Cor anglais, Piano 6 Ensemble de Trombones 6 Cor (partie séparée) 6 Trompette, Trombone (duo) 5 Cor 5

Tuba et Piano 4 Trombone (partie séparée) 4 Quatuor de cuivres: 4 cors 4 Trompette, Cor (duo) 4 2 Cors (duo) 4 Euphonium 3 2 Tubas (duo) 3 Tuba (partie séparée) 3 Tuba 2 Tuba et Orgue 2 Ensemble de Cors 2 2 Trompettes, Clavier (piano ou orgue) 2 2 Cors Anglais Et Pianoforte 1 2 Euphoniums (duo) 1 Cor anglais, Guitare (duo) 1 3 Cors (trio) 1 4 Tubas 1 2 Euphoniums et 2 Tubas 1 Quatuor de cuivres: 4 trompettes 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 162 Violon et Piano 61 Violoncelle, Piano 41 Alto, Piano 36 Violon, Violoncelle (duo) 31

Trio à Cordes: violon, alto, violoncelle 26 2 Violons (duo) 26 Violon 19 Violoncelle 16 2 Violoncelles (duo) 13 Violon, Alto (duo) 13 Trio à Cordes: 2 violons, violoncelle 12 Violon (partie séparée) 10 2 Altos (duo) 8 Piano Trio: Violon, Alto, Piano 7 Quintette à cordes: 2 violons, alto, violoncelle, basse 7 Alto seul 6 4 Violoncelles 6 Contrebasse (partie séparée) 6 Alto (partie séparée) 4 Violon, Guitare (duo) 4 Alto, Violoncelle (duo) 4 Trio à Cordes: 3 violoncelles 4 Contrebasse, Piano (duo) 4 Ensemble de Violons 3 Contre Basse 3 Ensemble d'Altos 3 Violoncelle (partie séparée) 3 Trio à cordes: 3 violins 3 Violoncelle, Orgue 2 Trio à cordes: 3 altos 2 Quintette à cordes: 2 violons, 2 altos, violoncelle 2 2 Contrebasses (duo) 1 Trio à Cordes: 2 violons, alto 1 2 Violons, Piano 1 Quatuor à cordes : 4 altos 1 Quatuor à cordes: 4 violons 1 Violon, Basson (duo) 1 Alto, Guitare (duo) 1 Violoncelle , Guitare (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 161 Ensemble Jazz 81 Orchestre 65 Fanfare 56 Orchestre de chambre 44

Orchestre à Cordes 40 Cloches 39 Ensemble de cuivres 27 Ensemble de Percussions 25 Jazz combo 4 Percussion (partie séparée) 3 Marimba 2 Batterie 2 Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 1 Batterie (partie séparée) 1 Vibraphone 1

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AUTRES

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Be Still - Harp

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Horn Sonata No. 1 (Complete)

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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons…(+)

French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the PiÃ¹ mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.

$18.00 16.51 € #Cor #Mike Lyons #Horn Sonata No. 1 #Lyons Music Services #SheetMusicPlus

Horn Sonata - No. 1 - 3rd Movement - Allegro

Cor

French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Musi…(+)

French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.

$9.00 8.25 € #Cor #Lyons Music Services #Horn Sonata - No. 1 - 3rd Movement - Allegro #Lyons Music Services #SheetMusicPlus

Morning Refraction for Solo Horn

Cor

French Horn Solo - Level 3 - Digital Download SKU: A0.1030352 Composed by Jeremy We…(+)

French Horn Solo - Level 3 - Digital Download SKU: A0.1030352 Composed by Jeremy Wells. Contemporary. Individual part. 12 pages. Welljerm #6261459. Published by welljerm (A0.1030352). Accessible horn in F solo in a modern style. Very reflective and engaging beginning with plenty of high energy in the middle. I originally wrote this piece to perform in my culminating recital for my music studies at Brigham Young University. The title refers to the beautiful moment when the morning light crests the mountains and everything is seen anew. Includes piano accompaniment.Range for the horn is to the Ab above the staff (played 3 times, but lower notes [Eb] could be substituted for players still working on their range).

$7.99 7.33 € #Cor #Jeremy Wells #Morning Refraction for Solo Horn #welljerm #SheetMusicPlus

What Was I Made For?

Cor

French Horn Solo - Level 2 - Digital Download SKU: A0.1273292 By Billie Eilish. By …(+)

French Horn Solo - Level 2 - Digital Download SKU: A0.1273292 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865442. Published by Milanov (A0.1273292). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate.Â What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

$5.99 5.49 € #Cor #Billie Eilish #Milanov #What Was I Made For? #Milanov #SheetMusicPlus

What Was I Made For?

Cor

French Horn Solo - Level 2 - Digital Download SKU: A0.1273289 By Billie Eilish. By …(+)

French Horn Solo - Level 2 - Digital Download SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865439. Published by Milanov (A0.1273289). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

$5.99 5.49 € #Cor #Billie Eilish #Milanov #What Was I Made For? #Milanov #SheetMusicPlus