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TRI ET FILTRES
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ACCORDEON
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116
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77
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VOIX
Chorale SATB
94
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11
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8
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6
Chorale
5
Voix haute
5
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
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44
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41
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37
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25
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21
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19
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19
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18
Clarinette
17
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17
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16
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16
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13
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13
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12
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11
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10
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9
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7
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2
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2
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2
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2
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2
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2
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1
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1
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1
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CUIVRES
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75
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67
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45
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23
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
18
Trombone
15
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11
2 Trombones (duo)
9
Cor anglais, Piano
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Cor
7
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7
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7
Cor et Piano
7
Euphonium, Piano (duo)
7
Quatuor de Cuivres
7
2 Trompettes (duo)
6
Cor Anglais
5
Tuba et Piano
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trompettes
3
Tuba
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2
Cor anglais, Guitare (duo)
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Cor et Harpe
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3 Cors (trio)
1
Trombone (partie séparée)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
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Trompette, Harpe
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Trompette, violon (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon et Piano
67
2 Violons (duo)
56
Alto, Piano
32
Violoncelle, Piano
28
Violon, Alto (duo)
27
Trio à Cordes: violon, alto, violoncelle
21
2 Altos (duo)
20
Violon, Violoncelle (duo)
19
Violon
18
Violoncelle
17
Ensemble d'Altos
13
Harpe
13
Ensemble de Violons
12
Alto seul
12
2 Violoncelles (duo)
10
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse, Piano (duo)
5
Violoncelle, Contrebasse (duo)
5
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
2 Violons, Piano
2
Contre Basse
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto et Harpe
1
Alto et Basson
1
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
64
Orchestre à Cordes
55
Orchestre d'harmonie
46
Orchestre de chambre
43
Orchestre
25
Jazz combo
17
Ensemble de cuivres
11
Fanfare
7
Ensemble de Percussions
7
Cloches
6
Marimba
6
Xylophone
3
Batterie
3
Batterie (partie séparée)
2
Ensemble d'École
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Here I stand
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I Saw Her Standing There
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(Horn) - Interactive Download SKU: HX.451211 By The Beatles. This edition: Interact…
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(Horn) - Interactive Download SKU: HX.451211 By The Beatles. This edition: Interactive Download. Pop,Rock,Standards. French Horn Solo. 1 pages. Published by Hal Leonard - Digital (HX.451211).
$2.99
2.69 €
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The Beatles
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I Saw Her Standing There
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Hal Leonard - Digital
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin …
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
The Beatles: I Saw Her Standing There - horn solo
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Instantly printable sheet music by The Beatles for horn solo of MEDIUM skill level. / pop,…
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Instantly printable sheet music by The Beatles for horn solo of MEDIUM skill level. / pop,rock,standards
$2.97
2.67 €
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The Beatles
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Virtualsheetmusic
Horn Sonata No. 1 (Complete)
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
16.19 €
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
Horn Sonata - No. 1 - 3rd Movement - Allegro
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French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Musi…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
8.09 €
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Movement - Allegro
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Lyons Music Services
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SheetMusicPlus
Futility [Horn Transcription]
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French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht…
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French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
2.7 €
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Benjamin Giesbrecht
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Futility [Horn Transcription]
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Benjamin Giesbrecht
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SheetMusicPlus
Love Story (Where Do I Begin) from Love Story - French Horn Solo
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Francis Lai - Love Story (Where Do I Begin) Digital Sheetmusic - instantly downloadable sh…
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Francis Lai - Love Story (Where Do I Begin) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: French Horn; 1 pages -- Easy Listening~~Love~~Movie/TV~~Pop~~Standards~~Soundtrack
$2.95
2.65 €
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Cor
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French Horn Solo
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Musicnotes
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