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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let There Be Music!
Non classifié
974
Piano & claviers
Piano seul
240
Piano, Voix et Guitare
110
Piano, Voix
98
Piano grosses notes
53
Orgue
39
Piano Facile
36
2 Pianos, 4 mains
22
Instruments en Do
12
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
6
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
Piano (partie séparée)
2
Orgue, Trompette (duo)
1
Clavier
1
Ensemble d'Accordéons
1
+ 12 instrumentations
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Guitares
Guitare notes et tablatures
43
Ligne De Mélodie, (Paroles) et Accords
25
Guitare
20
Basse electrique
8
Paroles et Accords
5
Guitare (partie séparée)
5
Dulcimer
3
Ukulele
3
2 Guitares (duo)
2
Mandoline
1
Ensemble de guitares
1
+ 6 instrumentations
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Voix
Chorale SATB
106
Chorale 3 parties
29
Chorale 2 parties
20
Chorale
13
Voix duo, Piano
11
Chorale TTBB
9
Chorale Unison
5
Voix Baryton, Piano
4
Voix seule
4
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix Alto, Piano
1
Voix duo
1
Chorale SSAA
1
Voix haute
1
Soli, choeur mixte et accompagnement
1
+ 11 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Ensemble de saxophones
71
2 Saxophones (duo)
46
Flûte traversière et Piano
39
Clarinette et Piano
36
Hautbois, Piano (duo)
32
2 Flûtes traversières (duo)
32
Ensemble de Clarinettes
31
Saxophone Alto et Piano
26
Quatuor de Saxophones: 4 saxophones
25
Flûte, Hautbois, Clarinette, Basson
24
2 Clarinettes (duo)
22
Saxophone (partie séparée)
21
Saxophone, Clarinette (duo)
19
Clarinette
19
Quintette de Flûte : 5 flûtes
17
Saxophone Tenor et Piano
15
Saxophone Soprano et Piano
13
Clarinette, Violon (duo)
12
Clarinette, Trompette (duo)
12
Ensemble de Flûtes
12
Flûte, Clarinette (duo)
12
Flûte, Violon
11
Saxophone Baryton, Piano
11
2 Hautbois (duo)
11
Hautbois (partie séparée)
11
Hautbois, Clarinette (duo)
11
Cor anglais, Piano
10
Clarinette Basse, Piano
9
Hautbois, Flûte
8
Hautbois, Basson (duo)
8
Flûte traversière
6
Flûte, Saxophone (duo)
6
Flûte, Trompette (duo)
6
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Tenor
5
3 Clarinettes (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Alto (duo)
5
3 Saxophones (trio)
5
Clarinette et Alto
5
Trio de Flûtes: 3 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Alto
4
Flûte, Hautbois, Clarinette (trio)
3
Clarinette (partie séparée)
3
2 Flûtes traversières, Piano
3
Flûte à bec Soprano
3
Flute (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
2
Quatuor de Flûtes à bec
2
Flute, harpe et violon
2
Clarinette, Guitare (duo)
1
Saxophone
1
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Hautbois, violon (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
2 Hautbois, Piano
1
Flûte à bec Tenor
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois (duo)
1
2 Clarinettes, Piano
1
3 Flûtes à bec (trio)
1
+ 65 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
83
Quatuor de Cuivres : 2 trompettes, trombone, tuba
82
Ensemble de Trompettes
51
Trombone et Piano
34
Cor et Piano
30
Trompette, Piano
29
Ensemble de Trombones
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Trompette (partie séparée)
18
Trombone (partie séparée)
16
2 Trombones (duo)
16
Euphonium, Piano (duo)
15
Quatuor de Cuivres
15
2 Trompettes (duo)
15
Trompette, Saxophone (duo)
14
Trompette, Trombone (duo)
14
Trompette
13
Tuba et Piano
11
Cor anglais, Piano
10
2 Cors (duo)
8
Ensemble de Cors
6
Trombone
4
Quatuor de cuivres: 4 trombones
4
Cor (partie séparée)
4
Cor
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trompettes (trio)
3
Quatuor de cuivres: 4 trompettes
3
Tuba (partie séparée)
3
Trio de Cuivres
2
2 Tubas (duo)
2
Bass Clef Instruments
2
Quatuor de cuivres: 4 cors
2
4 Tubas
1
Trombone, Cor (duo)
1
3 Trombones (trio)
1
2 Cors, Piano
1
3 Tubas (trio)
1
3 Cors (trio)
1
Tuba et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Cor (duo)
1
Euphonium
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
47
Violoncelle, Piano
32
Alto, Piano
31
Harpe
23
Violon, Violoncelle (duo)
22
2 Violoncelles (duo)
21
2 Violons (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Ensemble de Violons
16
Trio à Cordes: violon, alto, violoncelle
16
Ensemble d'Altos
16
Violon, Alto (duo)
15
Violon
13
Violoncelle
13
2 Altos (duo)
13
Contrebasse (partie séparée)
8
2 Harpes (duo)
7
Violon (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Voix
5
Alto, Violoncelle (duo)
4
Alto seul
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto (partie séparée)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
2
Violoncelle (partie séparée)
2
Harpe, Violon (duo)
2
2 Altos, Piano
2
Quatuor à cordes: 4 violons
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
3 Harpes
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 37 instrumentations
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Orchestre & Percussions
Orchestre
60
Orchestre d'harmonie
58
Orchestre à Cordes
45
Ensemble Jazz
27
Cloches
15
Ensemble de cuivres
14
Orchestre de chambre
10
Ensemble de Percussions
9
Percussion (partie séparée)
4
2 Xylophones
4
Batterie (partie séparée)
3
Fanfare
3
Vibraphone
2
Percussion
1
Jazz combo
1
Piano et Orchestre
1
Batterie
1
Vibraphone et Marimba
1
Orchestre, Violon
1
2 Marimbas
1
Ensemble d'École
1
+ 16 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Let There Be Music!
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Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
#
Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
(+)
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Ian Grant: Let There Be Love - horn solo
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Cor
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INTERMÉDIAIRE
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Jazz
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Ian Grant
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Virtualsheetmusic
Instantly printable sheet music by Ian Grant for horn solo of MEDIUM skill level. / standards
Instantly printable sheet music by Ian Grant for horn solo of MEDIUM skill level. / standards
$2.97
Horn Sonata - No. 1 - 3rd Movement - Allegro
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Cor
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AVANCÉ
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512...
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French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
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Let There Be Music!
