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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mike C
Non classifié
116
Piano & claviers
Instruments en Do
104
Piano seul
67
Piano Facile
32
Piano, Voix
8
Piano, Voix et Guitare
5
Accompagnement Piano
2
Accordéon
1
Piano (partie séparée)
1
Orgue
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Basse electrique
31
Guitare notes et tablatures
28
Ligne De Mélodie, (Paroles) et Accords
24
Guitare (partie séparée)
4
Paroles et Accords
2
Guitare
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
10
Chorale SSAA
5
Chorale TTBB
3
Chorale 3 parties
2
Vents
Saxophone (partie séparée)
20
Flûte traversière et Piano
9
Clarinette et Piano
7
Hautbois (partie séparée)
7
Saxophone Alto
6
Clarinette
6
Saxophone Tenor
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte traversière
5
Ensemble de Flûtes
4
Saxophone Soprano et Piano
2
Saxophone Alto et Piano
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Piano (duo)
2
Quatuor de Saxophones: 4 saxophones
1
Flute (partie séparée)
1
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Quintette de Flûte : 5 flûtes
1
2 Flûtes traversières (duo)
1
3 Clarinettes (trio)
1
Flûte à Bec
1
Ensemble de Clarinettes
1
Saxophone
1
Clarinette (partie séparée)
1
+ 21 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone (partie séparée)
11
Cor
7
Trompette (partie séparée)
6
Trombone
6
Tuba
5
Euphonium
4
Trompette
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba ou Euphonium ou Saxhorn
3
Trombone et Piano
2
Trompette, Piano
2
Cor (partie séparée)
2
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Cor et Piano
1
Bass Clef Instruments
1
Tuba (partie séparée)
1
Tuba et Piano
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon
11
Violon et Piano
7
Violoncelle, Piano
7
Alto, Piano
7
Violoncelle
7
Alto seul
6
Contrebasse (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
Harpe
1
Violon, Alto (duo)
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon (partie séparée)
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
2 Violons (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
86
Ensemble Jazz
59
Fanfare
40
Orchestre d'harmonie
24
Orchestre à Cordes
9
Jazz combo
2
Batterie (partie séparée)
2
Ensemble de Percussions
1
Percussion (partie séparée)
1
Orchestre
1
+ 5 instrumentations
Retracter
Autres
Instruments
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COR ANGLAIS
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DOBRO - GUI…
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FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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SYNTHE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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REGGAE
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Vous avez sélectionné:
Mike C
Cor
Partitions à imprimer
7 partitions trouvées
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Sugar
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Cor
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FACILE
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Rock
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Maroon 5
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Melquisedeque C
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Sugar
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Melquisedeque C.Silva
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.943392 By Maroon 5. By Adam Levine, Henry Walter, Jacob Kasher Hindlin, Joshua Coleman, Lukasz Gottwald, and Mike P...
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French Horn Solo - Level 2 - SKU: A0.943392 By Maroon 5. By Adam Levine, Henry Walter, Jacob Kasher Hindlin, Joshua Coleman, Lukasz Gottwald, and Mike Posner. Arranged by Melquisedeque C.Silva. Pop,Rock. Individual part. 2 pages. Melquisedeque C.Silva #6446043. Published by Melquisedeque C.Silva (A0.943392).
$4.99
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Say Something
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Cor
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DÉBUTANT
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Pop musique
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A Great Big World
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Kevin Busse
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Say Something
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Kevin Busse
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.607504 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Kevin Busse. Pop. Individu...
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French Horn Solo - Level 1 - SKU: A0.607504 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Kevin Busse. Pop. Individual part. 3 pages. Kevin Busse #4643463. Published by Kevin Busse (A0.607504). This is an exact transcription of Say Something in the easy key of C for Horn in F
$4.99
Iridescent
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Cor
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DÉBUTANT
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Metal/Hard Rock
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Rock
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Linkin Park
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Kevin Busse
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Iridescent
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Kevin Busse
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.608149 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and Robert Bour...
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French Horn Solo - Level 1 - SKU: A0.608149 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Kevin Busse. Metal,Rock. Individual part. 2 pages. Kevin Busse #4838379. Published by Kevin Busse (A0.608149). This is an exact transcription of Iridescent in the easy key of C for Horn in F
$4.99
I Can't Make You Love Me
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Cor
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DÉBUTANT
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George Michael
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Kevin Busse
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I Can't Make You Love Me
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Kevin Busse
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.606858 By George Michael. By Allen Shamblin and Mike Reid. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 p...
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French Horn Solo - Level 1 - SKU: A0.606858 By George Michael. By Allen Shamblin and Mike Reid. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 pages. Kevin Busse #4603847. Published by Kevin Busse (A0.606858). This is an exact transcription of Adele's version of I Can't Make You Love Me in the easy key of C for Horn in F
$4.99
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
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Mike C
