Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Out Here on My Own
Sheetmusicplus
Non classifié
654
Piano & claviers
Piano seul
495
Piano, Voix et Guitare
440
Piano grosses notes
213
Piano, Voix
208
Piano Facile
116
Orgue
91
Instruments en Do
24
Piano Trio: piano, violon, violoncelle
14
Accompagnement Piano
12
1 Piano, 4 mains
11
2 Pianos, 4 mains
10
Clavier
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Basse electrique
307
Guitare
43
Guitare notes et tablatures
36
4 Guitares (Quatuor)
10
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
6
Mandoline
4
Dulcimer
3
Paroles et Accords
2
Piano, Guitare (duo)
2
Ukulele
2
Ensemble de guitares
2
Banjo
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
146
Chorale 3 parties
41
Chorale TTBB
25
Chorale 2 parties
24
Voix Soprano, Piano
21
Chorale SSAA
21
Voix Tenor, Piano
19
Voix Baryton, Piano
18
Voix Alto, Piano
18
Voix duo, Piano
9
Pack Instrumental pour Chorale
7
Chorale Unison
7
Voix haute
4
Voix duo
4
Voix seule
2
Chorale
2
Chorale SSATTB
1
Voix Soprano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quintette de Saxophone: 5 saxophones
51
Quatuor de Saxophones: 4 saxophones
51
2 Flûtes traversières (duo)
44
Clarinette et Piano
39
Flûte, Hautbois, Clarinette, Basson
35
Flûte traversière et Piano
32
2 Clarinettes (duo)
29
Clarinette
28
Flûte traversière
28
Hautbois, Piano (duo)
25
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
21
Quatuor de Clarinettes: 4 clarinettes
18
Hautbois (partie séparée)
17
3 Clarinettes (trio)
15
Clarinette, Violon (duo)
14
Saxophone Tenor et Piano
14
Saxophone Alto
13
Clarinette, Trompette (duo)
13
Saxophone Tenor
11
Ensemble de Clarinettes
11
Saxophone Soprano et Piano
11
Ensemble de Flûtes
11
2 Hautbois (duo)
10
Saxophone Baryton, Piano
9
2 Flûte à bec (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Flûte, Clarinette (duo)
8
Flûte, Violon
7
Hautbois, Clarinette (duo)
7
Flûte et Guitare
7
Clarinette et Alto
7
Flûte irlandaise
6
Clarinette, Guitare (duo)
6
Saxophone (partie séparée)
6
Cor anglais, Piano
5
Hautbois, Guitare (duo)
5
Clarinette Basse, Piano
5
Flûte, Trompette (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Saxophone (duo)
5
Flûte, Alto (duo)
5
Hautbois
4
Saxophone Soprano
4
Hautbois, Flûte
4
Hautbois, Basson (duo)
4
Saxophone Baryton
3
Ensemble de saxophones
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Saxophone
3
Cor anglais, Guitare (duo)
3
Flûte, Harpe et Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
3 Saxophones (trio)
2
Cor Anglais
2
Clarinette Basse
2
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
2 Saxophones, Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Harmonica
1
+ 67 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trompette
23
Trompette, Piano
21
Trompette, Saxophone (duo)
17
Trombone et Piano
15
Trombone
15
2 Trompettes (duo)
14
Cor et Piano
13
Quatuor de cuivres: 4 trombones
13
Cor
12
2 Trombones (duo)
11
Trompette, Trombone (duo)
11
Tuba et Piano
11
Tuba
10
Ensemble de Trombones
8
Cor anglais, Piano
5
Trompette (partie séparée)
4
Quatuor de Cuivres
4
Cor anglais, Guitare (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
2
Cor Anglais
2
Ensemble de Trompettes
2
2 Cors (duo)
2
Tuba et Orgue
2
3 Trombones (trio)
2
Bass Clef Instruments
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Ensemble de Tubas
1
4 Tubas
1
2 Euphoniums (duo)
1
+ 31 instrumentations
Retracter
Cordes
Harpe
249
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon et Piano
57
Violon
55
Violoncelle
31
Violoncelle, Piano
29
2 Violons (duo)
28
Violon, Violoncelle (duo)
24
Alto, Piano
21
Alto seul
16
2 Violoncelles (duo)
13
Violon, Alto (duo)
12
2 Altos (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contre Basse
9
Contrebasse, Piano (duo)
9
Harpe, Flûte (duo)
8
Alto (partie séparée)
6
Violoncelle , Guitare (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
3
Violon (partie séparée)
2
2 Violons, Piano
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
1
Contrebasse (partie séparée)
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Orgue
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
65
Ensemble Jazz
57
Orchestre
40
Orchestre à Cordes
32
Orchestre de chambre
24
Ensemble de cuivres
18
Jazz combo
12
Ensemble de Percussions
7
Xylophone, Piano
4
Cloches
4
Batterie
3
Fanfare
2
Piano et Orchestre
1
Ensemble d'École
1
Vibraphone
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
12
Librairie Musicale
0
Matériel de Musique
2
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Out Here on My Own
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
<
1
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
#
Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607868...
(+)
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
#
Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607869...
(+)
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
#
Cor
#
AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
(+)
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Horn Sonata No. 2 (Complete)
#
Cor
#
AVANCÉ
#
Contemporain
#
Mike Lyons
#
Horn Sonata No. 2
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
(+)
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
#
Cor
#
AVANCÉ
#
Contemporain
#
Mike Lyons
#
Horn Sonata - No. 2 - 1st. Mov
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by ...
(+)
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
Horn Sonata No. 3 (Complete)
#
Cor
#
AVANCÉ
#
Mike Lyons
#
Horn Sonata No. 3
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
(+)
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Choral from the Cantata BWV 77 (Solo French Horn)
#
Cor
#
FACILE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1471820 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship...
(+)
French Horn Solo - Level 2 - SKU: A0.1471820 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Individual part. 1 pages. Rodrigo Faleiros #1048765. Published by Rodrigo Faleiros (A0.1471820). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for French Horn preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo French Horn- With Chord Symbols➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$1.99
Choral from the Cantata BWV 77 (Solo French Horn)
#
Cor
#
FACILE
#
Musique Sacrée
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1471821 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship...
(+)
French Horn Solo - Level 2 - SKU: A0.1471821 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Individual part. 1 pages. Rodrigo Faleiros #1048766. Published by Rodrigo Faleiros (A0.1471821). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for French Horn preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo French Horn➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$1.99
Ducktales Theme
#
Cor
#
FACILE
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
#
Rodrigo Faleiros
#
SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1413545 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Individual part. 1 pages. Rod...
(+)
French Horn Solo - Level 2 - SKU: A0.1413545 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Individual part. 1 pages. Rodrigo Faleiros #995286. Published by Rodrigo Faleiros (A0.1413545). Embark on a musical adventure with a beginner-friendly arrangement of the Ducktales Theme song for solo french horn.KEY FEATURES:Key of F Major: A bright and cheerful tonality perfect for the Ducktales theme.Solo French Horn: The perfect instrument to bring the melody to life.Chord Symbols Included: For added versatility and harmony exploration.Beginner to Intermediate Level: Accessible for new players, yet engaging for those more experienced.Nostalgic and Fun: Captures the spirit of the beloved animated series.Check out my other arrangements clicking here.
$4.99
Ducktales Theme
#
Cor
#
FACILE
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
#
Rodrigo Faleiros
#
SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1413546 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Individual part. 1 pages. Rod...
(+)
French Horn Solo - Level 2 - SKU: A0.1413546 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Individual part. 1 pages. Rodrigo Faleiros #995290. Published by Rodrigo Faleiros (A0.1413546). Embark on a musical adventure with a beginner-friendly arrangement of the Ducktales Theme song for solo french horn.KEY FEATURES:Key of F Major: A bright and cheerful tonality perfect for the Ducktales theme.Solo French Horn: The perfect instrument to bring the melody to life.Beginner to Intermediate Level: Accessible for new players, yet engaging for those more experienced.Nostalgic and Fun: Captures the spirit of the beloved animated series.Check out my other arrangements clicking here.
$4.99
The Sorcerer's Apprentice theme
#
Cor
#
INTERMÉDIAIRE
#
Paul Dukas
#
Rodrigo Faleiros
#
The Sorcerer's Apprentice them
#
Rodrigo Faleiros
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1323351 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Individual part. 1 pa...
(+)
French Horn Solo - Level 3 - SKU: A0.1323351 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Individual part. 1 pages. Rodrigo Faleiros #911578. Published by Rodrigo Faleiros (A0.1323351). Embark on a musical journey with our unique french horn solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this french horn solo arrangement thoughtfully transposed to enhance readability. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this french horn solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$2.99
The Sorcerer's Apprentice theme
#
Cor
#
INTERMÉDIAIRE
#
Paul Dukas
#
Rodrigo Faleiros
#
The Sorcerer's Apprentice them
#
Rodrigo Faleiros
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1323352 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Individual part. 1 pa...
(+)
French Horn Solo - Level 3 - SKU: A0.1323352 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Individual part. 1 pages. Rodrigo Faleiros #911580. Published by Rodrigo Faleiros (A0.1323352). Embark on a musical journey with our unique french horn solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this french horn solo arrangement thoughtfully transposed to enhance readability. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this french horn solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$2.99
<
1
Out Here on My Own
