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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Power Of Two
Non classifié
168
Piano & claviers
Piano seul
74
Accompagnement Piano
54
Piano, Voix
14
Piano, Voix et Guitare
14
Piano Facile
10
2 Pianos, 4 mains
10
Orgue
7
Orgue, Trompette (duo)
6
Instruments en Do
3
Orgue, Piano (duo)
2
Clavier
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
6
2 Guitares (duo)
4
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
77
Chorale 2 parties
26
Chorale 3 parties
18
Voix Tenor, Piano
17
Chorale Unison
13
Chorale TTBB
10
Voix Soprano, Piano
9
Chorale SSAA
7
Voix Alto, Piano
6
Voix Tenor
4
Voix duo, Piano
4
Voix Soprano
1
Chorale SSATTB
1
Voix Baryton, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
21
2 Flûtes traversières (duo)
18
Clarinette et Piano
16
2 Clarinettes (duo)
15
Quatuor de Saxophones: 4 saxophones
10
Flûte traversière et Piano
10
Quintette de Saxophone: 5 saxophones
8
Saxophone Soprano et Piano
7
Hautbois, Piano (duo)
7
Flûte, Clarinette (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone, Clarinette (duo)
5
Hautbois (partie séparée)
5
Saxophone Tenor et Piano
5
Flute (partie séparée)
5
3 Clarinettes (trio)
5
Saxophone Alto et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
3 Saxophones (trio)
4
Clarinette, Trompette (duo)
4
Clarinette
4
Clarinette, Violon (duo)
4
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
3
Cor anglais, Piano
3
Clarinette et Alto
3
Clarinette (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette Basse, Piano
3
Flûte, Saxophone (duo)
2
Flûte, Alto (duo)
2
Quatuor de Flûtes à bec
2
Flûte traversière
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Saxophone Baryton, Piano
2
Flûte traversière, Orgue (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Clarinette Basse
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Ensemble de Flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Saxophone Tenor
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
2 Flûtes traversières, Harpe
1
Hautbois, Clarinette (duo)
1
Hautbois, Harpe
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
2 Trombones (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
7
Cor
6
Trompette (partie séparée)
6
Cor et Piano
6
Trompette, Piano
5
Trompette, Saxophone (duo)
4
Tuba et Piano
4
Trompette
4
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Trombone (partie séparée)
3
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
Cor et Harpe
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
3 Euphoniums
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Harpe
1
4 Tubas
1
+ 24 instrumentations
Retracter
Cordes
Violon et Piano
21
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violoncelle, Piano
13
Trio à Cordes: 2 violons, violoncelle
13
Alto, Piano
10
2 Violons (duo)
9
Violon
8
Harpe
6
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
Violon (partie séparée)
2
Violoncelle
2
Violon, Alto (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
Contre Basse
2
Contrebasse (partie séparée)
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
1
2 Violoncelles, Piano
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
2 Harpes (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
79
Orchestre
33
Fanfare
24
Cloches
16
Orchestre à Cordes
13
Orchestre de chambre
7
Ensemble de cuivres
4
Ensemble de Percussions
3
Percussion (partie séparée)
2
Percussion
1
Jazz combo
1
Batterie
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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Vous avez sélectionné:
Power Of Two
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Partitions à imprimer
6 partitions trouvées
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1
Star Spangled Banner for Two French Horns
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Cor
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Contemporain
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John Stafford Smith, Francis S
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Roy Swanson
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Star Spangled Banner for Two F
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Runway Region Publications, LLC
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SheetMusicPlus
French Horn Solo - SKU: A0.955545 Composed by John Stafford Smith, Francis Scott Key. Arranged by Roy Swanson. Contemporary. Individual part. 2 pages. R...
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French Horn Solo - SKU: A0.955545 Composed by John Stafford Smith, Francis Scott Key. Arranged by Roy Swanson. Contemporary. Individual part. 2 pages. Runway Region Publications, LLC #5773851. Published by Runway Region Publications, LLC (A0.955545). A powerful rendition of America's national anthem, showing off the versatility of two French Horns while reminding the listener of the majesty of the country.
$5.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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Cor
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. P...
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French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Cor
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AVANCÉ
#
Contemporain
#
Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
(+)
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 1 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #606476...
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French Horn Solo - Level 4 - SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064769. Published by Benjamin Sajo (A0.1018910). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 2 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #606477...
(+)
French Horn Solo - Level 4 - SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064775. Published by Benjamin Sajo (A0.1018911). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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Power Of Two
