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Remember When
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Lullaby for Ryan for Solo Natural Horn
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Cor
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INTERMÉDIAIRE
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Isaac Shieh
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Lullaby for Ryan for Solo Natu
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Music Macri Editions
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.931342 Composed by Isaac Shieh. Concert,Contemporary. Individual part. 6 pages. Music Macri Editions #6885733. Publ...
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French Horn Solo - Level 3 - SKU: A0.931342 Composed by Isaac Shieh. Concert,Contemporary. Individual part. 6 pages. Music Macri Editions #6885733. Published by Music Macri Editions (A0.931342). Lullaby for Ryan was written between 2020-2022 in memory of my friend Ryan Cooke who was killed in 2016 after a tragic accident. I wrote the piece after I felt his presence when I was having the last seizure in a cluster of seizures that left me with a permanent disability. Composing this piece had been my was of processing the pain I had been carrying for all those years following his tragic death, and this is my way of grieving, processing, accepting, and ultimately sharing my memories of him and to remember him since that fateful day in 2016.
$7.00
Carson Cooman: River Song: Remembering Dennis Abelson for horn
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: River Song: Rem
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Musik Fabrik Music Publishing
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.533556 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publ...
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French Horn Solo - Level 4 - SKU: A0.533556 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3018605. Published by Musik Fabrik Music Publishing (A0.533556). River Song: Remembering Dennis Abelson (2007) for solo horn was composed in memory of DennisR. Abelson, horn performer and teacher who died on September 1, 2007 at the age of 56 after aprotracted battle with cancer. Abelson served as long-time professor of horn at Carnegie MellonUniversity in Pittsburgh, Pennsylvania. The work is inscribed “in memory of Dennis Abelson and for hismany students and friends to remember him.â€Dennis commissioned two works from me for the Carnegie Mellon Horn Choir and was alwaysencouraging and interested in what I was doing with his instrument. He leaves behind a verydistinguished legacy of horn students who have held many significant orchestra and teachingpositions throughout the world. When one heard Dennis talk about his students (both current andformer), it was immediately obvious how much he rejoiced in their successes and achievements.This work is founded upon the pitches of D and A, taken from the initial letters of Abelson’s names.It is a rhapsodic elaboration of that basic material – as the melodic material is constantly developedand expanded. The “river†of the title refers both to the flowing character of the music’sdevelopment and to the three rivers of Pittsburgh, the city in which Abelson spent his entire life.
$9.10
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide...
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French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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