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--INSTRUMENTS--
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Reprise
Non classifié
187
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184
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168
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106
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53
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6
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6
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6
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6
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5
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4
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
+ 7 instrumentations
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27
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8
Guitare
6
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5
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5
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2
2 Guitares (duo)
2
Piano, Guitare (duo)
1
+ 4 instrumentations
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48
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19
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15
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13
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10
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9
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5
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5
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5
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4
Voix duo
3
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1
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18
2 Saxophones (duo)
17
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17
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17
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15
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15
Hautbois, Piano (duo)
14
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12
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12
Saxophone Alto
11
Clarinette
9
Clarinette et Piano
8
Clarinette, Trompette (duo)
6
Saxophone Alto et Piano
6
Clarinette, Violon (duo)
6
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6
Saxophone (partie séparée)
6
3 Clarinettes (trio)
5
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4
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4
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4
Saxophone Tenor
4
Flûte, Saxophone (duo)
4
2 Clarinettes (duo)
4
Hautbois, Basson (duo)
4
2 Hautbois (duo)
4
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4
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4
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4
Flûte à Bec
3
Hautbois (partie séparée)
3
Saxophone Tenor et Piano
3
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3
Flûte, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton, Piano
2
Cor Anglais
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
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2
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1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois (duo)
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Basson
1
+ 42 instrumentations
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11
Trombone
10
Trompette, Trombone (duo)
9
Trompette, Saxophone (duo)
8
Trompette
8
Cor
6
Trio de Cuivres
6
Trompette, Piano
5
2 Trombones (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de Cuivres
4
Euphonium, Piano (duo)
3
Trombone et Piano
3
Cor et Piano
3
Tuba
3
Euphonium
3
Trompette (partie séparée)
2
Cor Anglais
2
Tuba et Piano
1
2 Trompettes (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
4 Tubas
1
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Quatuor à cordes: 2 violons, alto, violoncelle
167
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143
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119
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118
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26
Violon et Piano
12
Violoncelle
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
6
Alto (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
6
Alto, Piano
5
Violoncelle, Piano
5
Alto seul
4
2 Violons (duo)
4
2 Altos (duo)
3
Harpe
3
Contre Basse
3
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Violon, Guitare (duo)
1
+ 19 instrumentations
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Orchestre à Cordes
107
Fanfare
48
Orchestre d'harmonie
16
Orchestre
9
Ensemble de cuivres
8
Orchestre de chambre
6
Cloches
5
Ensemble Jazz
2
Xylophone, Piano
2
Batterie
1
Marimba
1
Xylophone
1
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Part Of Your World (reprise)
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Cor
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DÉBUTANT
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Film/TV
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Alan Menken and Howard Ashman
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Alex Nunes Rodrigues
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Part Of Your World
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Alex Rodrigues
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.1244136 Composed by Alan Menken and Howard Ashman. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 3 pa...
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French Horn Solo - Level 1 - SKU: A0.1244136 Composed by Alan Menken and Howard Ashman. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 3 pages. Alex Rodrigues #839113. Published by Alex Rodrigues (A0.1244136). Part of Your World is a song from Disney's film The Little Mermaid. Performed by the character Ariel, the song expresses her deep desire to explore the human world and experience life beyond the ocean. With a captivating melody and emotional lyrics, the song conveys a feeling of curiosity, dreams, and longing for something beyond what she knows. It is an iconic song that captures the imagination and adventurous spirit.
$4.99
Part Of Your World (reprise)
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Cor
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DÉBUTANT
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Film/TV
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Alan Menken and Howard Ashman
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Alex Nunes Rodrigues
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Part Of Your World
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Alex Rodrigues
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.1244135 Composed by Alan Menken and Howard Ashman. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 3 pa...
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French Horn Solo - Level 1 - SKU: A0.1244135 Composed by Alan Menken and Howard Ashman. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 3 pages. Alex Rodrigues #839112. Published by Alex Rodrigues (A0.1244135). Part of Your World is a song from Disney's film The Little Mermaid. Performed by the character Ariel, the song expresses her deep desire to explore the human world and experience life beyond the ocean. With a captivating melody and emotional lyrics, the song conveys a feeling of curiosity, dreams, and longing for something beyond what she knows. It is an iconic song that captures the imagination and adventurous spirit.
$4.99
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Das Große Gastmahl (Horn)
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1435143 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages....
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French Horn Solo - Level 4 - SKU: A0.1435143 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015248. Published by Stephan Langenberg (A0.1435143). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Horn Sonata - No. 1 - 3rd Movement - Allegro
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Cor
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AVANCÉ
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512...
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French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
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