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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Slow It Down
Non classifié
700
Piano & claviers
Piano seul
556
Piano, Voix et Guitare
395
Piano Facile
58
Piano, Voix
52
Orgue
32
Instruments en Do
25
Piano Trio: piano, violon, violoncelle
10
Piano (partie séparée)
7
1 Piano, 4 mains
7
2 Pianos, 4 mains
4
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
51
Guitare notes et tablatures
36
Guitare (partie séparée)
10
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
2 Guitares (duo)
5
4 Guitares (Quatuor)
3
Banjo
2
3 Guitares (trio)
2
Dulcimer
2
+ 6 instrumentations
Retracter
Voix
Chorale SATB
117
Chorale 3 parties
47
Chorale 2 parties
21
Chorale TTBB
16
Chorale SSAA
13
Voix Alto, Piano
12
Chorale Unison
10
Voix Soprano, Piano
7
Voix duo
5
Voix haute
2
Voix basse, Piano
1
Voix duo, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
106
Quintette de Saxophone: 5 saxophones
72
2 Saxophones (duo)
66
Quatuor de Saxophones: 4 saxophones
54
Flûte traversière et Piano
44
Clarinette et Piano
33
2 Clarinettes (duo)
32
Hautbois, Piano (duo)
32
Quatuor de Clarinettes: 4 clarinettes
32
Ensemble de saxophones
28
Flûte, Hautbois, Clarinette, Basson
27
Saxophone (partie séparée)
25
Flûte traversière
24
2 Flûtes traversières (duo)
23
Saxophone Alto et Piano
23
Saxophone, Clarinette (duo)
22
Clarinette, Violon (duo)
19
3 Saxophones (trio)
19
Quatuor de Flûtes : 4 flûtes
19
Ensemble de Clarinettes
18
Saxophone Tenor et Piano
17
Clarinette
14
Clarinette, Trompette (duo)
13
Hautbois (partie séparée)
13
Saxophone Alto
13
Saxophone Soprano et Piano
12
2 Hautbois (duo)
11
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
11
Quintette de Flûte : 5 flûtes
10
Flûte, Clarinette (duo)
10
Clarinette et Alto
9
Flûte, Saxophone (duo)
9
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Flûte, Violon
8
Hautbois, Clarinette (duo)
8
Flute (partie séparée)
8
Flûte et Guitare
7
2 Flûte à bec (duo)
7
Saxophone Baryton, Piano
7
Hautbois, Flûte
7
Flûte, Alto (duo)
6
Clarinette Basse, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Tenor
6
Flûte, Trompette (duo)
5
Cor anglais, Piano
4
Flûte à bec Soprano
4
Quatuor de Flûtes à bec
4
Clarinette (partie séparée)
4
Flûte à Bec
3
Clarinette, Guitare (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violon et Violoncelle
3
Ensemble De Flûte à bec
3
Flûte, Hautbois, Clarinette (trio)
3
3 Flûtes à bec (trio)
3
5 Flûtes à bec
3
Flûte à bec Tenor
2
Flûte, Clarinette et Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
2
2 Flûtes traversières, Piano
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
Ensemble de Hautbois
1
Flûte à Bec, Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte irlandaise
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Hautbois
1
4 Hautbois
1
Flûte, Violon, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, trombone et piano
1
Hautbois
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ocarina
1
Flûte, Violoncelle
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trompette, Piano
29
Trombone et Piano
27
Trombone (partie séparée)
25
Trompette
24
Trompette (partie séparée)
20
Cor et Piano
20
Trompette, Saxophone (duo)
18
Cor
18
Trombone
13
2 Trombones (duo)
13
Ensemble de Trombones
11
Tuba et Piano
11
2 Trompettes (duo)
10
Trompette, Trombone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trompettes
8
Quatuor de cuivres: 4 trombones
7
Tuba
7
Quatuor de Cuivres
6
Ensemble de Cors
5
Cor (partie séparée)
5
Cor anglais, Piano
4
2 Cors (duo)
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trompettes
3
Tuba (partie séparée)
3
3 Trombones (trio)
2
Euphonium
2
2 Tubas (duo)
2
4 Tubas
2
Cor anglais, Guitare (duo)
1
Trompette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 cors
1
3 Tubas (trio)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
134
Violon et Piano
53
Violon
51
Harpe
33
Violoncelle, Piano
30
Alto, Piano
30
Violon, Violoncelle (duo)
22
Violoncelle
21
2 Violoncelles (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
2 Harpes (duo)
15
2 Altos (duo)
13
2 Violons (duo)
13
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Contrebasse (partie séparée)
7
Contre Basse
7
4 Violoncelles
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
6
Ensemble d'Altos
6
Contrebasse, Piano (duo)
6
Alto (partie séparée)
5
Quatuor à cordes: 4 violons
4
Violon (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Violon, Orgue
2
2 Contrebasses (duo)
1
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Basse continue
1
4 Contrebasses
1
Violoncelle, Orgue
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
161
Orchestre
75
Ensemble Jazz
66
Orchestre à Cordes
61
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
27
Jazz combo
25
Ensemble de Percussions
13
Batterie
12
Fanfare
10
Batterie (partie séparée)
4
Marimba
1
Piano et Orchestre
1
Orchestre, Violon
1
Percussion (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
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BALALAIKA
BANJO
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BASSON
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BOUZOUKI
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Slow It Down
Cor
Partitions à imprimer
18 partitions trouvées
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1
Go Tell It on the Mtn with God Rest Ye (Arrangements Level 3-5 for HORN + Written Acc)
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Cor
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INTERMÉDIAIRE
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Spiritual / English Carol
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Dr Jerry Nelson
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Go Tell It on the Mtn with God
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Jerry Nelson
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.874920 Composed by Spiritual / English Carol. Arranged by Dr Jerry Nelson. Christian,Christmas,Jazz,Spiritual. Indi...
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French Horn Solo - Level 3 - SKU: A0.874920 Composed by Spiritual / English Carol. Arranged by Dr Jerry Nelson. Christian,Christmas,Jazz,Spiritual. Individual part. 7 pages. Jerry Nelson #3676815. Published by Jerry Nelson (A0.874920). A sweet mix of Jazz and English Madrigal. And an easy-read. The arrangement moves you gracefully from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. The DEMO is performed at the more advanced level. Bonus (3 performance options): Written Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the dramatic Orchestral Accompaniment Track (#SO.422479) If the track moves a bit fast, order the SLOWER 'rehearsal' version, at a very special price: Item #SO.419723. - 2:03Share this Gold Mine with your friends! Jerry Nelson now presents his finest Christmas arrangements in a variety of styles. Hear them all start-to-finish. Search Jerry Nelson Christmas (plus the name of your instrument). Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement & Track!
$4.99
Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata - No. 1 - 2nd Movement - Adagio
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata - No. 1 - 2nd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Publi...
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French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Published by Lyons Music Services (A0.767340). This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to created a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Piu mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter un til the ending at ppp.
$8.00
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607868...
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French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607869...
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French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Away in a Manger
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Cor
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FACILE
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Noël
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James R
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Wesley S
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Away in a Manger
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Wesley S. Silva
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1501290 Composed by James R. Murray. Arranged by Wesley S. SIlva. Christmas. Individual part. 1 pages. Wesley S. Si...
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French Horn Solo - Level 2 - SKU: A0.1501290 Composed by James R. Murray. Arranged by Wesley S. SIlva. Christmas. Individual part. 1 pages. Wesley S. Silva #1077251. Published by Wesley S. Silva (A0.1501290). Away in a Manger is a classic Christmas carol that is perfect for beginner musicians. The song features a simple and gentle melody with a steady, slow tempo, making it easy to learn and play. Its repetitive structure allows beginners to quickly pick up the tune and focus on basic musical skills, such as timing and expression. With its calm and soothing nature, Away in a Manger is an excellent choice for anyone looking to perform a beloved, easy-level Christmas song that captures the peaceful spirit of the holiday season.
$4.99
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 1 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #606476...
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French Horn Solo - Level 4 - SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064769. Published by Benjamin Sajo (A0.1018910). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 2 in F
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #606477...
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French Horn Solo - Level 4 - SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064775. Published by Benjamin Sajo (A0.1018911). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
"Street Dancing" - For Solo horn in F and Piano - Early Intermediate/ Intermediate level
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Cor
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FACILE
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Raymond Fenech
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Raymond Fenech
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"Street Dancing" - F
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Raymond Fenech
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SheetMusicPlus
Small Ensemble French Horn Solo - Level 2 - SKU: A0.760387 Composed by Raymond Fenech. Arranged by Raymond Fenech. Children,Christmas,Contemporary,Instr...
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Small Ensemble French Horn Solo - Level 2 - SKU: A0.760387 Composed by Raymond Fenech. Arranged by Raymond Fenech. Children,Christmas,Contemporary,Instructional,Standards. Individual part. 7 pages. Raymond Fenech #3626969. Published by Raymond Fenech (A0.760387). Street Dancing is a calm and relaxing composition. This piece is in a slow ¾ Waltz tempo. It could be used at schools to give the students a sense feelings and interpretation. The Duration is approx. 1.41 minutes and the level is Intermediate.
$3.50
A Thousand Years
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Cor
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FACILE
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Film/TV
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Christina Perri
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Alex Nunes Rodrigues
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A Thousand Years
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Alex Rodrigues
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1290594 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Nunes Rodrigues. Film/TV. Individ...
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French Horn Solo - Level 2 - SKU: A0.1290594 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 2 pages. Alex Rodrigues #881315. Published by Alex Rodrigues (A0.1290594). A Thousand Years is a Christina Perri pop ballad that celebrates eternal love. The song is a declaration of eternal love. The lyrics speak to the power of love and how it can last for a thousand years or more. The melody is slow and gentle, with a touch of Celtic instrumentation. The sheet music for A Thousand Years is perfect for any musician who wants to play this beautiful song.
$4.99
A Thousand Years
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Cor
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FACILE
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Film/TV
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Christina Perri
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Alex Nunes Rodrigues
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A Thousand Years
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Alex Rodrigues
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1290596 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Nunes Rodrigues. Film/TV. Individ...
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French Horn Solo - Level 2 - SKU: A0.1290596 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 2 pages. Alex Rodrigues #881317. Published by Alex Rodrigues (A0.1290596). A Thousand Years is a Christina Perri pop ballad that celebrates eternal love. The song is a declaration of eternal love. The lyrics speak to the power of love and how it can last for a thousand years or more. The melody is slow and gentle, with a touch of Celtic instrumentation. The sheet music for A Thousand Years is perfect for any musician who wants to play this beautiful song.
$4.99
William Tell Overture (Arrangements Level 4 to 6+ for HORN + Written Acc)
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini
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Dr Jerry Nelson
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Written
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William Tell Overture
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Jerry Nelson
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.875103 Composed by Gioachino Rossini. Arranged by Dr Jerry Nelson. Instructional,Romantic Period,Standards,World. I...
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French Horn Solo - Level 4 - SKU: A0.875103 Composed by Gioachino Rossini. Arranged by Dr Jerry Nelson. Instructional,Romantic Period,Standards,World. Individual part. 9 pages. Jerry Nelson #3873721. Published by Jerry Nelson (A0.875103). Rossini's most popular work, thanks to The Lone Ranger. This arrangement begs for performance with the incredible Accompaniment Track. Stairstep from Level 4 to 6+ using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.441847). Time 2:35. It moves. For a SLOWER rehearsal version at reduced price, order #SO.419773.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements. Share them with your friends. SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
Eine Kleine Nachtmusik (Arrangements Level 3-5 for HORN + Written Acc)
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Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Dr Jerry Nelson
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Eine Kleine Nachtmusik
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Jerry Nelson
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.875138 Composed by Wolfgang Amadeus Mozart. Arranged by Dr Jerry Nelson. Classical,Instructional,Standards,World. I...
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French Horn Solo - Level 3 - SKU: A0.875138 Composed by Wolfgang Amadeus Mozart. Arranged by Dr Jerry Nelson. Classical,Instructional,Standards,World. Individual part. 5 pages. Jerry Nelson #3873915. Published by Jerry Nelson (A0.875138). Mozart all the way – at his best. Absolutely a joy to play, especially with the sound track which adds a rhythm section! These arrangements move you easily from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Perform or rehearse it with this gorgeous Orchestral Accompaniment Track (#SO.432393). Track movin' a little fast? Order the slower, rehearsal version at very reduced price (#SO.419743)Congrats! You found the Gold Mine! Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name. Maybe add title or genre) VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Optional Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 5. (Time 3:07)
$4.99
O Happy Day (Arrangements Level 3-6 for HORN + Written Acc) Hymns
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Cor
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INTERMÉDIAIRE
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Edward Rimbault
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Dr Jerry Nelson
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O Happy Day
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Jerry Nelson
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.875247 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Romantic Period,Spiritual. I...
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French Horn Solo - Level 3 - SKU: A0.875247 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Romantic Period,Spiritual. Individual part. 10 pages. Jerry Nelson #3876509. Published by Jerry Nelson (A0.875247). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).
$4.99
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. P...
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French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Cor
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
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French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
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