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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata 1
Sheetmusicplus
Non classifié
615
Piano & claviers
Piano seul
451
Piano Facile
140
1 Piano, 4 mains
38
Orgue
21
Piano, Voix
8
2 Pianos, 4 mains
5
Clavecin
5
Piano, Voix et Guitare
5
Instruments en Do
3
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
64
Guitare notes et tablatures
29
2 Guitares (duo)
10
Piano, Guitare (duo)
4
Ukulele
2
Ligne De Mélodie, (Paroles) et Accords
2
3 Guitares (trio)
1
Mandoline
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
4
Chorale 2 parties
1
Vents
Flûte traversière et Piano
80
2 Flûtes traversières (duo)
61
Clarinette et Piano
49
2 Saxophones (duo)
46
2 Clarinettes (duo)
40
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
30
3 Flûtes à bec (trio)
29
3 Clarinettes (trio)
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Tenor et Piano
23
2 Hautbois (duo)
20
Saxophone Soprano et Piano
20
Flûte, Hautbois, Clarinette, Basson
16
Flûte traversière
15
Saxophone Baryton, Piano
15
Quatuor de Clarinettes: 4 clarinettes
14
Flûte à bec Alto, Basse continue
13
3 Saxophones (trio)
13
Flûte traversière, Basse continue
13
2 Flûte à bec (duo)
13
Clarinette
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Clarinette et Basson
11
Hautbois, Basson (duo)
11
Trio de Flûtes: 3 flûtes
11
Flûte, Violoncelle
10
Flûte, Hautbois, Basson
9
Clarinette Basse, Piano
9
Cor anglais, Piano
9
Clarinette et Alto
9
Quatuor de Saxophones: 4 saxophones
8
Quintette de Saxophone: 5 saxophones
8
Ensemble de saxophones
8
Clarinette, Basson (duo)
7
Flûte, Alto (duo)
7
Ensemble de Clarinettes
7
Clarinette, Violoncelle (duo)
7
Flûte et Guitare
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Alto
7
Flûte, Clarinette (duo)
7
Hautbois, Clarinette (duo)
5
Ensemble à vent
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois (partie séparée)
5
2 Cors Anglais Et Pianoforte
5
Quatuor de Flûtes à bec
4
Flûte à Bec
4
Clarinette, Violon (duo)
4
Saxophone (partie séparée)
4
2 Clarinettes, Basson
4
Clarinette (partie séparée)
4
Harmonica
3
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Tenor
3
Flûte, Violon et Violoncelle
3
Cor anglais, Guitare (duo)
2
Flûte à bec Alto, Piano
2
Saxophone
2
Flûte, Violon
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone et Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo, Piano
1
Quintette de Flûte : 5 flûtes
1
Flute, harpe et violon
1
Saxophone, Clarinette (duo)
1
5 Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Guitare (duo)
1
2 Hautbois et Basson
1
Flute (partie séparée)
1
Flûte à Bec, Piano
1
Hautbois, Flûte
1
Flûte irlandaise
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
+ 75 instrumentations
Retracter
Cuivres
Trombone et Piano
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette, Piano
18
Cor et Piano
15
Trompette (partie séparée)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
2 Cors (duo)
14
Euphonium, Piano (duo)
13
2 Trompettes (duo)
12
Trompette
11
2 Trombones (duo)
10
Trombone
9
2 Euphoniums (duo)
9
Cor anglais, Piano
9
Cor
8
2 Tubas (duo)
8
2 Cors Anglais Et Pianoforte
5
Tuba et Piano
4
Quatuor de cuivres: 4 cors
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
4 Tubas
3
Trombone (partie séparée)
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trombones
3
Cor (partie séparée)
2
Trompette, Trombone (duo)
2
Cor anglais, Guitare (duo)
2
3 Trombones (trio)
2
Tuba
2
Euphonium, Tuba (duo)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
Tuba (partie séparée)
1
3 Euphoniums
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
91
Violon
87
Quatuor à cordes: 2 violons, alto, violoncelle
74
Violoncelle, Piano
53
Alto, Piano
50
2 Violons (duo)
38
Violon, Alto (duo)
26
Alto seul
26
2 Violoncelles (duo)
26
Violon, Violoncelle (duo)
23
2 Altos (duo)
21
Violoncelle
20
Trio à Cordes: violon, alto, violoncelle
18
Violon (partie séparée)
15
Violoncelle, Contrebasse (duo)
14
Violon, Basse continue
11
2 Violons et Basse continue
10
Trio à Cordes: 2 violons, violoncelle
9
Harpe
9
2 Contrebasses (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
Violoncelle, Basse continue
6
2 Violons, Piano
6
Contrebasse (partie séparée)
6
Alto (partie séparée)
5
Flûte, Contrebasse (duo)
5
Contrebasse, Piano (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Violoncelle (partie séparée)
4
Violon, Basson (duo)
3
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
1
Contre Basse
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
99
Orchestre
38
Orchestre d'harmonie
20
Orchestre de chambre
18
Ensemble de cuivres
7
Ensemble de Percussions
3
Percussion (partie séparée)
3
Xylophone
2
Ensemble Jazz
2
2 Xylophones
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
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BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Sonata 1
SheetMusicPlus
Partitions à imprimer
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1
Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Cor
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
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French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Horn Sonata - No. 2 - 2nd. Movement - Adagio
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Mike Lyons
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Horn Sonata - No. 2 - 2nd. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.767344 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3516827. Publi...
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French Horn Solo - Level 4 - SKU: A0.767344 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3516827. Published by Lyons Music Services (A0.767344). This is the 2nd movement of my second horn sonata. This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible.
$7.00
Horn Sonata - No. 1 - 2nd Movement - Adagio
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata - No. 1 - 2nd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Publi...
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French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Published by Lyons Music Services (A0.767340). This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to created a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Piu mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter un til the ending at ppp.
$8.00
Moonlight Sonata, for Horn in F (Short Version)
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Cor
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Giovanni Porfirio
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Moonlight Sonata, for Horn in
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Mundi
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.950399 Composed by Ludwig van Beethoven. Arranged by Giovanni Porfirio. Concert,Instructional,Standards. Individual...
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French Horn Solo - Level 1 - SKU: A0.950399 Composed by Ludwig van Beethoven. Arranged by Giovanni Porfirio. Concert,Instructional,Standards. Individual part. 2 pages. Mundi #6456923. Published by Mundi (A0.950399). Easy version. Perfect for classes, rehearsal, concerts, wedding and personal enjoyment. Appropriate for schools, students, recital and church. Duration: 2'. Not difficult to play.
$2.79
Horn Sonata - No. 1 - 3rd Movement - Allegro
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Cor
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AVANCÉ
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512...
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French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
Piano Sonata In C Major
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Cor
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Classique
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Piano Sonata In C Major
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Classical. HRNSOL. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.395501). - HRNSOL - Classical - Hal Leonard - Digital Sheet Music...
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Classical. HRNSOL. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.395501). - HRNSOL - Classical - Hal Leonard - Digital Sheet Music
$2.99
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Sonata 1
