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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata 6
Non classifié
327
Piano & claviers
Piano seul
418
Piano Facile
36
1 Piano, 4 mains
10
Orgue
10
Clavecin
4
Piano, Voix
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
59
Guitare notes et tablatures
15
2 Guitares (duo)
5
Piano, Guitare (duo)
3
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Mandoline
1
Ukulele
1
+ 4 instrumentations
Retracter
Voix
Chorale 2 parties
4
Voix duo, Piano
1
Vents
Flûte traversière
124
2 Flûtes traversières (duo)
39
2 Saxophones (duo)
35
Flûte traversière et Piano
34
Clarinette et Piano
27
2 Clarinettes (duo)
25
2 Flûte à bec (duo)
24
Saxophone Alto et Piano
17
2 Hautbois (duo)
17
3 Clarinettes (trio)
13
Flûte à Bec
12
3 Saxophones (trio)
10
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
10
3 Flûtes à bec (trio)
9
Saxophone Baryton, Piano
8
Hautbois, Piano (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte traversière, Basse continue
7
Clarinette Basse, Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Basson
6
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Saxophones: 4 saxophones
5
Flûte, Clarinette (duo)
4
Flûte, Violon et Violoncelle
4
Hautbois, Basson (duo)
4
2 Clarinettes, Basson
4
Ensemble De Flûte à bec
4
Clarinette et Alto
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Violoncelle (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte à bec Alto, Basse continue
4
Flûte à bec Soprano, Piano
3
Quatuor de Flûtes à bec
3
Clarinette, Violon (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violoncelle
3
Flûte à bec Alto, Piano
3
Cor anglais, Piano
3
Ensemble de Clarinettes
3
Ensemble de saxophones
2
Piccolo, Piano
2
Harmonica
2
Flûte, Alto (duo)
2
Ensemble de Flûtes
1
Flûte, Violon
1
Flûte à bec Soprano
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Saxophone (partie séparée)
1
Flûte, Alto et Violoncelle
1
Cor anglais et Harpe (duo)
1
Hautbois, Harpe
1
Flûte à bec Alto
1
Clarinette, Harpe (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Trombone et Piano
12
2 Cors (duo)
11
2 Trompettes (duo)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
2 Trombones (duo)
9
Trompette, Piano
8
2 Euphoniums (duo)
7
Tuba et Piano
6
2 Tubas (duo)
6
Cor et Piano
6
Euphonium, Piano (duo)
6
Trompette
5
2 Cors Anglais Et Pianoforte
4
Cor
3
Quatuor de cuivres: 4 cors
3
Cor anglais, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
3 Euphoniums
2
Trombone basse et Piano
1
Ensemble de Trombones
1
Tuba
1
Trompette, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
Trompette (partie séparée)
1
+ 21 instrumentations
Retracter
Cordes
Violon
129
Violon et Piano
48
Violoncelle, Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
33
Alto, Piano
28
2 Violons (duo)
24
2 Violoncelles (duo)
19
Alto seul
18
Trio à Cordes: violon, alto, violoncelle
17
2 Altos (duo)
16
Violoncelle
13
Violon, Alto (duo)
11
Violon, Guitare (duo)
11
Violon, Violoncelle (duo)
10
Trio à Cordes: 2 violons, violoncelle
8
Violon (partie séparée)
7
Contre Basse
7
Harpe
6
Violon, Basse continue
6
2 Contrebasses (duo)
6
Violoncelle, Basse continue
6
Violoncelle, Contrebasse (duo)
4
Violoncelle (partie séparée)
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 violins
3
Alto (partie séparée)
3
Violon, Basson (duo)
3
Contrebasse, Piano (duo)
3
4 Violoncelles
2
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
2 Violons et Basse continue
1
Flûte, Contrebasse (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
17
Ensemble de cuivres
7
Orchestre
5
Orchestre d'harmonie
4
Orchestre de chambre
4
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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CHARANGO
CITHARE
CLAIRON
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Sonata 6
Cor
Partitions à imprimer
3 partitions trouvées
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1
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
#
Contemporain
#
Mike Lyons
#
Horn Sonata No. 2
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Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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Cor
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. P...
(+)
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Cor
#
AVANCÉ
#
Contemporain
#
Thomas R
#
Sonata For Trumpet, Horn And O
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Thomas R. Schadl
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
(+)
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
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1
Sonata 6
