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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ting a Ling
Sheetmusicplus
Non classifié
1 585
Piano & claviers
Piano seul
871
Piano, Voix
361
Piano Facile
175
Piano, Voix et Guitare
85
Orgue
63
Instruments en Do
55
1 Piano, 4 mains
27
Piano Trio: piano, violon, violoncelle
20
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
7
Accompagnement Piano
7
Accordéon
4
Piano (partie séparée)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
1 Piano, 6 mains
3
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
105
Guitare notes et tablatures
56
Ukulele
11
2 Guitares (duo)
7
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
6
Basse electrique
4
Mandoline
4
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
3
Paroles et Accords
2
Banjo
2
Dulcimer
2
3 Guitares (trio)
1
Guitare, Orchestre
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
730
Chorale 3 parties
189
Chorale 2 parties
148
Chorale Unison
78
Chorale TTBB
66
Voix duo, Piano
46
Chorale SSAA
38
Voix Alto, Piano
17
Voix duo
14
Voix Soprano, Piano
11
Voix haute
9
Voix seule
8
Chorale
8
Voix Baryton, Piano
5
Voix Tenor, Piano
3
Voix Mezzo-Soprano, Piano
3
Chorale SSAATTBB
2
Chorale SSATTB
2
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix Tenor
1
Chorale SSAB a cappella
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
115
Clarinette et Piano
107
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
104
Quatuor de Saxophones: 4 saxophones
102
Hautbois, Piano (duo)
84
Flûte, Hautbois, Clarinette, Basson
76
Flûte traversière
72
Clarinette
66
Quatuor de Clarinettes: 4 clarinettes
59
Quintette de Saxophone: 5 saxophones
58
Saxophone Tenor et Piano
53
Saxophone Alto et Piano
51
Saxophone Alto
47
2 Saxophones (duo)
41
2 Flûtes traversières (duo)
39
Saxophone Soprano et Piano
35
3 Saxophones (trio)
32
Hautbois (partie séparée)
31
Quatuor de Flûtes : 4 flûtes
30
Saxophone (partie séparée)
26
Hautbois
21
Saxophone Baryton, Piano
20
Ensemble de Clarinettes
20
Saxophone Tenor
20
Ensemble de Flûtes
18
2 Clarinettes (duo)
16
Ensemble de saxophones
16
Quintette de Clarinettes: 5 clarinettes
15
Cor anglais, Piano
14
Flûte, Clarinette (duo)
13
2 Hautbois (duo)
12
Clarinette Basse, Piano
11
Flûte, Trombone (duo)
10
Trio de Flûtes: 3 flûtes
10
3 Clarinettes (trio)
9
2 Flûte à bec (duo)
8
Flûte, Hautbois (duo)
8
Saxophone Soprano
8
Flute (partie séparée)
8
Hautbois, Basson (duo)
8
Saxophone Baryton
7
Clarinette, Violoncelle (duo)
7
Hautbois, Clarinette (duo)
6
Flûte à Bec
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Guitare (duo)
5
Flûte, Hautbois, Piano (trio)
5
Flûte, Hautbois, Basson
5
Flûte, Violoncelle
5
Flûte, Hautbois, Clarinette (trio)
4
Ocarina
4
Clarinette, Basson (duo)
4
Flûte et Guitare
4
Clarinette (partie séparée)
3
Hautbois, Violoncelle
3
Cor Anglais
3
Flûte à bec Soprano
3
Flûte, Clarinette et Basson
3
Harmonica
3
Clarinette, Violon (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Piano
2
Quatuor de Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Basson et Piano
2
Flûte irlandaise
2
2 Clarinettes, Basson
1
Clarinette et Alto
1
Flûte, Violon et Violoncelle
1
Clarinette, trompette et piano
1
Flûte à bec Tenor
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
Hautbois, Trompette (duo)
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Clarinette, Harpe (duo)
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Guitare (duo)
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Hautbois, violon (duo)
1
Piccolo
1
Flûte, trombone et piano
1
Hautbois et alto (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
112
Trombone et Piano
84
Trompette, Piano
84
Cor et Piano
79
Cor
63
Trompette
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Tuba et Piano
41
Tuba
40
Trombone
40
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trompette (partie séparée)
20
Euphonium, Piano (duo)
19
Quatuor de Cuivres
17
Trombone (partie séparée)
15
Cor anglais, Piano
14
Trompette, Trombone (duo)
10
Ensemble de Trombones
9
2 Trompettes (duo)
9
2 Cors (duo)
8
2 Trombones (duo)
8
Ensemble de Trompettes
8
Quatuor de cuivres: 4 trombones
8
2 Euphoniums et 2 Tubas
4
Trio de Cuivres
3
3 Trombones (trio)
3
Cor Anglais
3
Trompette, Basson (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone basse et Piano
2
Trompette, Cor (duo)
2
3 Trompettes (trio)
2
Trombone et orchestre
2
Euphonium
1
Trompette, Euphonium (duo)
1
4 Tubas
1
Cor (partie séparée)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Cor et Basson (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Euphoniums
1
Cor et Orgue
1
Trombone, Orgue
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
356
Violon
194
Violon, Violoncelle (duo)
179
Trio à Cordes: violon, alto, violoncelle
149
Violon et Piano
137
Alto, Piano
104
Violoncelle, Piano
94
Violoncelle
73
Alto seul
59
Quintette à cordes: 2 violons, alto, violoncelle, basse
59
Contre Basse
36
Contrebasse, Piano (duo)
35
Violon, Alto (duo)
33
2 Violons (duo)
30
Harpe
30
2 Violoncelles (duo)
22
Alto (partie séparée)
16
Violon (partie séparée)
14
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Trio à cordes: 3 violins
12
4 Violoncelles
12
Piano Trio: Violon, Alto, Piano
10
Trio à Cordes: 3 violoncelles
9
Contrebasse (partie séparée)
7
Alto, Violoncelle (duo)
7
Violoncelle (partie séparée)
6
Harpe, Voix
6
Quatuor à cordes : 4 altos
4
Violoncelle, Contrebasse (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, alto
4
Harpe, Flûte (duo)
4
Ensemble de Violons
3
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
3
2 Harpes (duo)
3
2 Contrebasses (duo)
2
Harpe, Violon (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Violon, Basson (duo)
1
4 Contrebasses
1
Ensemble d'Altos
1
Harpe et Piano
1
Harpe et mandoline
1
2 Altos, Piano
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
721
Orchestre à Cordes
205
Orchestre
125
Cloches
91
Ensemble de cuivres
74
Ensemble Jazz
48
Fanfare
33
Orchestre de chambre
30
Jazz combo
14
Ensemble de Percussions
14
Batterie
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Xylophone, Piano
3
Xylophone
2
Vibraphone
2
Marimba
2
2 Marimbas
1
Bodhran
1
Piano et Orchestre
1
+ 16 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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Ting a Ling
SheetMusicPlus
Partitions à imprimer
63 partitions trouvées
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51
Away in a Manger - French Horn Solo
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Cor
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FACILE
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William J
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Ygor Nunes
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Away in a Manger - French Horn
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Ygor Nunes
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1516791 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. I...
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French Horn Solo - Level 2 - SKU: A0.1516791 Composed by William J. Kirkpatrick. Arranged by Ygor Nunes. Children,Christmas,Film/TV,Holiday,Standards. Individual part. 1 pages. Ygor Nunes #1090969. Published by Ygor Nunes (A0.1516791). Away in a Manger is a timeless Christmas carol that brings the magic of the holiday season to life. With its soft, melodic tune and heartwarming lyrics, it captures the humble birth of Jesus in a simple manger, evoking feelings of peace, joy, and wonder. This beloved song is perfect for creating a cozy, festive atmosphere, reminding us of the true spirit of Christmas—love, hope, and the gift of family.Imagine the gentle sound of a French Horn solo setting the mood, as the melody flows through your home, filling it with the warmth and beauty of the holiday season!
$4.99
A Baker's Dozen: 13 Secular Christmas Duets for French Horn
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Cor
#
Noël
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Chris Cooke
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A Baker's Dozen: 13 Secular Ch
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Chris Cooke
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SheetMusicPlus
French Horn Solo - SKU: A0.865256 Arranged by Chris Cooke. Christmas. Individual part. 28 pages. Chris Cooke #3880223. Published by Chris Cooke (A0.8652...
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French Horn Solo - SKU: A0.865256 Arranged by Chris Cooke. Christmas. Individual part. 28 pages. Chris Cooke #3880223. Published by Chris Cooke (A0.865256). This early intermediate collection for French horn, spanning three centuries, provides Christmas cheer for secular settings. These duets (or even the melody line) can accompany carols) since these selections are within reasonable vocal ranges. Any of the books in this series can be paired so that instruments can be mixed and matched. Find a little merriment as the tune from Jolly Old St. Nicholas pairs nicely with several measures of Pachelbel’s cannon, for instance. Duet books in this series are also arranged for flute, clarinet/trumpet, alto sax and French horn. The songs and their keys are as follows: The Boar’s Head Carol, B-flat Carol of the Bells, G Minor Christmas is Coming, E-flat Deck the Halls, E-flat Good King Wenceslas, F Here We Come A-Caroling, C Jingle Bells, C Jolly Old St. Nicholas Visits Pachelbel, F Oh Christmas Tree, F Toyland, F Up on the Housetop, C Wassail Song, F We Wish You a Merry Christmas F
$5.97
Whirling-french horn solo
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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Whirling-french horn solo
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Phil Beaman
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.844998 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Individual part. 1 pages. Phil Beaman #...
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French Horn Solo - Level 4 - SKU: A0.844998 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Individual part. 1 pages. Phil Beaman #6063445. Published by Phil Beaman (A0.844998). Whirling, for unaccompanied instrumental solo, is my musical interpretation of the act and feeling of whirling. It contains whirling broken chords at Prestissimo speed; a frenzied but controlled perpetual motion etude. The piece is a giant chord progression with each whirling chord lasting 8 bars. This piece creates a unique, fun, and impressive performance. Or show your technique and make a friendly speed challenge with your colleagues!
$3.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 1 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056093. Published by Benjamin Sajo (A0.1018882). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 3 in F
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Cor
#
AVANCÉ
#
Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056097. Published by Benjamin Sajo (A0.1018884). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 4 in F
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Cor
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056099. Published by Benjamin Sajo (A0.1018885). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 2 in F
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056095. Published by Benjamin Sajo (A0.1018883). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Music for a Darkened Theatre
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Cor
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Ben Ledochowski
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Music for a Darkened Theatre
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Ben Ledochowski
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1023646 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Individual part. 11 pages. Ben Ledochowski ...
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French Horn Solo - Level 4 - SKU: A0.1023646 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Individual part. 11 pages. Ben Ledochowski #6217589. Published by Ben Ledochowski (A0.1023646). Music for a Darkened Theatre is a piece for solo F horn accompanied by 2 metronomes and body percussion which I wrote for the 2020 International Horn Society Composition Contest in response to the COVID-19 pandemic. Exploring the widespread sense of the world falling apart which struck as the pandemic first hit the planet and detailing the emotional journey of attempting to triumph and persevere in spite of the challenges brought on by the virus, the piece is structured as three separate musical scenes which each depict various emotions relating to the COVID issue. This one is a unique piece for me, and I hope you enjoy it!
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Rolling In The Deep
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Cor
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DÉBUTANT
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Adele
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Erik B
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Rolling In The Deep
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Erik Brandão
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.1446885 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Indiv...
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French Horn Solo - Level 1 - SKU: A0.1446885 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Individual part. 3 pages. Erik Brandão #1026651. Published by Erik Brandão (A0.1446885). PLAY THE SONG ROLLING IN THE DEEP ON THE HORN IN F!Rolling in the Deep is a song by British singer Adele, released in 2010 as part of her album “21.” This song became a major commercial and critical success, solidifying Adele as one of the most distinctive voices of her generation.Meaning and Emotions:The song is an emotional powerhouse, capturing the pain, betrayal, and resilience that often accompany the end of a romantic relationship. Adele’s powerful vocals convey a mix of anger, heartache, and determination.The phrase “rolling in the deep” suggests being immersed in something profound and intense, whether it’s love or the pain of loss. Adele’s heart is still burning (“fire starting in my heart”) despite the darkness of the breakup.The repetition of “You’re gonna wish you never had met me” serves as both a warning and a curse, implying regret for the ex-lover’s actions.
$9.00
Can't Help Falling In Love
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Cor
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DÉBUTANT
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Mariage/Ballade
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Rock
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Elvis Presley
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Langanho
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Can't Help Falling In Love
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Avery Lynn Jordan
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.1220836 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Langanho. 20th Centu...
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French Horn Solo - Level 1 - SKU: A0.1220836 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Langanho. 20th Century,Rock,Wedding. Individual part. 1 pages. Avery Lynn Jordan #817177. Published by Avery Lynn Jordan (A0.1220836). Introducing our latest product, an arrangement of Elvis Presley's classic hit Can't Help Falling In Love for Horn in F. This sheet music is perfect for beginner musicians and can be used as a teaching tool for music teachers, as well as for parents who want to encourage their children to learn this beautiful piece. Our adaptation captures the essence of the original song, with its haunting melody and poetic lyrics, while also offering simplified sheet music that is easy to follow. This means that even if you're new to playing the your instrument, you'll be able to enjoy playing this beloved song in no time. Don't miss out on this fantastic opportunity to expand your repertoire and add a touch of romance to your music collection. Order now and start playing Can't Help Falling In Love today!
$4.99
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607868...
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French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607869...
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French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Horn Sonata - No. 1 - 2nd Movement - Adagio
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata - No. 1 - 2nd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Publi...
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French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Published by Lyons Music Services (A0.767340). This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to created a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Piu mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter un til the ending at ppp.
$8.00
What Was I Made For?
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Cor
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1270679 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,F...
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French Horn Solo - Level 3 - SKU: A0.1270679 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #863053. Published by Glauco Fernandes (A0.1270679). Title: French Horn Solo Arrangement of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating French horn solo arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for French horn players, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for French horn solo, accommodating horn players with various skill levels.- Sheet music provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy for your solo performance.2. Flexibility: Perfect for intermediate-level French horn players, offering a captivating opportunity to showcase your skill and artistry.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base, making it an excellent choice for your repertoire.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys, creating a captivating performance for your audience.Embrace the captivating allure of What Was I Made For through our French horn solo arrangement and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performance with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
$4.99
Oh! Susanna
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Cor
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DÉBUTANT
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Stephen Foster
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Glauco Fernandes
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Oh! Susanna
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Glauco Fernandes
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.1258879 Composed by Stephen Foster. Arranged by Glauco Fernandes. Classical,Instructional,Traditional. Individual p...
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French Horn Solo - Level 1 - SKU: A0.1258879 Composed by Stephen Foster. Arranged by Glauco Fernandes. Classical,Instructional,Traditional. Individual part. 1 pages. Glauco Fernandes #852141. Published by Glauco Fernandes (A0.1258879). Exclusive Sheet Music! Solo French Horn Arrangement of Oh SusannaCalling all French horn players! We are thrilled to present to you the sheet music for a solo French horn arrangement of the timeless melody Oh Susanna! This arrangement is tailored specifically for French horn players, allowing you to showcase the unique and expressive qualities of the instrument.The arrangement has been meticulously crafted to highlight the rich and resonant tones of the French horn. The captivating melody of Oh Susanna has been artfully adapted for solo French horn, allowing you to explore the full range and expressive capabilities of the instrument. With each note and phrase, you can bring out the warmth and lyrical qualities that make the French horn so enchanting.Imagine the soulful sound of your French horn filling the air as you perform Oh Susanna. From the delicate passages to the soaring melodies, you'll captivate your audience and transport them to a world of musical enchantment.The sheet music is suitable for French horn players of different skill levels, offering a rewarding experience for both beginners and advanced musicians. The arrangement has been thoughtfully notated to ensure an enjoyable and accessible performance, while still leaving room for personal expression and interpretation. Whether you're a seasoned performer or just starting out, this arrangement will allow you to showcase your musicality and passion for the instrument.Don't miss out on the opportunity to add this beautiful solo French horn arrangement of Oh Susanna to your repertoire. Let your French horn shine and delight your audience with the timeless charm of this melody. Order your sheet music today and embark on a musical journey filled with passion and artistic expression!Elevate your French horn playing, enchant your listeners, and savor the joy of performing this beloved melody. The music is waiting for you. Get your sheet music today and immerse yourself in the captivating world of Oh Susanna!
$1.99
What Was I Made For?
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Cor
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FACILE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1273292 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Son...
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French Horn Solo - Level 2 - SKU: A0.1273292 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865442. Published by Milanov (A0.1273292). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
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Cor
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FACILE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Son...
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French Horn Solo - Level 2 - SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865439. Published by Milanov (A0.1273289). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
Fanfare: "Grit" - Horn 2 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086619. Published by Benjamin Sajo (A0.1018968). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 1 in F
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086617. Published by Benjamin Sajo (A0.1018970). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 3 in F
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608662...
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French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086623. Published by Benjamin Sajo (A0.1018969). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Monteverdi's Vespers for Horn Choir
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Classique
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Claudio Monteverdi
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Frank Starobin
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Response for 9 horns
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Monteverdi's Vespers for Horn
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Frank Starobin
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.874057 Composed by Claudio Monteverdi. Arranged by Frank Starobin. Baroque,Concert,Graduation,Renaissance,Sacred. I...
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French Horn Solo - Level 5 - SKU: A0.874057 Composed by Claudio Monteverdi. Arranged by Frank Starobin. Baroque,Concert,Graduation,Renaissance,Sacred. Individual part. 16 pages. Frank Starobin #3483497. Published by Frank Starobin (A0.874057). Monteverdi's Monumental Vespro della Beata Vergine is often considered to be one of the most important works of the Renaissance era with its grand 14 movement structure. Interestingly, this 1610 piece does not specify instrumentation, so ensembles can form their own sound by controlling orchestration. For this reason, I found it fitting to write an arrangement of the Versicle & Response for 9 horns. A great opener for any large horn choir concert. -duration 2:00https://www.youtube.com/watch?v=nmmvBITnA5U
$19.00
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