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PIANO & CLAVIERS
Piano seul
279
Piano Facile
94
Piano, Voix et Guitare
66
Piano, Voix
49
2 Pianos, 4 mains
29
Orgue
19
1 Piano, 4 mains
17
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
7
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7
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3
Piano Quintette: piano, 2 violons, alto, violoncelle
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2
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1
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GUITARES
Guitare
31
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27
2 Guitares (duo)
22
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5
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3
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2
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2
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2
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1
Banjo
1
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1
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1
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VOIX
Chorale SATB
95
Chorale 2 parties
50
Chorale 3 parties
26
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23
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13
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9
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7
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6
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4
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4
Voix Soprano, Piano
4
Voix Alto, Piano
2
Voix Tenor, Piano
1
Chorale SSAATTBB
1
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VENTS
2 Saxophones (duo)
555
2 Clarinettes (duo)
193
2 Flûtes traversières (duo)
177
2 Hautbois (duo)
152
Saxophone, Clarinette (duo)
136
Clarinette, Violon (duo)
89
Clarinette, Trompette (duo)
73
Flûte, Clarinette (duo)
64
2 Flûte à bec (duo)
49
Hautbois, Clarinette (duo)
48
Clarinette et Alto
45
Hautbois, Flûte
45
Flûte traversière et Piano
44
Flûte, Violon
43
Flûte, Saxophone (duo)
43
Clarinette et Piano
42
Hautbois, Basson (duo)
39
Hautbois, Piano (duo)
36
Flûte, Trompette (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Saxophones: 4 saxophones
32
Saxophone Alto et Piano
30
Flûte traversière
30
Quintette de Saxophone: 5 saxophones
29
Flûte, Alto (duo)
28
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
26
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
22
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Alto
18
Saxophone Tenor
17
Hautbois (partie séparée)
15
Cor anglais, Piano
14
Flûte à bec Soprano
13
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13
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13
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11
Saxophone (partie séparée)
11
Flûte et Guitare
11
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10
Quatuor de Flûtes : 4 flûtes
9
3 Saxophones (trio)
9
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
8
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7
3 Clarinettes (trio)
6
Cor Anglais
5
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4
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4
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4
Flûte à bec Soprano, Piano
4
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
2 Flûtes traversières, Piano
2
Clarinette Basse
2
Flûte à bec Tenor
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à Bec
2
Piccolo
2
Clarinette, Harpe (duo)
2
Flûte, Violoncelle
2
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2
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1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Piccolo, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Saxophone Soprano
1
Clarinette, Alto et Piano (trio)
1
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CUIVRES
2 Trombones (duo)
156
2 Trompettes (duo)
143
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
138
Trompette, Saxophone (duo)
97
Trompette, Trombone (duo)
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
35
Trompette, Piano
26
Trompette
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Ensemble de Trombones
12
Cor
11
2 Euphoniums (duo)
10
Trombone
10
Cor et Piano
8
Ensemble de Trompettes
6
Quatuor de Cuivres
5
Cor Anglais
5
Tuba
5
Trompette (partie séparée)
4
2 Cors (duo)
4
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium
2
Cor et Harpe
2
Tuba et Piano
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Trio de Cuivres
2
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Cor et Basson (duo)
1
Trombone basse
1
Tuba et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
204
Violon, Violoncelle (duo)
198
Violon
157
2 Violons (duo)
154
2 Altos (duo)
151
2 Violoncelles (duo)
139
Trio à Cordes: violon, alto, violoncelle
130
Violon et Piano
69
Violon, Alto (duo)
54
Violoncelle, Piano
43
Trio à Cordes: 2 violons, violoncelle
35
Alto, Piano
34
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Harpe
20
Alto seul
19
Contre Basse
7
2 Harpes (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
2 Violoncelles, Piano
1
Harpe, Voix
1
4 Contrebasses
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Trombone (duo)
1
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
170
Orchestre à Cordes
118
Orchestre
56
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
24
Ensemble Jazz
19
Ensemble de Percussions
13
Jazz combo
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
3
Xylophone
3
Xylophone, Piano
2
2 Marimbas
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Ensemble d'École
1
Fanfare
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
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AUTRES
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Aubade: A Pairing with Beethoven's Symphony #1 - Horn 1 in F
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018910 Composed by Benjamin …
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064769. Published by Benjamin Sajo (A0.1018910). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Cor
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Horn 1 in F
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 2 in F
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018911 Composed by Benjamin …
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064775. Published by Benjamin Sajo (A0.1018911). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Cor
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Horn 2 in F
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Benjamin Sajo
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SheetMusicPlus
Attwood's Allegro-gigue-french horn solo
Cor
French Horn Solo - Level 3 - Digital Download SKU: A0.844940 Composed by Phil Beama…
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French Horn Solo - Level 3 - Digital Download SKU: A0.844940 Composed by Phil Beaman. Baroque,Classical,Concert,Instructional. Individual part. 2 pages. Phil Beaman #5999593. Published by Phil Beaman (A0.844940). The Gigue is a lively Baroque dance in compound time. This short fun piece is great for auditions, exams, or recitals as it shows your clean playing technique at Allegro tempo.
$3.99
3.6 €
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Cor
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Phil Beaman
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Attwood's Allegro-gigue-french horn solo
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Phil Beaman
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin …
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Cor
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
7.21 €
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Lyons Music Services
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SheetMusicPlus
Jesus Paid It All with There Is A Fountain (Arrangement Level 2-4 for HORN + Written Acc) Hymn
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French Horn Solo - Level 2 - Digital Download SKU: A0.875193 Composed by Grape-Maso…
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French Horn Solo - Level 2 - Digital Download SKU: A0.875193 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nelson #3874421. Published by Jerry Nelson (A0.875193). The two songs in this medley combine perfectly for an Easter or Communion service. A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4. (Time 4:23)
$4.99
4.5 €
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Grape-Mason
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Dr Jerry Nelson
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Written
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Jesus Paid It All with There Is A Fountain
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Jerry Nelson
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SheetMusicPlus
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. …
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French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
2.69 €
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Thomas R
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Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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Thomas R. Schadl
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SheetMusicPlus
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. …
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French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
2.69 €
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Cor
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Thomas R
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Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Thomas R. Schadl
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SheetMusicPlus
Horn Sonata No. 1 (Complete)
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
16.22 €
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
Horn Sonata No. 2 (Complete)
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French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
16.22 €
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Cor
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
Carson Cooman: River Song: Remembering Dennis Abelson for horn
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French Horn Solo - Level 4 - Digital Download SKU: A0.533556 Composed by Carson Coo…
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French Horn Solo - Level 4 - Digital Download SKU: A0.533556 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3018605. Published by Musik Fabrik Music Publishing (A0.533556). River Song: Remembering Dennis Abelson (2007) for solo horn was composed in memory of DennisR. Abelson, horn performer and teacher who died on September 1, 2007 at the age of 56 after aprotracted battle with cancer. Abelson served as long-time professor of horn at Carnegie MellonUniversity in Pittsburgh, Pennsylvania. The work is inscribed “in memory of Dennis Abelson and for hismany students and friends to remember him.â€Dennis commissioned two works from me for the Carnegie Mellon Horn Choir and was alwaysencouraging and interested in what I was doing with his instrument. He leaves behind a verydistinguished legacy of horn students who have held many significant orchestra and teachingpositions throughout the world. When one heard Dennis talk about his students (both current andformer), it was immediately obvious how much he rejoiced in their successes and achievements.This work is founded upon the pitches of D and A, taken from the initial letters of Abelson’s names.It is a rhapsodic elaboration of that basic material – as the melodic material is constantly developedand expanded. The “river†of the title refers both to the flowing character of the music’sdevelopment and to the three rivers of Pittsburgh, the city in which Abelson spent his entire life.
$9.10
8.2 €
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Carson Cooman
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Carson Cooman: River Song: Remembering Dennis Abelson for horn
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Musik Fabrik Music Publishing
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SheetMusicPlus
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