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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
first verse
Non classifié
556
Piano & claviers
Piano seul
346
Piano Facile
134
Piano, Voix
121
Piano Trio: piano, violon, violoncelle
63
Accompagnement Piano
44
Piano, Voix et Guitare
35
Orgue
24
Instruments en Do
17
1 Piano, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
7
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Trompette (duo)
3
2 Accordéons
1
Accordéon
1
+ 10 instrumentations
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Guitares
Ukulele
37
Guitare notes et tablatures
14
Guitare
13
Ligne De Mélodie, (Paroles) et Accords
4
Dulcimer
3
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
Basse electrique
1
3 Guitares (trio)
1
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
356
Chorale 3 parties
127
Chorale 2 parties
72
Chorale TTBB
45
Chorale Unison
44
Chorale SSAA
23
Voix duo, Piano
12
Voix duo
6
Voix Soprano, Piano
5
Voix Alto, Piano
2
Voix haute
2
Voix seule
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
Chorale SSATB
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
+ 12 instrumentations
Retracter
Vents
2 Saxophones (duo)
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Flûte traversière et Piano
23
Saxophone Alto et Piano
23
2 Clarinettes (duo)
22
Quatuor de Saxophones: 4 saxophones
20
Quatuor de Clarinettes: 4 clarinettes
20
Clarinette et Piano
20
Saxophone, Clarinette (duo)
19
2 Flûtes traversières (duo)
17
Saxophone Tenor et Piano
16
Hautbois, Piano (duo)
16
Saxophone Soprano et Piano
15
Clarinette, Violon (duo)
13
Clarinette, Trompette (duo)
12
Quintette de Saxophone: 5 saxophones
11
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Flûtes : 4 flûtes
10
Flûte, Clarinette (duo)
10
Flûte et Guitare
10
Flûte, Violon, Piano
10
2 Hautbois (duo)
10
Flûte traversière
9
Hautbois, Clarinette (duo)
9
Cor anglais, Piano
9
Saxophone Baryton, Piano
8
Ensemble de Clarinettes
7
Flûte, Trompette (duo)
7
Clarinette et Alto
7
Flûte, Alto (duo)
7
Ensemble de saxophones
7
Hautbois, Basson (duo)
7
Clarinette
7
Hautbois, Flûte
6
Saxophone Alto
5
3 Saxophones (trio)
5
Ocarina
5
Flûte, Saxophone (duo)
5
Flûte, Violon
5
Trio de Flûtes: 3 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Flûtes
5
Clarinette, Guitare (duo)
4
Quintette de Flûte : 5 flûtes
3
Hautbois (partie séparée)
3
3 Clarinettes (trio)
3
Flûte à bec Soprano
3
Quatuor de Flûtes à bec
3
Clarinette Basse, Piano
3
Flûte traversière, Basse continue
2
Cor anglais, Guitare (duo)
2
Clarinette, Basson (duo)
2
Saxophone Tenor
2
Flûte à Bec
2
2 Flûte à bec (duo)
2
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Harpe
1
Saxophone et Harpe
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois (duo)
1
Saxophone (partie séparée)
1
3 Flûtes à bec (trio)
1
Flûte traversière, Orgue (duo)
1
Harmonica
1
Flûte à bec Soprano, Piano
1
Hautbois
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Piano
1
Flûte à bec Alto
1
Saxophone et Guitare
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone et Piano
20
Cor et Piano
19
Trompette
17
Trompette, Saxophone (duo)
14
Trompette, Piano
13
2 Trombones (duo)
12
2 Trompettes (duo)
11
Trompette, Trombone (duo)
9
Cor anglais, Piano
9
Trombone
8
Quatuor de cuivres: 4 cors
7
Euphonium, Piano (duo)
7
Tuba et Piano
7
Tuba
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
5
Cor
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette (partie séparée)
4
Ensemble de Trompettes
4
Euphonium, Tuba (duo)
3
Quatuor de Cuivres
3
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Euphonium
1
Ensemble de Cors
1
Cor et Harpe
1
3 Trombones (trio)
1
Trompette, Harpe
1
Trio de Cuivres
1
2 Cors (duo)
1
2 Euphoniums et 2 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Violon et Piano
88
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violoncelle, Piano
45
2 Violons (duo)
32
Violon, Violoncelle (duo)
31
Alto, Piano
25
Trio à Cordes: violon, alto, violoncelle
23
Harpe
19
Violon
19
Violoncelle
14
Trio à Cordes: 2 violons, violoncelle
13
2 Violoncelles (duo)
11
Violon, Alto (duo)
11
2 Altos (duo)
10
2 Harpes (duo)
5
Contrebasse, Piano (duo)
4
2 Violons, Piano
4
Contre Basse
3
Alto seul
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
4 Violoncelles
3
Harpe, Voix
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto, Guitare (duo)
2
Alto et Harpe
1
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Autoharp
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
85
Orchestre
40
Ensemble de cuivres
24
Cloches
23
Orchestre à Cordes
15
Ensemble Jazz
14
Jazz combo
6
Orchestre de chambre
6
Ensemble de Percussions
4
Vibraphone
2
Marimba
2
Piano et Orchestre
1
Fanfare
1
Percussion
1
+ 9 instrumentations
Retracter
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FLUTE
FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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METHODE : TECHNIQUES
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Partitions à imprimer
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1
Wiegenlied (lullaby) by Brahms for French Horn and Chords
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Cor
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DÉBUTANT
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Classique
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Johannes Brahms
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Langanho
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Wiegenlied
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Avery Lynn Jordan
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.1175796 Composed by Johannes Brahms. Arranged by Langanho. Children,Folk,Romantic Period. Individual part. 1 pages....
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French Horn Solo - Level 1 - SKU: A0.1175796 Composed by Johannes Brahms. Arranged by Langanho. Children,Folk,Romantic Period. Individual part. 1 pages. Avery Lynn Jordan #775917. Published by Avery Lynn Jordan (A0.1175796). This arrangement was adapted for horn in F with chord symbols, aiming to be practical and efficient for the interpreter, where it can be used in various environments, whether academic or professional. The music is Brahms' Lullaby Op. 49, which was dedicated to his friend Bertha Faber upon the birth of her son. The first verse is a German folk poem, while the second verse was written by Georg Scherer, a writer of the time.
$2.99
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
Adeste Fideles (O Come, All Ye Faithful) - horn in F
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Cor
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DÉBUTANT
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.1096924 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holid...
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French Horn Solo - Level 1 - SKU: A0.1096924 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Individual part. 1 pages. Melo Music #700888. Published by Melo Music (A0.1096924). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play Horn in F version. Easy level. Key: G Major.
$1.99
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