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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
rhythm section
Non classifié
1 850
Piano & claviers
Piano seul
238
Piano, Voix
133
Instruments en Do
84
Piano Facile
67
Piano, Voix et Guitare
67
Piano (partie séparée)
43
Orgue
24
Accompagnement Piano
19
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
3
+ 7 instrumentations
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Guitares
Guitare (partie séparée)
79
Guitare
39
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
13
4 Guitares (Quatuor)
5
Mandoline
4
3 Guitares (trio)
3
2 Guitares (duo)
3
Ensemble de guitares
3
Banjo
2
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
Partitions De Groupes
1
Ukulele
1
+ 10 instrumentations
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Voix
Chorale SATB
500
Chorale 3 parties
142
Chorale 2 parties
51
Chorale TTBB
39
Chorale SSAA
29
Chorale Unison
27
Chorale SSATB
5
Chorale
2
Voix duo, Piano
1
Voix Soprano
1
Voix seule
1
Chorale SSAB, Piano
1
Voix Soprano, Piano
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Voix duo
1
+ 11 instrumentations
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Vents
Saxophone (partie séparée)
204
Clarinette (partie séparée)
42
Flute (partie séparée)
40
2 Saxophones (duo)
34
Quatuor de Saxophones: 4 saxophones
31
2 Flûtes traversières (duo)
28
Flûte traversière et Piano
27
2 Clarinettes (duo)
23
Saxophone Tenor et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte, Hautbois, Clarinette, Basson
18
Saxophone Alto et Piano
18
Hautbois (partie séparée)
17
Clarinette
17
Ensemble de Flûtes
15
Clarinette et Piano
15
Hautbois, Piano (duo)
15
Saxophone, Clarinette (duo)
15
Flûte traversière
13
Ensemble de saxophones
11
Ensemble de Clarinettes
11
Quatuor de Clarinettes: 4 clarinettes
11
3 Saxophones (trio)
11
Clarinette, Violon (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone Soprano et Piano
9
Clarinette, Trompette (duo)
8
Quintette de Saxophone: 5 saxophones
8
3 Clarinettes (trio)
8
Flûte, Clarinette (duo)
8
Saxophone Alto
8
Clarinette et Alto
6
Hautbois, Basson (duo)
6
Flûte, Violon
6
Flûte, Saxophone (duo)
6
Saxophone Tenor
6
Trio de Flûtes: 3 flûtes
6
2 Hautbois (duo)
6
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Hautbois, Clarinette (duo)
5
Flûte et Guitare
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
3
Flûte, Hautbois (duo)
3
Saxophone Baryton, Piano
3
Flûte à bec Soprano
3
Flûte à Bec
2
Quintette de Clarinettes: 5 clarinettes
2
3 Flûtes à bec (trio)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble à vent
1
Cor anglais, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto
1
Saxophone et Guitare
1
Clarinette, Guitare (duo)
1
Clarinette Basse
1
Flûte, Violon, Piano
1
Hautbois
1
Flûte, Clarinette et Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Clarinette, Alto et Piano (trio)
1
3 Hautbois
1
Ensemble De Flûte à bec
1
+ 67 instrumentations
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Cuivres
Trombone (partie séparée)
181
Trompette (partie séparée)
134
Cor (partie séparée)
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Tuba (partie séparée)
34
Trompette, Piano
22
2 Trombones (duo)
21
Trombone et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
13
Trompette, Saxophone (duo)
10
2 Trompettes (duo)
10
Ensemble de Trombones
10
Trombone
9
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
8
Quatuor de cuivres: 4 trombones
8
Cor
6
Cor et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
2 Tubas (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de cuivres: 4 cors
4
Tuba et Piano
4
Quatuor de Cuivres
3
3 Trombones (trio)
2
Instruments en Sib
2
Tuba
2
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trombone basse
1
4 Tubas
1
Cor anglais, Piano
1
Euphonium, Tuba (duo)
1
3 Euphoniums
1
Ensemble de Trompettes
1
2 Cors Anglais Et Pianoforte
1
2 Cors (duo)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
100
Contrebasse (partie séparée)
63
Violon (partie séparée)
48
Violon et Piano
31
Violon, Violoncelle (duo)
22
Violoncelle, Piano
21
2 Violons (duo)
20
Alto (partie séparée)
17
Alto, Piano
16
Violon
14
Trio à Cordes: violon, alto, violoncelle
13
2 Violoncelles (duo)
13
Violoncelle
11
Violoncelle (partie séparée)
10
2 Altos (duo)
9
Violon, Alto (duo)
9
Harpe
7
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à cordes: 3 violins
3
Trio à Cordes: 2 violons, alto
3
Contre Basse
3
Violoncelle, Contrebasse (duo)
2
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
Alto seul
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Violon, Basson (duo)
1
Alto, Violoncelle (duo)
1
Harpe et mandoline
1
4 Violoncelles
1
2 Contrebasses (duo)
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
917
Ensemble Jazz
573
Orchestre
335
Orchestre à Cordes
215
Jazz combo
211
Cloches
71
Ensemble de cuivres
56
Batterie (partie séparée)
42
Fanfare
25
Ensemble de Percussions
25
Orchestre de chambre
21
Percussion (partie séparée)
13
Batterie
12
Marimba
5
Piano et Orchestre
3
Vibraphone
2
Big band
2
Bodhran
1
Instrumentation Flexible
1
Xylophone, Piano
1
2 Xylophones
1
Percussion
1
+ 17 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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rhythm section
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Partitions à imprimer
6 partitions trouvées
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Eine Kleine Nachtmusik (Arrangements Level 3-5 for HORN + Written Acc)
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Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Dr Jerry Nelson
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Eine Kleine Nachtmusik
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Jerry Nelson
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.875138 Composed by Wolfgang Amadeus Mozart. Arranged by Dr Jerry Nelson. Classical,Instructional,Standards,World. I...
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French Horn Solo - Level 3 - SKU: A0.875138 Composed by Wolfgang Amadeus Mozart. Arranged by Dr Jerry Nelson. Classical,Instructional,Standards,World. Individual part. 5 pages. Jerry Nelson #3873915. Published by Jerry Nelson (A0.875138). Mozart all the way – at his best. Absolutely a joy to play, especially with the sound track which adds a rhythm section! These arrangements move you easily from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Perform or rehearse it with this gorgeous Orchestral Accompaniment Track (#SO.432393). Track movin' a little fast? Order the slower, rehearsal version at very reduced price (#SO.419743)Congrats! You found the Gold Mine! Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name. Maybe add title or genre) VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Optional Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 5. (Time 3:07)
$4.99
Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata - No. 1 - 2nd Movement - Adagio
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata - No. 1 - 2nd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Publi...
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French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Published by Lyons Music Services (A0.767340). This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to created a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Piu mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter un til the ending at ppp.
$8.00
Softly And Tenderly
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Cor
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Folklorique/Traditionel
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Will L
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Dana F
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Softly And Tenderly
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
French horn solo - Grade 2 - SKU: DX.137119 Composed by Will L. Thompson. Arranged by Dana F. Everson. Traditional. Sacred instrumental music. Score and...
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French horn solo - Grade 2 - SKU: DX.137119 Composed by Will L. Thompson. Arranged by Dana F. Everson. Traditional. Sacred instrumental music. Score and parts. 7 pages. David E. Smith - Digital Sheet Music #137119. Published by David E. Smith - Digital Sheet Music (DX.137119). A gentle introduction by the piano and then the solo horn presents the theme with subtle rhythmic deviation. The chorus continues in the same fashion. A quick modulation and the theme continues in a modified fashion with even more scale wise embellishment. The piano then takes over with the tune and with another modulation the solo enters with more harmonic deviation. The Coda section moves with subtle motivic deviation and comes to a solemn rest.
$4.00
The Confessions of St. Augustine for Solo Horn
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Cor
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AVANCÉ
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Classique
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Erika Raum
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The Confessions of St. Augusti
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Cherry Classics Music
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SheetMusicPlus
Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music ...
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Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music
The Confessions of St. Augustine is a solo for Unaccompanied Horn in F written by Canadian violinist/composer Erika Raum.
St. Augustine (of Hippo) was a 5th Century convert to Christianity who was one of the first philosophers and theologians of the faith. He went on to write a number of important works including the autobiographical work Confessions, a series of thirteen books outlining his sinful youth and eventual conversion to Christianity.
Ms. Raum's music, in four sections features the following tabloids:
Youth and Pagan Beginnings, The Mystical Voice of the Child in the Garden, St. Augustine, Bishop of Hippo, The Debate at the Baths of Sozius.
This work of almost 7 minutes in length is very expressive, with many contrasting sections and complex rhythms, and is rather moderate in range, being accessible to moderately advanced to advanced performers.
The beautifully performed sample track from the horn version of this work (up a 5th from the trombone version) is played by Howard Wall, Hornist of the New York Philharmonic, taken from his solo recording Horn Monologues for sale on Amazon and elsewhere.
This edition is available as an eBook on iTunes and Kindle.
$20.00
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