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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Composer:
Non classifié
254
Piano & claviers
Piano Facile
748
Piano seul
229
Piano, Voix et Guitare
68
1 Piano, 4 mains
56
Piano, Voix
38
Instruments en Do
14
Orgue
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
1
+ 4 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
19
Ukulele
11
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
2
Basse electrique
1
Dulcimer
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale 3 parties
57
Chorale SATB
37
Chorale 2 parties
32
Voix Alto, Piano
27
Voix Baryton, Piano
26
Voix Tenor, Piano
26
Voix Soprano, Piano
26
Chorale Unison
16
Voix seule
4
Chorale TTBB
2
Chorale SSAA
1
+ 6 instrumentations
Retracter
Vents
Saxophone Alto
53
Flûte traversière
47
Clarinette et Piano
46
Flûte traversière et Piano
46
Saxophone Alto et Piano
36
Hautbois, Piano (duo)
33
Saxophone Tenor
33
Saxophone Tenor et Piano
30
Saxophone (partie séparée)
28
Clarinette
28
Quatuor de Saxophones: 4 saxophones
24
2 Clarinettes (duo)
22
3 Clarinettes (trio)
20
Quintette de Saxophone: 5 saxophones
19
Flûte, Hautbois, Clarinette, Basson
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Quatuor de Clarinettes: 4 clarinettes
17
2 Saxophones (duo)
14
Saxophone Soprano et Piano
12
2 Flûtes traversières (duo)
8
Flûte à bec Soprano
8
Hautbois (partie séparée)
7
Hautbois
7
Cor anglais, Piano
6
2 Flûte à bec (duo)
6
Saxophone Baryton, Piano
6
Hautbois, Basson (duo)
5
5 Flûtes à bec
5
Flûte à bec Alto
5
3 Saxophones (trio)
5
Clarinette, Basson (duo)
5
Flûte, Violoncelle
4
Quatuor de Flûtes à bec
3
Saxophone Soprano
3
Clarinette, Violoncelle (duo)
3
2 Hautbois (duo)
3
Flûte à Bec
3
Hautbois, Violoncelle
3
Quatuor de Flûtes : 4 flûtes
3
Harmonica
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Trombone (duo)
2
Flûte et Guitare
2
Flûte à bec Soprano, Piano
2
Flûte, Hautbois (duo)
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Ensemble de Clarinettes
1
Flûte irlandaise
1
Ocarina
1
Ensemble de Hautbois
1
Ensemble De Flûte à bec
1
Flute (partie séparée)
1
Clarinette, Violon (duo)
1
Saxophone Baryton
1
+ 50 instrumentations
Retracter
Cuivres
Trompette
46
Trombone
36
Trombone et Piano
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette, Piano
21
Cor et Piano
20
Quatuor de Cuivres
17
Cor
11
Tuba et Piano
10
Cor anglais, Piano
6
2 Cors (duo)
5
2 Trompettes (duo)
5
2 Trombones (duo)
5
Tuba
4
Trompette, Trombone (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor, Violoncelle (duo)
3
Euphonium
2
Trio de Cuivres
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Cors (trio)
1
Trompette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Basson (duo)
1
2 Tubas (duo)
1
+ 27 instrumentations
Retracter
Cordes
Violon
63
Violon et Piano
55
Violoncelle
43
Violoncelle, Piano
34
Quatuor à cordes: 2 violons, alto, violoncelle
33
Alto, Piano
24
Alto seul
13
Violon, Violoncelle (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Violons (duo)
7
2 Altos (duo)
7
2 Violoncelles (duo)
7
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
4
Harpe
4
Violon, Basson (duo)
4
Alto et Basson
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Alto (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
4 Contrebasses
1
Violon, Alto (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
43
Cloches
32
Orchestre à Cordes
16
Ensemble de cuivres
10
Orchestre de chambre
4
Ensemble Jazz
3
Marimba
2
Batterie
2
Xylophone
1
Orchestre
1
Ensemble de Percussions
1
Xylophone, Piano
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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RAGTIME
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Vous avez sélectionné:
Composer:
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Saxophone Baryton, Piano
Partitions à imprimer
6 partitions trouvées
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1
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Ode to Joy by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ba
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic P...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Moonlight Sonata by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romant...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757290. Published by Woods Only, Arrangements (A0.1156946). This arrangement adapted for baritone saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
O Holy Night for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Baritone Sax
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Minuet in G major by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Christian Petzold and Johann S
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Ander
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Minuet in G major by Bach for
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1073314 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissa...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1073314 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Traditional. Score and part. 4 pages. Woods Only, Arrangements #677582. Published by Woods Only, Arrangements (A0.1073314). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
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