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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Schumann
Non classifié
101
Piano & claviers
Piano, Voix
2 713
Piano seul
296
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
5
Piano, Voix et Guitare
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Facile
3
Orgue
2
Instruments en Do
1
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
13
2 Guitares (duo)
7
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
3
3 Guitares (trio)
1
Dulcimer
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
17
Chorale 3 parties
10
Voix seule
7
Chorale TTBB
6
Chorale Unison
4
Chorale SSAA
4
Chorale 2 parties
1
Voix moyenne, Piano
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
64
Clarinette et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Clarinette
14
Flûte et Guitare
13
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Clarinettes: 4 clarinettes
12
Flûte traversière
12
2 Clarinettes (duo)
9
Quatuor de Saxophones: 4 saxophones
9
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
Saxophone Soprano et Piano
7
2 Flûtes traversières (duo)
7
3 Clarinettes (trio)
6
Hautbois, Basson (duo)
5
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Hautbois
3
Saxophone Alto
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
2
Saxophone
2
Flûte, Violoncelle
2
Cor anglais, Piano
2
Saxophone Tenor
2
2 Saxophones (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
Flûte à Bec
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Alto
2
Ensemble de saxophones
2
Trio de Flûtes: 3 flûtes
2
Saxophone et Guitare
2
Flûte, Trombone (duo)
2
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Basson et Piano
1
Clarinette, Guitare (duo)
1
Clarinette Basse
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Flûtes
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Clarinettes
1
Flûte, Violoncelle, Guitare
1
+ 45 instrumentations
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Cuivres
Trompette
6
Cor et Piano
6
Trombone et Piano
5
Trombone
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium, Piano (duo)
4
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
Cor
2
Quatuor de cuivres: 4 trombones
2
3 Trombones (trio)
1
Quatuor de Cuivres
1
2 Trompettes (duo)
1
3 Cors (trio)
1
Trompette, violon (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette et Guitare
1
Trombone basse et Piano
1
Tuba
1
Trompette, Trombone (duo)
1
+ 17 instrumentations
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Cordes
Violon et Piano
75
Violoncelle, Piano
62
Quatuor à cordes: 2 violons, alto, violoncelle
49
Alto, Piano
23
Violon
18
Violoncelle
12
Alto seul
10
2 Violons (duo)
5
Violoncelle , Guitare (duo)
4
Violon, Alto (duo)
4
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Contrebasse, Piano (duo)
3
Trio à cordes: 3 violins
2
Harpe
2
2 Altos (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Quatuor à cordes: 4 violons
2
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Flûte, Contrebasse (duo)
1
Alto, Guitare (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
17
Orchestre
11
Ensemble de cuivres
6
Orchestre de chambre
3
Orchestre d'harmonie
3
Xylophone
1
Ensemble de Percussions
1
Ensemble Jazz
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Schumann
intermédiaire
Saxophone Baryton, Piano
Partitions à imprimer
4 partitions trouvées
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1
Roadside Inn-Schumann-Bari Saxophone and piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Robert Schumann
#
Phil Beaman
#
Roadside Inn-Schumann-Bari Sax
#
Phil Beaman
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.845146 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 p...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.845146 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213961. Published by Phil Beaman (A0.845146). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99
Schumann: Träumerei Op. 15 No. 7 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550188 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Stan...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550188 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598353. Published by jmsgu3 (A0.550188). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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