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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One piece
Non classifié
2 481
Piano & claviers
Piano seul
1 209
Piano, Voix
140
Orgue
124
Accompagnement Piano
68
Piano, Voix et Guitare
45
1 Piano, 4 mains
29
Piano Facile
29
Instruments en Do
24
Piano Trio: piano, violon, violoncelle
20
Orgue, Trompette (duo)
12
2 Pianos, 4 mains
7
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavier
3
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare
145
Guitare notes et tablatures
70
2 Guitares (duo)
30
Ukulele
18
4 Guitares (Quatuor)
11
Ligne De Mélodie, (Paroles) et Accords
9
Mandoline
8
Guitare (partie séparée)
7
Basse electrique
6
3 Guitares (trio)
5
Dulcimer
4
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
3
Piano, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Ensemble de guitares
2
2 Dulcimers (duo)
1
Paroles et Accords
1
Ukulele Baryton
1
Banjo
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
411
Chorale 3 parties
92
Chorale TTBB
63
Chorale SSAA
49
Voix Baryton, Piano
25
Chorale 2 parties
25
Voix Tenor, Piano
20
Voix Soprano, Piano
19
Voix Alto, Piano
17
Voix duo, Piano
11
Chorale Unison
11
Voix duo
5
Voix Tenor
4
Voix haute
4
Chorale
2
Male Voice
2
Voix Soprano
1
Voix basse, Piano
1
Chorale SATBB
1
Voix moyenne, Piano
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
489
Saxophone Alto et Piano
426
2 Saxophones (duo)
371
Saxophone Tenor et Piano
289
Flûte traversière et Piano
169
Quintette de Saxophone: 5 saxophones
166
3 Saxophones (trio)
164
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
154
Clarinette et Piano
150
Saxophone Soprano et Piano
136
Flûte, Hautbois, Clarinette, Basson
128
Quatuor de Clarinettes: 4 clarinettes
123
Saxophone Baryton, Piano
122
2 Flûtes traversières (duo)
119
Saxophone Alto
112
Hautbois, Piano (duo)
107
2 Clarinettes (duo)
97
Quatuor de Flûtes : 4 flûtes
96
Saxophone Tenor
82
Saxophone, Clarinette (duo)
73
Saxophone (partie séparée)
63
Ensemble de saxophones
61
Clarinette
60
Flûte traversière
55
Ensemble de Flûtes
54
Clarinette, Violon (duo)
47
3 Clarinettes (trio)
43
Ensemble de Clarinettes
43
Clarinette, Trompette (duo)
39
Saxophone
35
2 Hautbois (duo)
34
Saxophone Soprano
33
Saxophone Baryton
29
Flûte, Saxophone (duo)
28
Flûte, Clarinette (duo)
27
Quintette de Clarinettes: 5 clarinettes
27
Flûte, Violon
26
Flûte et Guitare
25
Hautbois, Clarinette (duo)
24
Flûte, Hautbois, Clarinette (trio)
23
Hautbois, Flûte
22
Clarinette et Alto
20
Flûte, Trompette (duo)
19
Hautbois, Clarinette, Basson (trio d'anches)
18
Hautbois, Basson (duo)
18
Trio de Flûtes: 3 flûtes
18
Cor anglais, Piano
16
Quintette de Flûte : 5 flûtes
15
Clarinette Basse, Piano
14
Flûte, Alto (duo)
13
Hautbois (partie séparée)
12
2 Flûte à bec (duo)
12
Quatuor de Flûtes à bec
11
Saxophone et Guitare
10
4 Hautbois
9
3 Hautbois
7
Flûte, Clarinette et Basson
7
Hautbois
7
Flûte, Violon, Piano
7
Clarinette, Guitare (duo)
6
5 Flûtes à bec
6
Flûte à bec Alto
6
2 Saxophones, Piano
5
Flûte à Bec
4
Flûte, Violoncelle
4
Clarinette, Basson (duo)
4
Clarinette, Harpe (duo)
4
Flûte, Hautbois (duo)
4
Ensemble à vent
4
Flûte, Trombone (duo)
4
3 Flûtes à bec (trio)
4
2 Flûtes traversières, Piano
3
Flûte à bec Soprano
3
Flute, harpe et violon
3
Flûte à bec Tenor
3
Saxophone et Orgue
3
2 Clarinettes, Piano
3
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette, Violon (trio)
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Harpe
2
Saxophone, Violon (duo)
2
Clarinette, Trombone (duo)
2
Hautbois, Violoncelle
2
Ocarina
2
Cor anglais, Guitare (duo)
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Basson
2
Flûte traversière, Basse continue
2
Cor Anglais
1
Hautbois, violon (duo)
1
Hautbois, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Orgue
1
Flute (partie séparée)
1
Flûte, Basson et Piano
1
Hautbois, Guitare (duo)
1
Piccolo, Piano
1
Saxophone et Piano
1
Flûte, trombone et piano
1
Clarinette, Violoncelle (duo)
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, trombone (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 103 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
461
Trombone et Piano
311
Quatuor de Cuivres : 2 trompettes, trombone, tuba
227
Trombone
144
Quatuor de Cuivres: 2 trompettes, Cor, trombone
88
2 Trombones (duo)
81
Trompette, Piano
66
Cor et Piano
61
Trompette, Trombone (duo)
58
Trompette
55
Trompette, Saxophone (duo)
49
Euphonium, Piano (duo)
44
Quatuor de cuivres: 4 trombones
40
2 Trompettes (duo)
39
Trombone (partie séparée)
32
Quatuor de Cuivres
31
Cor
30
Tuba et Piano
27
2 Cors (duo)
25
2 Tubas (duo)
20
Trompette (partie séparée)
19
Tuba
17
Cor anglais, Piano
16
3 Trombones (trio)
15
Ensemble de Trompettes
14
Quatuor de cuivres: 4 cors
11
Ensemble de Cors
11
Trombone, Orgue
9
Ensemble de Trombones
9
Euphonium
7
Trio de Cuivres
7
Trombone, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
4 Tubas
4
Trombone basse et Piano
4
2 Euphoniums (duo)
4
Trombone, Cor (duo)
3
Trompette, Violoncelle et Piano
2
Cor (partie séparée)
2
Euphonium, Tuba (duo)
2
Trompette, Euphonium (duo)
2
Trompette, Trombone, Piano
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor Anglais
1
Tuba (partie séparée)
1
Trombone basse
1
Trombone, Violon (duo)
1
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
317
Violon et Piano
180
Harpe
133
Violoncelle, Piano
130
Alto, Piano
126
Trio à Cordes: violon, alto, violoncelle
61
2 Violons (duo)
57
Violon
55
Violon, Violoncelle (duo)
54
2 Violoncelles (duo)
46
Violoncelle
44
2 Altos (duo)
40
Violon, Alto (duo)
38
Contrebasse, Piano (duo)
23
Alto seul
23
Trio à Cordes: 2 violons, violoncelle
21
Harpe, Flûte (duo)
21
2 Contrebasses (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Contre Basse
16
Trio à cordes: 3 violins
13
Trio à Cordes: 3 violoncelles
10
Harpe, Voix
9
Trio à cordes: 3 altos
8
2 Harpes (duo)
8
4 Violoncelles
8
Alto (partie séparée)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Violon, Guitare (duo)
5
Violoncelle , Guitare (duo)
5
Piano Trio: Violon, Alto, Piano
4
Harpe, Violon (duo)
4
Violoncelle, Contrebasse (duo)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
Harpe, Trombone (duo)
3
Alto, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Ensemble de Violoncelles
2
Ensemble de Violons
2
Quatuor à cordes: 4 violons
2
Harpe et Piano
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
3 Harpes
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
730
Ensemble Jazz
465
Fanfare
295
Ensemble de cuivres
206
Orchestre à Cordes
155
Orchestre
136
Cloches
95
Jazz combo
82
Orchestre de chambre
52
Ensemble de Percussions
37
Xylophone, Piano
17
Xylophone
8
Marimba
5
Batterie (partie séparée)
4
Batterie
3
Vibraphone et Marimba
2
Vibraphone
2
3 Percussions
1
Quintette de Cuivres: autres combinaisons
1
+ 14 instrumentations
Retracter
Autres
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▽ INSTRUMENTS
ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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UKULELE
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AFRICAIN
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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Saxophone Baryton, Piano
Partitions à imprimer
122 partitions trouvées
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Debussy: Arabesque 1 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Barit
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.551632 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.551632 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325663. Published by jmsgu3 (A0.551632). Claude Debussy: Arabesque 1. Duration: ca. 3:30 . Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
Debussy: Arabesque 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Barit
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.551647 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructi...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.551647 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5330251. Published by jmsgu3 (A0.551647). Claude Debussy: Arabesque No. Duration ca 3:45Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
O Come, All Ye Faithful for Solo Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Attr
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Lawrence H
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O Come, All Ye Faithful for So
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.967689 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Conte...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.967689 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189343. Published by Lawrence H Underwood (A0.967689). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
Lonely Drive
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Lawrence H Underwood
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Lonely Drive
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1373941 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and p...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1373941 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Lawrence H Underwood #958505. Published by Lawrence H Underwood (A0.1373941). This original composition by veteran performer and music educator, Lawrence Underwood, is the sixth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â From its opening notes, Lonely Drive is a piece propelled forward by its accompaniment, with solo lines that alternately weave throughout and float above the piano part. Harmonies evoke longing and melancholy before sequeing into joyful triumph as the musicians reach their final destination. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
Morning Mood by Grieg for Baritone Sax and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Bari
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Glauco Fernandes
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1412946 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Pe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1412946 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994951. Published by Glauco Fernandes (A0.1412946). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
Morning Mood by Grieg for Baritone Sax and Piano with Chords
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Bari
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Glauco Fernandes
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1412944 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Pe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1412944 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994949. Published by Glauco Fernandes (A0.1412944). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Roadside Inn-Schumann-Bari Saxophone and piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Bari Sax
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Phil Beaman
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.845146 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 p...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.845146 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213961. Published by Phil Beaman (A0.845146). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99
Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 6 f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic P...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053655. Published by jmsgu3 (A0.1476129). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95
God Rest Ye Merry, Gentlemen for Solo Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Traditional
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Lawrence H
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God Rest Ye Merry, Gentlemen f
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.967652 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.967652 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189203. Published by Lawrence H Underwood (A0.967652). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the third installment in his A Christmas Portfolio series, this modern setting of God Rest Ye Merry, Gentlemen is virtual journey through musical styles! Opening with a haunting statement of the theme, the piece soon takes off in 7/8 before moving through a fugue section and into a driving 3/4 that builds into a final statement of the melody as a 6/8 jig! Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
I Saw Three Ships for Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Noël
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Traditional
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Lawrence H
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I Saw Three Ships for Bari Sax
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.967669 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.967669 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6189253. Published by Lawrence H Underwood (A0.967669). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
Turkish March by Mozart - Baritone Saxophone and Piano with Chord Notations
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Glauco Fernandes
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Turkish March by Mozart - Bari
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Glauco Fernandes
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1350940 Composed by Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1350940 Composed by Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Wedding. Score and part. 3 pages. Glauco Fernandes #935772. Published by Glauco Fernandes (A0.1350940). Explore Mozart's vibrant composition Turkish March with our exclusive easy-intermediate level arrangement. Created for musicians with skills ranging from beginners with some practice to intermediate levels, this arrangement offers an accessible and engaging interpretation, making the piece suitable for a wide range of musicians.Ideal for those looking to expand their repertoire with an iconic classical piece, this arrangement of the Turkish March is perfect for intermediate-level students, teachers looking to challenge their students, and anyone seeking a more in-depth interpretation of Mozart's work. This arrangement provides an enriching musical experience while maintaining an approachable style.The sheet music includes detailed markings and instructions, ensuring an expressive and engaging interpretation of Mozart's classic composition. Acquire your score today and elevate your performances with the timeless charm of the Turkish March.This arrangement is also suitable for more experienced musicians seeking a challenging piece, and it can be presented at various events such as weddings, birthdays, corporate events, and more.For more high-quality sheet music, consider searching for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com. Explore additional arrangements and broaden your musical repertoire.And don't forget to check out my YouTube channel to explore more enchanting arrangements: [EnchantedSheetMusic](http://www.youtube.com/@EnchantedSheetMusic).
$4.99
Nocturne Op. 9, No. 1 for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Bari
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Diego Marani
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1281222 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Stan...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1281222 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872566. Published by Diego Marani (A0.1281222). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for baritone sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
Patapan for Solo Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Bernard de la Monnoye
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Lawrence H
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Patapan for Solo Bari Saxophon
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.967693 Composed by Bernard de la Monnoye. Arranged by Lawrence H. Underwood. Christian,Christmas,Contempora...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.967693 Composed by Bernard de la Monnoye. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189347. Published by Lawrence H Underwood (A0.967693). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this setting of Patapan brings a modern, funky spin to this French classic! The arrangement starts off in a digital funk feel, moves through rock ballad and Baroque rock before ending where it all began. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to get some toes a-tapping!
$5.99
Jingle Bells for Solo Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Noël
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James Pierpont
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Lawrence H
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Jingle Bells for Solo Bari Sax
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.967676 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.967676 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189289. Published by Lawrence H Underwood (A0.967676). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
Ladybird Romp - Baritone Sax and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Anne Christopherson GRSM ARCM
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Anne L Christopherson GRSM ARC
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Ladybird Romp - Baritone Sax a
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Music-Scores.com
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.722214 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and part. 3 pages. ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.722214 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and part. 3 pages. Music-Scores.com #6087299. Published by Music-Scores.com (A0.722214). There are a lot of ladybugs around here in July: Black with red spots, red with black spots, young yellow ones and the black and yellow larvae. They seem to be having a good time and are doing a great job eating blackflies, so this song is dedicated to these cheerful little beetles.A jazzy swing piece for Baritone Sax and Piano.Duration: 1 minute.By Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Clair de Lune (Debussy) for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1469396 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festiv...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1469396 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047416. Published by SCORE EDITIONS (A0.1469396). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
Symphony No. 5 by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755188. Published by Woods Only, Arrangements (A0.1154912). This adaptation was intended for a small group of baritone saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
Tchaikovsky: Russian Dance from Nutcracker Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance fro
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549705 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romant...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549705 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530253. Published by jmsgu3 (A0.549705). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502515. Published by jmsgu3 (A0.549512). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Rose-Noskowski- Baritone Saxophone-Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Z Noskowski
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Phil Beaman
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Rose-Noskowski- Baritone Saxop
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Phil Beaman
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.845331 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 7...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.845331 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 7 pages. Phil Beaman #6759839. Published by Phil Beaman (A0.845331). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part2:35 minutes
$5.99
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