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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 to the score.
Non classifié
1 026
Piano & claviers
Piano seul
1 039
Piano, Voix et Guitare
361
Piano, Voix
103
2 Pianos, 4 mains
55
Orgue
32
1 Piano, 4 mains
21
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Facile
10
Piano Quintette: piano, 2 violons, alto, violoncelle
8
2 Pianos, 8 mains
6
Piano Trio: piano, violon, violoncelle
6
Instruments en Do
6
Clavecin
4
Accordéon
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
2 Guitares (duo)
37
Guitare
15
4 Guitares (Quatuor)
7
Ukulele
7
Basse electrique
3
2 Ukuleles
3
Guitare notes et tablatures
2
Mandoline, Guitare (duo)
2
Mandoline
1
Piano, Guitare (duo)
1
Banjo
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
103
Voix seule
76
Chorale 3 parties
39
Chorale Unison
7
Chorale 2 parties
7
Chorale SSAA
4
Chorale TTBB
3
Voix Soprano, Piano
2
Voix Tenor
1
Voix duo, Piano
1
Voix duo
1
Voix Baryton, Piano
1
Voix, Guitare
1
Voix Tenor, Piano
1
Voix basse, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
208
2 Flûtes traversières (duo)
121
2 Clarinettes (duo)
115
Quatuor de Clarinettes: 4 clarinettes
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Quatuor de Saxophones: 4 saxophones
41
Flûte traversière et Piano
41
Flûte, Hautbois, Clarinette, Basson
37
Hautbois, Piano (duo)
35
Saxophone Alto et Piano
34
Quintette de Saxophone: 5 saxophones
33
2 Hautbois (duo)
33
Clarinette et Piano
31
2 Flûtes traversières, Piano
29
Ensemble de saxophones
24
Saxophone Tenor et Piano
23
Ensemble de Flûtes
17
2 Flûte à bec (duo)
16
Saxophone Soprano et Piano
15
Clarinette
12
Ensemble de Clarinettes
12
3 Clarinettes (trio)
9
Flûte traversière
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
6
Cor anglais, Piano
6
Quatuor de Flûtes : 4 flûtes
6
Clarinette Basse, Piano
5
Flûte, Clarinette (duo)
5
3 Saxophones (trio)
4
Saxophone Alto
4
Saxophone Tenor
4
2 Saxophones, Piano
4
Flûte, Violon, Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte et Guitare
3
2 Clarinettes, Piano
3
Flûte, Hautbois, Basson
2
Flûte, Violon, Violoncelle et Piano
2
Saxophone
2
Hautbois (partie séparée)
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
2
Clarinette, Trombone (duo)
2
Harmonica
1
Hautbois, Flûte
1
Clarinette, Violoncelle (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Basson et Piano
1
Clarinette, Basson (duo)
1
Ensemble à vent
1
Saxophone, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, Violon, Piano
1
Clarinette et Alto
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon
1
Cor Anglais
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes à bec
1
Hautbois, Violoncelle et Piano
1
Hautbois, Clarinette (duo)
1
+ 67 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
340
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
339
Quatuor de Cuivres: 2 trompettes, Cor, trombone
65
2 Trompettes (duo)
55
2 Trombones (duo)
51
2 Cors (duo)
33
Trombone et Piano
23
Quatuor de cuivres: 4 trombones
21
Cor et Piano
21
2 Euphoniums et 2 Tubas
17
Trompette, Piano
16
Trompette
15
Quatuor de Cuivres
13
Ensemble de Trombones
10
Euphonium, Piano (duo)
9
Tuba et Piano
8
Trio de Cuivres
6
Cor anglais, Piano
6
Trombone
5
3 Trombones (trio)
5
4 Tubas
4
Euphonium
4
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
3
Cor
2
Ensemble de Trompettes
2
Trompette (partie séparée)
1
2 Euphoniums (duo)
1
Cor et Basson (duo)
1
Ensemble de Cors
1
Trombone basse et Piano
1
3 Euphoniums
1
2 Cors Anglais Et Pianoforte
1
3 Trompettes (trio)
1
Trompette, Saxophone (duo)
1
Cor Anglais
1
Trompette, Trombone (duo)
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Cornet et orchestre
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 006
2 Violoncelles (duo)
106
Violon et Piano
58
2 Altos (duo)
51
Violoncelle, Piano
45
Trio à Cordes: violon, alto, violoncelle
45
Violon, Violoncelle (duo)
40
Trio à Cordes: 2 violons, violoncelle
38
Alto, Piano
37
2 Violons (duo)
33
2 Harpes (duo)
26
Harpe
22
Violon, Alto (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
4 Violoncelles
8
Trio à Cordes: 2 violons, alto
7
Violoncelle
7
Violon
5
Harpe, Violon (duo)
5
2 Contrebasses (duo)
5
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
4
Alto et Harpe
3
Harpe, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Alto et Basson
1
Violoncelle, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Alto seul
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
263
Orchestre
198
Ensemble de cuivres
177
Ensemble Jazz
122
Orchestre à Cordes
120
Orchestre de chambre
97
Cloches
29
Jazz combo
21
Fanfare
17
Ensemble de Percussions
17
Batterie
7
Vibraphone et Marimba
1
Orchestre, Violon
1
+ 8 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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2 to the score.
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Saxophone Baryton, Piano
Partitions à imprimer
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1
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
#
Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Mussorgsky: Pictures at an Exhibition for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549928 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Pe...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549928 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 92 pages. Jmsgu3 #4303361. Published by jmsgu3 (A0.549928). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
CPE BACH: Sonata in E Minor WQ124 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551520 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instr...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551520 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308401. Published by jmsgu3 (A0.551520). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317589. Published by jmsgu3 (A0.551572). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
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