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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
M'man
Non classifié
435
Piano & claviers
Piano seul
327
Orgue
48
Piano, Voix et Guitare
18
Piano, Voix
16
Piano Trio: piano, violon, violoncelle
9
Instruments en Do
8
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
22
Guitare
15
Basse electrique
4
Guitare notes et tablatures
2
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Ukulele
1
Mandoline, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
71
Chorale TTBB
19
Voix seule
13
Chorale 3 parties
9
Chorale SSAA
8
Voix Soprano, Piano
6
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale Unison
1
Voix Alto, Piano
1
Voix basse
1
Voix duo, Piano
1
+ 7 instrumentations
Retracter
Vents
Ensemble de saxophones
51
Quintette de Saxophone: 5 saxophones
34
Flûte traversière et Piano
34
Quatuor de Saxophones: 4 saxophones
30
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette et Piano
16
Saxophone Alto et Piano
16
Ensemble de Clarinettes
15
Saxophone Tenor et Piano
13
Clarinette
12
Hautbois, Piano (duo)
11
Saxophone Soprano et Piano
11
Ensemble de Flûtes
9
Flûte traversière
9
Saxophone Baryton, Piano
7
Saxophone Tenor
7
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
7
Quintette de Flûte : 5 flûtes
6
Cor anglais, Piano
6
2 Saxophones (duo)
5
Clarinette Basse, Piano
5
Saxophone Alto
3
Flûte, Hautbois, Clarinette, Basson
3
3 Saxophones (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière, Orgue (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Guitare (duo)
2
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
2 Hautbois (duo)
1
Flûte et Guitare
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Piano
1
Flûte, Violon
1
Flute (partie séparée)
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Ensemble de Trompettes
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Ensemble de Trombones
14
Quatuor de Cuivres
13
Trompette, Piano
9
Cor et Piano
6
Trompette
6
Cor anglais, Piano
6
Trio de Cuivres
5
Euphonium, Piano (duo)
5
Ensemble de Cors
5
Trombone
4
Trombone et Piano
4
Trompette (partie séparée)
3
2 Trompettes (duo)
3
Tuba et Piano
3
Trompette, Trombone (duo)
2
2 Cors (duo)
2
Trombone (partie séparée)
2
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba
1
2 Trombones (duo)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
102
Violon, Violoncelle (duo)
46
Trio à Cordes: violon, alto, violoncelle
34
Trio à Cordes: 2 violons, violoncelle
33
Violoncelle, Piano
25
Alto, Piano
23
Violon
20
Violoncelle
16
2 Violoncelles (duo)
13
2 Violons (duo)
10
Ensemble d'Altos
6
Ensemble de Violons
6
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, alto
6
Harpe
5
Alto seul
5
2 Altos (duo)
4
Contrebasse, Piano (duo)
4
Violon, Guitare (duo)
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Contre Basse
1
4 Violoncelles
1
Alto (partie séparée)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
75
Orchestre
46
Orchestre d'harmonie
22
Orchestre de chambre
15
Ensemble Jazz
13
Jazz combo
12
Ensemble de cuivres
9
Fanfare
5
2 Xylophones
2
Marimba
2
Cloches
2
Xylophone, Piano
1
Piano et Orchestre
1
+ 8 instrumentations
Retracter
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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BLUEGRASS
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Musicnotes
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Quickpartitions
SheetMusicPlus
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Saxophone Baryton, Piano
Partitions à imprimer
7 partitions trouvées
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1
Dangerous Woman
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ariana Grande
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James M
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drums) and nightclubs.
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Dangerous Woman
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.548235 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.548235 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. Score and part. 8 pages. Jmsgu3 #3224945. Published by jmsgu3 (A0.548235). DUration: 3:20 Score: 6 pages, Part: 2 pages, Tempo: eighth note = 134, Meter: 12/8 Works well for recitals, encores, jazz combo performance (just add bass & drums) and nightclubs.
$64.95
Mussorgsky: Pictures at an Exhibition for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549928 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Pe...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549928 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 92 pages. Jmsgu3 #4303361. Published by jmsgu3 (A0.549928). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Magic
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Coldplay
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James M
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Magic
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.548194 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Gu...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.548194 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 21 pages. Jmsgu3 #3221173. Published by jmsgu3 (A0.548194). Duration: 4:30, Score: 11 pages, solo part: 3 pages, piano part: 6 pages. Suitable for the recital, church, or nightclub performance. Just add bass & drums for a quick band arrangement.
$47.95
Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Mussorgsky: Night on Bald Mountain for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549946 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Concert,Halloween,Instruction...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549946 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 86 pages. Jmsgu3 #4324261. Published by jmsgu3 (A0.549946). Score: 47 pages, Duration ca. 11 minutes. Solo part: 14 pages. Piano part: 33 pages. 457 measures.
$24.95
Mendelssohn: the Hebrides Overture for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: the Hebrides Over
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.550005 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Concert,Holiday,Romantic Peri...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.550005 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Concert,Holiday,Romantic Period,Standards,World. Score and part. 55 pages. Jmsgu3 #4571253. Published by jmsgu3 (A0.550005). The Hebrides Overture (Fingal's Cave) op. 26. Score: 30 pages. Solo part: 9 pages, Piano part: 15 pages. Duration: ca. 9:10. 268 measures. Great recital piece.
$24.95
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