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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
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CORNET
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996
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1 525
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543
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72
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44
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40
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37
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31
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14
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13
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6
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2
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1
2 Mandolines (duo)
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62
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18
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13
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12
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9
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7
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6
Voix Tenor, Piano
1
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61
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54
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41
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39
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24
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19
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17
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16
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14
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13
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9
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8
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2 Clarinettes (duo)
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7
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6
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6
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6
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6
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5
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4
Quintette de Flûte : 5 flûtes
4
Saxophone Tenor
4
Hautbois, Piano (duo)
4
Flûte à bec Soprano, Basse continue
3
Saxophone Alto
3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
4 Hautbois
1
Ocarina
1
Flûte et Trio à cordes
1
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72
Trombone
51
2 Cors (duo)
46
Tuba
16
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15
Cor
9
Trompette, Piano
7
Trombone et Piano
7
2 Trompettes (duo)
5
2 Trombones (duo)
5
Trompette, Cor (duo)
5
Bass Clef Instruments
5
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5
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3
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3
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3
Euphonium
3
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3
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2
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2
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2
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2
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2
3 Cors (trio)
2
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2
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2
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2
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2
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55
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37
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24
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19
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15
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11
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10
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9
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6
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5
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3
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2
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2
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1
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1
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1
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1
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1
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52
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Saxophone Baryton, Piano
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Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Arioso by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Baritone Sa
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Sc...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651666. Published by Woods Only, Arrangements (A0.1047137). This easy arrangement for baritone sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Air on the G String by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650183. Published by Woods Only, Arrangements (A0.1045604). This easy arrangement for baritone sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
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