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PIANO & CLAVIERS
Piano, Voix
3357
Piano seul
1276
Piano Facile
129
1 Piano, 4 mains
30
Orgue
18
Piano Trio: piano, violon, violoncelle
16
Piano, Voix et Guitare
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2 Pianos, 4 mains
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Piano Quatuor: piano, violon, alto, violoncelle
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Clavier
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Piano Quatuor: piano, 2 violons, violoncelle
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2 Pianos, 8 mains
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GUITARES
Guitare
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21
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VOIX
Voix seule
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31
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Chorale 3 parties
18
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14
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Chorale Unison
6
Voix haute
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4
Voix haute, Piano
3
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Moyenne
1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
127
Clarinette
94
Clarinette et Piano
56
Flûte traversière
46
Saxophone Alto et Piano
43
Hautbois, Piano (duo)
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
2 Clarinettes (duo)
28
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Tenor et Piano
26
Flûte à Bec
24
Flûte, Hautbois, Clarinette, Basson
22
Saxophone Soprano et Piano
22
Saxophone Alto
20
Quatuor de Saxophones: 4 saxophones
17
2 Flûtes traversières (duo)
16
Flûte et Guitare
15
Saxophone (partie séparée)
13
3 Clarinettes (trio)
12
Saxophone Tenor
12
Hautbois
12
Clarinette (partie séparée)
11
2 Saxophones (duo)
10
Saxophone Baryton, Piano
10
Cor anglais, Piano
9
Saxophone
7
Clarinette Basse, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Clarinette, Basson (duo)
5
Hautbois (partie séparée)
5
Trio de Flûtes: 3 flûtes
5
Saxophone et Guitare
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Ensemble de Clarinettes
4
Flûte à bec Soprano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Hautbois, Clarinette (trio)
3
Ensemble de saxophones
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Clarinette, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
3 Saxophones (trio)
3
Flûte à bec, Guitare (duo)
3
Saxophone Soprano
2
Ocarina
2
Clarinette Basse
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Piccolo, Piano
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Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle
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Harmonica
2
Flûte, Violon et Violoncelle
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Flûte à bec Soprano, Piano
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Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
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Flute (partie séparée)
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Flûte, Clarinette et Basson
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Flûte, Trombone (duo)
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1
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1
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Clarinette, Violon (duo)
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Piccolo
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Flûte à Bec, Piano
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3 Flûtes à bec (trio)
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2 Hautbois (duo)
1
Flûte à bec Alto, Piano
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Quintette de Flûte : 5 flûtes
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Flûte, Clarinette, Piano (trio)
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Flûte, Violon
1
Flûte, Hautbois (duo)
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
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Flûte, Violon, Piano
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Flûte, Violoncelle, Guitare
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Flûte à bec Tenor
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CUIVRES
Trombone et Piano
39
Trompette
34
Trombone
29
Trompette, Piano
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Cor et Piano
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Tuba et Piano
14
Euphonium, Piano (duo)
13
2 Euphoniums et 2 Tubas
12
Cor
12
Cor anglais, Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
4 Tubas
8
Quatuor de cuivres: 4 cors
6
Tuba
6
Trompette, Trombone (duo)
6
Trompette et Guitare
5
Quatuor de cuivres: 4 trombones
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Trombone basse et Piano
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
3
2 Trompettes (duo)
3
Cor (partie séparée)
3
Euphonium
3
Trombone (partie séparée)
3
Cornet A Pistons
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Quatuor de Cuivres
2
Trompette, Cor (duo)
2
Trompette (partie séparée)
1
Instruments en Sib
1
Ensemble de Cors
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3 Cors (trio)
1
Trompette, violon (duo)
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Ensemble de Trombones
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3 Trombones (trio)
1
Trompette, Euphonium (duo)
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Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trio de Cuivres
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3 Trompettes (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
140
Violoncelle, Piano
116
Violon
75
Alto, Piano
75
Violoncelle
60
Alto seul
52
Violon (partie séparée)
21
Trio à Cordes: violon, alto, violoncelle
17
Violoncelle (partie séparée)
16
Violon, Violoncelle (duo)
14
2 Violons (duo)
13
Violon, Guitare (duo)
10
Trio à Cordes: 2 violons, violoncelle
10
2 Violoncelles (duo)
9
Violon, Alto (duo)
8
Harpe
7
Alto, Violoncelle (duo)
7
Alto (partie séparée)
7
Contrebasse, Piano (duo)
7
4 Violoncelles
7
Violoncelle , Guitare (duo)
6
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
4
Piano Trio: Violon, Alto, Piano
4
2 Violons, Piano
3
Contre Basse
3
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes: 4 violons
2
Alto, Guitare (duo)
2
Trio à cordes: 3 violins
2
4 Contrebasses
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Altos (duo)
2
Trio à cordes
2
2 Altos, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basson (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Violoncelle, Clarinette
1
2 Violoncelles, Piano
1
Violoncelle, Orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
44
Orchestre
36
Orchestre d'harmonie
14
Orchestre de chambre
9
Ensemble de cuivres
8
Ensemble de Percussions
2
Quatuor à Vent : 4 instruments à vents
1
Timbales (partie séparée)
1
Ensemble Jazz
1
Quintette de Cuivres: autres combinaisons
1
Percussion (partie séparée)
1
Marimba, Piano (duo)
1
Quintette à Vent
1
Xylophone
1
Percussion
1
Piano et Orchestre
1
Vibraphone (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Schumann
Saxophone Baryton, Piano
Partitions à imprimer
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Schumann: Abendlied for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549039 Composed by Ro…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549039 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448159. Published by jmsgu3 (A0.549039). Op. 85/12 Baritone Sax: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
24.87 €
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Saxophone Baryton, Piano
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Robert Schumann
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James M
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Schumann: Abendlied for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Roadside Inn-Schumann-Bari Saxophone and piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.845146 Composed by Ro…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.845146 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213961. Published by Phil Beaman (A0.845146). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99
4.61 €
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Saxophone Baryton, Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Bari Saxophone and piano
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Phil Beaman
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.550188 Composed by Ro…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.550188 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598353. Published by jmsgu3 (A0.550188). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
23.03 €
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Saxophone Baryton, Piano
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Intermezzo
Saxophone Baryton, Piano
Baritone Saxophone & Piano - Grade 2 - Digital Download SKU: R0.46684 From Carni…
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Baritone Saxophone & Piano - Grade 2 - Digital Download SKU: R0.46684 From Carnival Scenes from Vienna Op. 26. Composed by Robert Schumann. Arranged by Timofei Dokshitser. Baritone Saxophone & Piano. Score and parts. 8 pages. Duration 1'53. Editions Marc Reift - Digital #46684. Published by Editions Marc Reift - Digital (R0.46684).
$11.95
11.03 €
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Saxophone Baryton, Piano
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Robert Schumann
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Timofei Dokshitser
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Intermezzo
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Editions Marc Reift - Digital
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SheetMusicPlus
Feast of Love - Baritone Sax/Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.844549 Composed by Ro…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.844549 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517819. Published by Phil Beaman (A0.844549). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.61 €
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Saxophone Baryton, Piano
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Robert Franz
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Phil Beaman
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Feast of Love - Baritone Sax/Piano
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Phil Beaman
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.87 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
23.03 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Fr…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.64 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.41 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.41 €
#
Saxophone Baryton, Piano
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
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