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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Traditional National
Non classifié
169
Piano & claviers
Piano seul
185
Accordéon
65
Piano Facile
64
Piano, Voix
44
Piano, Voix et Guitare
27
Orgue
7
Instruments en Do
7
1 Piano, 4 mains
6
Accompagnement Piano
4
2 Pianos, 4 mains
2
Ligne De Mélodie, Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
16
Ligne De Mélodie, (Paroles) et Accords
7
Guitare
6
Ukulele
3
Mandoline
1
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
41
Voix Soprano, Piano
30
Voix Tenor, Piano
28
Voix Baryton, Piano
26
Voix Alto, Piano
26
Chorale 3 parties
17
Chorale 2 parties
16
Voix duo, Piano
8
Chorale Unison
8
Chorale TTBB
7
Voix seule
5
Voix basse, Piano
2
Chorale SSAA
2
Voix duo
2
Voix Tenor
1
Chorale SSATB
1
+ 11 instrumentations
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Vents
2 Saxophones (duo)
34
Saxophone
24
Flûte traversière et Piano
22
Quatuor de Saxophones: 4 saxophones
20
Clarinette et Piano
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Flûte à Bec
16
2 Clarinettes (duo)
16
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Alto et Piano
15
Flûte traversière
14
Quintette de Saxophone: 5 saxophones
14
Clarinette
13
Saxophone Tenor et Piano
12
3 Saxophones (trio)
12
Saxophone, Clarinette (duo)
12
Quatuor de Clarinettes: 4 clarinettes
12
2 Flûtes traversières (duo)
11
Flûte, Clarinette (duo)
10
Hautbois
9
Hautbois, Piano (duo)
8
Saxophone Soprano et Piano
8
Clarinette, Violon (duo)
7
Clarinette, Trompette (duo)
6
Clarinette et Alto
4
Ensemble de Clarinettes
4
Flûte à bec Alto
4
Hautbois, Flûte
4
Cor anglais, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
2 Hautbois (duo)
4
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
Hautbois, Basson (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Alto
3
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor
3
Flûte, Violon
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Basson (duo)
2
Hautbois (partie séparée)
2
Flûte, Saxophone (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Alto (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûte à bec (duo)
2
Flûte, Trompette (duo)
2
5 Flûtes à bec
1
Cornemuse
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Soprano, Piano
1
3 Flûtes à bec (trio)
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ocarina
1
Flûte, Hautbois, Basson
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trompette, Piano
14
Trombone et Piano
11
Trombone
11
Cor
10
2 Trombones (duo)
9
2 Trompettes (duo)
9
Cor et Piano
8
Trompette, Saxophone (duo)
8
Tuba
8
Euphonium
5
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Cor anglais, Piano
4
Quatuor de Cuivres
4
Ensemble de Trombones
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
2
Tuba et Piano
2
Trompette, Cor (duo)
2
Trio de Cuivres
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon
19
Violon et Piano
18
Violoncelle, Piano
13
Alto, Piano
13
2 Violons (duo)
12
Violoncelle
11
2 Violoncelles (duo)
11
Alto seul
8
Violon, Violoncelle (duo)
8
2 Altos (duo)
7
Violon, Alto (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Piano Trio: Violon, Alto, Piano
4
4 Violoncelles
3
Trio à Cordes: violon, alto, violoncelle
3
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
Contre Basse
2
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe
1
Trio à cordes: 3 altos
1
Trio à cordes
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
59
Orchestre à Cordes
34
Orchestre
29
Ensemble de cuivres
9
Ensemble Jazz
5
Jazz combo
4
Orchestre de chambre
3
Ensemble de Percussions
3
Quintette de Cuivres: autres combinaisons
2
Cloches
2
Fanfare
2
+ 6 instrumentations
Retracter
Autres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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Vous avez sélectionné:
Traditional National
Saxophone Baryton, Piano
Partitions à imprimer
3 partitions trouvées
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DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
A Mighty Fortress is Our God by Luther for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1076837 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score ...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1076837 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680952. Published by Woods Only, Arrangements (A0.1076837). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
Ode to Joy by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ba
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic P...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
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