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10 Piano Pieces
Saxophone Baryton, Piano
Partitions à imprimer
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1
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.89 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.43 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
23.04 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.04 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Digital Download SKU: A0.1315649 By Brandon C Stanley. B…
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Baritone Saxophone,Piano - Digital Download SKU: A0.1315649 By Brandon C Stanley. By Brandon C Stanley. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #904392. Published by Brandon C Stanley (A0.1315649). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo baritone saxophone (saxophone baryton) and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Baritone Saxophone (English)Saxophone Baryton (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo baritone saxophone (saxophone baryton) alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
4.61 €
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Saxophone Baryton, Piano
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Feelin' It
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373983 Composed by L…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373983 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. Lawrence H Underwood #958550. Published by Lawrence H Underwood (A0.1373983). This original composition by veteran performer and music educator, Lawrence Underwood, is the eighth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Feelin' It brings the funk from its very first notes! From sassy strut of its opening section, to the jazzy bridge, and classical-tinged counterpoint that leads us home to the opening melody, this piece is a joy to play and to hear. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
6.46 €
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Saxophone Baryton, Piano
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Lawrence H Underwood
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Feelin' It
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Lawrence H Underwood
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SheetMusicPlus
With a Full Heart
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373666 By Lawrence H…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373666 By Lawrence H Underwood. By Lawrence H Underwood. Arranged by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival,Jazz. Score and part. 10 pages. Lawrence H Underwood #958055. Published by Lawrence H Underwood (A0.1373666). This original composition by veteran performer and music educator, Lawrence Underwood, is the third installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â With a Full Heart is a jazz-touched exploration of simple joys, tender emotion, and cherished memories. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
6.46 €
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Saxophone Baryton, Piano
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Lawrence H Underwood
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Lawrence H Underwood
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With a Full Heart
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Lawrence H Underwood
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SheetMusicPlus
Whimsy
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1374106 Composed by L…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1374106 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958682. Published by Lawrence H Underwood (A0.1374106). This original composition by veteran performer and music educator, Lawrence Underwood, is the ninth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Whimsy begins as a playful, quirky romp in 12/8, transitioning into a (slightly) more serious and (slightly) slower middle section before letting loose with a return to the capricious opening theme again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure will make an excellent addition to any program!
$6.99
6.46 €
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Saxophone Baryton, Piano
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Lawrence H Underwood
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Whimsy
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Lawrence H Underwood
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SheetMusicPlus
Cogs & Gears
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1374176 Composed by L…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1374176 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958752. Published by Lawrence H Underwood (A0.1374176). This original composition by veteran performer and music educator, Lawrence Underwood, is the tenth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Cogs & Gears evokes images of a well-oiled machine, driving. . .pushing. . .moving. The opening section locks measures of 3/4 and 6/8 together, working in tandem to propel the melody forward. The middle of the piece keeps the same pulse, but uses a jaunty melody to move first into 4 and then, with increasing frequency, measures of 2 and 3. The opening motif reappears before the piece once again pushes into the the lively second theme as it bounces towards its playful conclusion. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
6.46 €
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Saxophone Baryton, Piano
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Lawrence H Underwood
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Cogs & Gears
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Lawrence H Underwood
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