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CITHARE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
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PERCUSSION
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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AFRICAIN
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Non classifié
9680
PIANO & CLAVIERS
Piano seul
457
Orgue
448
Piano (partie séparée)
278
Piano, Voix
248
Piano, Voix et Guitare
88
Piano Facile
67
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
29
Instruments en Do
20
Orgue, Piano (duo)
9
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
5
Orgue, Trompette (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
1
Clavecin
1
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GUITARES
Guitare (partie séparée)
274
Guitare
27
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
17
Basse électrique (partie séparée)
9
Ukulele
5
4 Guitares (Quatuor)
3
Banjo
2
2 Guitares (duo)
2
Mandoline
1
Basse electrique
1
Paroles et Accords
1
Piano, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
32790
Chorale 3 parties
10822
Chorale 2 parties
8665
Chorale TTBB
7571
Chorale SSAA
5033
Chorale Unison
4398
Chorale
1848
Chorale SSAATTBB
126
Chorale SSATB
94
Chorale SSAB a cappella
61
Chorale SSATTB
41
Chorale SSATBB
30
Voix duo, Piano
28
Chorale SSAB, Piano
17
Voix duo
16
Chorale SAATB A Cappella
14
Chorale SSAATB
11
Chorale SATBB
10
Chorale SSAATB A Cappella
9
Soli, choeur mixte et accompagnement
8
Voix seule
8
Chorale SATTB
7
Voix Soprano, Orchestre
6
Chorale SATTBB A Cappella
6
Voix Soprano, Piano
3
Voix moyenne, Piano
1
Chorale, Orgue
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Chorale SATTBB, Clavier
1
Voix haute
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
315
Clarinette (partie séparée)
180
Flute (partie séparée)
147
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Hautbois (partie séparée)
89
Flûte, Hautbois, Clarinette, Basson
84
Quatuor de Saxophones: 4 saxophones
80
Clarinette et Piano
75
Flûte traversière et Piano
74
Hautbois, Piano (duo)
44
Quatuor de Clarinettes: 4 clarinettes
43
Saxophone Alto et Piano
41
Flûte et Guitare
36
Quatuor de Flûtes : 4 flûtes
33
Quintette de Saxophone: 5 saxophones
30
Saxophone Tenor et Piano
27
3 Saxophones (trio)
27
Ensemble de Flûtes
26
Saxophone Alto
24
2 Saxophones (duo)
23
Clarinette
22
Ensemble de Clarinettes
22
Saxophone Soprano et Piano
20
Cor anglais, Piano
19
Flûte traversière
17
Saxophone Baryton, Piano
14
Ensemble de saxophones
14
Quintette de Clarinettes: 5 clarinettes
13
Clarinette Basse, Piano
12
2 Clarinettes (duo)
11
Quatuor de Flûtes à bec
10
3 Clarinettes (trio)
10
2 Flûtes traversières (duo)
10
Flûte, Clarinette (duo)
9
Trio de Flûtes: 3 flûtes
9
Flûte à bec Soprano
8
Quintette de Flûte : 5 flûtes
6
2 Flûte à bec (duo)
6
Ensemble De Flûte à bec
5
Flûte, Clarinette, Cor, Basson (Quartet)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette, Basson (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte à bec Tenor
4
Flûte, Violoncelle, Piano (trio)
3
3 Flûtes à bec (trio)
3
Cor Anglais
3
Flûte à bec Alto
3
Flûte à bec Soprano, Piano
3
2 Hautbois (duo)
2
Saxophone Soprano
2
Hautbois
2
Clarinette, Violoncelle (duo)
2
Hautbois, Basson (duo)
2
Saxophone Baryton
2
Flûte, Clarinette, Piano (trio)
2
Piccolo, Piano
2
Flûte, Violoncelle
2
Flûte à bec, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Saxophone Tenor
2
Clarinette, Guitare (duo)
1
Flûte traversière, Orchestre
1
Hautbois, Violoncelle
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Basson
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble à vent
1
Flûte à bec Alto, Piano
1
4 Hautbois
1
Clarinette, Orgue
1
Ensemble de Hautbois
1
Clarinette, Harpe (duo)
1
5 Flûtes à bec
1
Clarinette, Orchestre
1
Hautbois, Harpe
1
Flûte à Bec
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone et Orgue
1
3 Hautbois
1
Saxophone
1
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CUIVRES
Trompette (partie séparée)
426
Trombone (partie séparée)
313
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
159
Cor (partie séparée)
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Trompette, Piano
51
Trombone et Piano
39
Quatuor de cuivres: 4 trombones
39
Tuba (partie séparée)
30
Cor et Piano
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Trompette
27
Quatuor de Cuivres
24
Cor anglais, Piano
19
Ensemble de Trombones
18
Quatuor de cuivres: 4 cors
16
Tuba et Piano
13
Trompette, Trombone (duo)
12
3 Trombones (trio)
11
Ensemble de Cors
10
2 Trompettes (duo)
9
Euphonium, Piano (duo)
8
Trombone
8
Quatuor de cuivres: 4 trompettes
7
Cor
6
Trompette, Cor (duo)
6
2 Trombones (duo)
6
Cor, Orchestre
5
3 Tubas (trio)
5
Tuba
5
2 Cors (duo)
5
3 Cors (trio)
5
2 Euphoniums et 2 Tubas
5
4 Tubas
4
Trio de Cuivres
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
3
Euphonium, Tuba (duo)
3
Tuba et Orgue
3
Ensemble de Trompettes
2
2 Tubas (duo)
2
Trombone basse et Piano
2
Trombone, Cor (duo)
2
Trompette, Basson (duo)
1
4 Euphoniums
1
3 Trompettes (trio)
1
Cor et Basson (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Orchestre
1
Trompette, Violoncelle (duo)
1
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CORDES
Contrebasse (partie séparée)
474
Quatuor à cordes: 2 violons, alto, violoncelle
247
Violon (partie séparée)
214
Violoncelle (partie séparée)
123
Alto (partie séparée)
95
Violon et Piano
72
Alto, Piano
61
Violoncelle, Piano
58
Harpe (partie séparée)
56
Violon
25
Trio à Cordes: violon, alto, violoncelle
22
Harpe
20
Violoncelle
15
Violon, Violoncelle (duo)
13
Contrebasse, Piano (duo)
12
Violoncelle, Orchestre
11
Alto seul
11
2 Violons (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
4 Violoncelles
8
Violon, Orgue
7
Violon, Alto (duo)
6
Trio à Cordes: 3 violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Contre Basse
6
2 Altos (duo)
5
2 Violoncelles (duo)
5
Quatuor à cordes: 4 violons
5
Harpe, Flûte (duo)
5
Trio à cordes: 3 violins
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
4
Harpe, Violon, Violoncelle
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
Alto, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Basse continue
1
Alto et Basson
1
Ensemble d'Altos
1
4 Contrebasses
1
Harpe et Piano
1
Violon, Basson (duo)
1
Ensemble de Violons
1
Harpe, Violon (duo)
1
Violoncelle, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
594
Orchestre
431
Batterie (partie séparée)
245
Percussion (partie séparée)
206
Orchestre à Cordes
170
Ensemble de cuivres
92
Orchestre de chambre
88
Cloches
88
Ensemble Jazz
51
Batterie
42
Piano et Orchestre
35
Fanfare
25
Orchestre, Violon
18
Jazz combo
16
Timbales (partie séparée)
16
Marimba
7
Xylophone, Piano
5
Ensemble de Percussions
4
Vibraphone
3
Instrumentation Flexible
2
Voix et Orchestre
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
85
Vous avez sélectionné:
A Choral
Saxophone Baryton, Piano
Partitions à imprimer
14 partitions trouvées
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1
Choral from the Cantata BWV 77 (Solo Baritone Sax with Piano Accompaniment)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471751 Composed by J…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471751 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049074. Published by Rodrigo Faleiros (A0.1471751). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Chord Symbols- With Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$3.99
3.66 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral from the Cantata BWV 77 (Solo Baritone Sax with Simple Piano Accompaniment)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471753 Composed by J…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471753 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049077. Published by Rodrigo Faleiros (A0.1471753). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Chord Symbols- With Simple Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$3.99
3.66 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral from the Cantata BWV 77 (Solo Baritone Sax with Piano Accompaniment)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471752 Composed by J…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471752 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049075. Published by Rodrigo Faleiros (A0.1471752). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$3.99
3.66 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral from the Cantata BWV 77 (Solo Baritone Sax with Simple Piano Accompaniment)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471754 Composed by J…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471754 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 3 pages. Rodrigo Faleiros #1049078. Published by Rodrigo Faleiros (A0.1471754). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Baritone Sax preserves the integrity and beauty of the original melody while adapting it for a soloist instrument. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the main melody line on the solo player while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Solo Baritone Sax- With Simple Piano Accompaniment➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$3.99
3.66 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Choral from the Cantata BWV 77
#
Rodrigo Faleiros
#
SheetMusicPlus
Arioso by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1047137 Composed by J…
(+)
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651666. Published by Woods Only, Arrangements (A0.1047137). This easy arrangement for baritone sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
1.83 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Ander
#
Arioso by Bach for Baritone Sax and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Baritone Saxophone and accompaniment
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.964381 Composed by Jo…
(+)
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.964381 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321041. Published by Leyandder Trustworthy (A0.964381). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Baritone Saxophone along with a piano accompaniment that comes with the product.
$1.99
1.83 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Bach - Arioso from Cantata BWV 156 for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1349698 Composed by J…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1349698 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934470. Published by SCORE EDITIONS (A0.1349698). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
5.5 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Harry Walker
#
Bach - Arioso from Cantata BWV 156 for Baritone Saxophone and Piano
#
SCORE EDITIONS
#
SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.83 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
30.26 €
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Saxophone Baryton, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.75 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.533522 Composed by Pa…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3010455. Published by Musik Fabrik Music Publishing (A0.533522). Written for Jay C. Easton, this piece is named for the Japanese Zen Rock Garden in Kyoto, which uses 15 stones, but only 14 of them can ever been seen at one time. The work is in three large sections, played without pause: Prelude, Recitativo and Dance. Composer, conductor and saxophonist, Paul Wehage is a complete musican. After his studies at the University of Texas and at the Paris Conservatory (1st prize in Saxophone in 1990), he began his career as a concertiste, performing throughout Europe, Asia, and North America. Several generations of composers have wirtten pieces specially for him, from Jean Françaix to Carson Cooman. His own catalog of nearly a hundred works includes chamber works, works for solo instruments, vocal works, choral works and orchestral music. Since 1997, he has directed Music Fabrik Music Publishing where he has amassed a catalog of over a thousand titles; 
$19.95
18.32 €
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Saxophone Baryton, Piano
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Paul Wehage
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Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
O Jesulein süss by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049990 Composed by J…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049990 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654387. Published by Woods Only, Arrangements (A0.1049990). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
1.83 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Pachelbel: Canon for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Jo…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.26 €
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Saxophone Baryton, Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Ma…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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