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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Moment Like This
Non classifié
121
Piano & claviers
Piano seul
120
Piano Facile
32
Piano, Voix et Guitare
25
Piano, Voix
11
Accompagnement Piano
8
Orgue
6
Instruments en Do
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ensemble d'Accordéons
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
7
Guitare
5
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
46
Chorale 3 parties
17
Chorale TTBB
12
Chorale 2 parties
8
Chorale SSAA
7
Chorale Unison
4
Voix duo
3
Voix duo, Piano
2
Voix seule
1
Voix Tenor, Piano
1
+ 5 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Quintette de Saxophone: 5 saxophones
13
Flûte, Hautbois, Clarinette, Basson
11
Clarinette
11
Flûte, Trombone (duo)
10
2 Flûtes traversières (duo)
9
Flûte traversière
8
2 Saxophones (duo)
6
Flûte traversière et Piano
6
Saxophone Alto
6
Hautbois, Piano (duo)
6
Quatuor de Flûtes : 4 flûtes
5
Saxophone Tenor
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette et Piano
4
Saxophone, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Ensemble de Flûtes
3
Clarinette, Violon (duo)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Clarinettes (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de saxophones
2
Clarinette, Trompette (duo)
2
Flûte, Clarinette (duo)
2
Saxophone Alto et Piano
2
Clarinette et Alto
1
Flûte, Violon
1
Saxophone et Piano
1
Flute (partie séparée)
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Saxophone Soprano et Piano
1
Ensemble de Clarinettes
1
5 Flûtes à bec
1
Flûte, Saxophone (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
+ 43 instrumentations
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Cuivres
Trompette
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
6
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone et Piano
4
Quatuor de Cuivres
4
Tuba et Piano
3
Tuba
3
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Trompette (partie séparée)
2
Trompette, Piano
2
Euphonium, Piano (duo)
2
Ensemble de Cors
1
2 Euphoniums (duo)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
2 Trompettes (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon et Piano
28
Violon, Violoncelle (duo)
12
Violon, Basson (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon
9
Violoncelle
7
Harpe
6
Alto seul
6
Trio à Cordes: violon, alto, violoncelle
4
Alto, Piano
3
Violoncelle, Piano
3
2 Violoncelles (duo)
2
4 Violoncelles
2
2 Altos (duo)
2
2 Violons (duo)
2
Violon, Alto (duo)
1
Quatuor à cordes : 4 altos
1
Contre Basse
1
Alto (partie séparée)
1
Harpe, Voix
1
Quatuor à cordes: 4 violons
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre à Cordes
36
Orchestre
16
Ensemble Jazz
5
Cloches
4
Ensemble de cuivres
4
Orchestre de chambre
4
Ensemble de Percussions
3
Fanfare
3
Marimba
2
Jazz combo
2
Piano et Orchestre
1
Batterie
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
A Moment Like This
Saxophone Baryton, Piano
Partitions à imprimer
2 partitions trouvées
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Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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