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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Night Like This
Non classifié
312
Piano & claviers
Piano seul
145
Piano, Voix
63
Piano, Voix et Guitare
56
Piano Facile
34
Instruments en Do
16
Orgue
7
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
1
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
31
Ukulele
20
Ligne De Mélodie, (Paroles) et Accords
16
Guitare
13
Piano, Guitare (duo)
6
Basse electrique
5
Paroles et Accords
3
Ensemble de guitares
1
Ensemble de Ukulélés
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
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Voix
Chorale SATB
65
Chorale 3 parties
30
Chorale TTBB
20
Chorale 2 parties
16
Chorale Unison
9
Chorale SSAA
6
Voix duo
5
Voix duo, Piano
3
Voix Soprano, Piano
3
Voix haute
3
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix basse, Piano
1
Chorale SSAATB
1
Soli, choeur mixte et accompagnement
1
Chorale
1
+ 11 instrumentations
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Vents
Clarinette et Piano
29
Hautbois, Piano (duo)
29
Flûte traversière et Piano
27
Saxophone Alto et Piano
24
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Tenor et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
2 Flûtes traversières (duo)
14
Quatuor de Saxophones: 4 saxophones
14
2 Saxophones (duo)
11
Clarinette
8
Quintette de Saxophone: 5 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette (partie séparée)
6
Saxophone Tenor
6
Quatuor de Flûtes : 4 flûtes
6
Ensemble de saxophones
5
Saxophone Alto
5
Hautbois (partie séparée)
5
Ensemble de Clarinettes
5
Saxophone Soprano et Piano
5
2 Clarinettes (duo)
5
Flûte traversière
5
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
2 Flûte à bec (duo)
3
Ensemble de Flûtes
3
Saxophone Baryton, Piano
3
2 Hautbois (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon
3
Flûte, Clarinette et Basson
2
Hautbois
2
Flûte à bec Soprano
2
3 Saxophones (trio)
2
Saxophone, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Flute (partie séparée)
2
Flûte, Alto (duo)
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
Hautbois, violon (duo)
1
Hautbois, Flûte
1
Clarinette Basse, Piano
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle (duo)
1
Saxophone (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Violoncelle
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Hautbois et alto (duo)
1
+ 56 instrumentations
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Cuivres
Trombone et Piano
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Cor et Piano
14
Trompette, Piano
13
Trompette
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Tuba et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
Cor
4
Cor anglais, Piano
4
Trompette (partie séparée)
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
3
Trombone (partie séparée)
3
Quatuor de Cuivres
3
Trombone
3
Trompette, Trombone (duo)
2
2 Tubas (duo)
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
Ensemble de Trombones
2
Cor (partie séparée)
2
Trompette, Cor (duo)
2
Tuba (partie séparée)
2
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
26
Alto, Piano
23
Violoncelle, Piano
21
Violon
11
Violoncelle
10
Violon, Violoncelle (duo)
10
Harpe
10
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
8
Violon (partie séparée)
7
Contrebasse, Piano (duo)
7
2 Violons (duo)
6
Alto seul
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Violoncelles (duo)
5
2 Altos (duo)
5
Trio à cordes: 3 violins
3
Alto (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Alto et Harpe
2
Harpe, Violon (duo)
2
Contre Basse
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse (partie séparée)
2
Harpe, Voix
2
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
80
Orchestre
29
Orchestre à Cordes
22
Ensemble Jazz
9
Ensemble de cuivres
7
Fanfare
4
Orchestre de chambre
4
Percussion (partie séparée)
3
Cloches
2
Batterie
1
Ensemble de Percussions
1
Jazz combo
1
Instrumentation Flexible
1
Marimba
1
+ 9 instrumentations
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Théorie de la musique
1
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--INSTRUMENTS--
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Vous avez sélectionné:
A Night Like This
Saxophone Baryton, Piano
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Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Goodbye Yellow Brick Road
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 8 pages. Jmsgu3 #3073391. Published by jmsgu3 (A0.547876). BARITONE SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of tonal harmony. The verses are syllabic, arranged in 8 regular phrases. The last phrase is elided with a melismatic bridge that suddenly modulates to the lowered mediant, causing a chromatic mediant relation. Further drama is introduced by the voice leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. -jmsgu3
$53.95
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A Night Like This
