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9
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2
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2
3 Guitares (trio)
1
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VOIX
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1019
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69
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54
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31
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27
Voix duo, Piano
22
Voix Soprano, Piano
13
Voix duo
11
Voix haute
8
Voix moyenne, Piano
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Chorale
1
Voix seule
1
Voix basse, Piano
1
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1
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1
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Saxophone (partie séparée)
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
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73
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58
2 Flûtes traversières (duo)
51
Quatuor de Flûtes : 4 flûtes
48
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette
36
Quatuor de Clarinettes: 4 clarinettes
35
Hautbois, Piano (duo)
35
Clarinette et Piano
25
Flûte traversière
23
Saxophone Alto et Piano
23
Quintette de Saxophone: 5 saxophones
21
Saxophone Alto
19
Flûte, Clarinette (duo)
16
Saxophone, Clarinette (duo)
16
Saxophone Tenor
15
Ensemble de saxophones
15
2 Clarinettes (duo)
15
Flute (partie séparée)
15
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Quintette de Clarinettes: 5 clarinettes
12
Clarinette, Trompette (duo)
12
Flûte, Trombone (duo)
11
Clarinette, Violon (duo)
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Hautbois, Basson (duo)
10
Quatuor de Flûtes à bec
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3 Saxophones (trio)
9
Flûte à bec Soprano
8
Flûte et Guitare
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Saxophone Baryton, Piano
8
Flûte, Alto (duo)
8
2 Hautbois (duo)
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Flûte, Violon
8
Ensemble de Flûtes
7
Cor anglais, Piano
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Flûte, Saxophone (duo)
7
Clarinette (partie séparée)
6
Hautbois, Flûte
6
3 Clarinettes (trio)
6
5 Flûtes à bec
5
Clarinette, Guitare (duo)
5
Cor Anglais
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Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
4
Flûte, Violoncelle
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Flûte, Hautbois, Clarinette (trio)
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Ocarina
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Clarinette et Alto
4
Hautbois (partie séparée)
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Quintette de Flûte : 5 flûtes
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4
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Hautbois, Clarinette, Basson (trio d'anches)
3
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Flûte à bec Alto
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Clarinette, Violoncelle (duo)
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2 Flûte à bec (duo)
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Hautbois
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Flûte, Hautbois, Basson
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Flûte à Bec
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Flûte, Alto et Piano
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Flûte à bec Alto, Piano
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3 Hautbois
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Hautbois, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Harpe (duo)
1
Ensemble De Flûte à bec
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Flute, Cor (duo)
1
3 Flûtes à bec (trio)
1
Flûte à bec, Guitare (duo)
1
Saxophone et Orgue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
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Clarinette, Orchestre
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Hautbois, Basson et Piano
1
Flûte, Hautbois (duo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone (partie séparée)
70
Trompette (partie séparée)
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
24
Trombone et Piano
22
Trompette, Piano
21
Cor (partie séparée)
17
Cor et Piano
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Tuba (partie séparée)
16
Trombone
14
2 Trombones (duo)
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Trompette, Trombone (duo)
13
Trompette, Saxophone (duo)
12
Euphonium, Piano (duo)
12
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
8
Cor anglais, Piano
7
Ensemble de Trombones
6
Cor Anglais
5
2 Euphoniums et 2 Tubas
5
Quatuor de Cuivres
5
Tuba
5
Trio de Cuivres
4
Cor
4
Trombone, Orgue
4
Euphonium
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 trombones
3
Trombone basse
2
Ensemble de Cors
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3 Trombones (trio)
2
Clarinette, Cor (duo)
2
4 Tubas
2
Cor, Violoncelle (duo)
2
2 Cors (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Trompette, Harpe
1
3 Cors (trio)
1
Trompette, Tuba (duo)
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 cors
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3 Trompettes (trio)
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Cor et Orgue
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Tuba et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
443
Violon, Violoncelle (duo)
178
Trio à Cordes: violon, alto, violoncelle
152
Violon
148
Violon et Piano
62
Harpe
57
Violoncelle, Piano
39
Violoncelle
39
2 Violons (duo)
26
Alto, Piano
26
Violon, Alto (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse (partie séparée)
15
2 Altos (duo)
14
Alto seul
12
Violon (partie séparée)
6
4 Violoncelles
6
Violon, Guitare (duo)
6
Alto, Violoncelle (duo)
5
Violoncelle , Guitare (duo)
5
Trio à Cordes: 3 violoncelles
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Contre Basse
3
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Harpe, Violoncelle (duo)
1
Violon, Basse continue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Violon, Basson (duo)
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Harpe et Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
223
Orchestre à Cordes
191
Ensemble Jazz
99
Orchestre
73
Ensemble de cuivres
57
Orchestre de chambre
47
Fanfare
33
Jazz combo
26
Cloches
26
Batterie (partie séparée)
17
Ensemble de Percussions
16
Batterie
10
Marimba
4
Orchestre, Violon
2
Xylophone
2
Vibraphone
2
Percussion
1
Ensemble d'École
1
Xylophone, Piano
1
Piano et Orchestre
1
Percussion (partie séparée)
1
2 Caisses Claires (duo)
1
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Saxophone Baryton, Piano
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Hallelujah
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1444431 By Andrea Boc…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1444431 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #1024357. Published by Glauco Fernandes (A0.1444431). Você está procurando um arranjo de partituras que combine facilidade de execução com qualidade profissional? Apresentamos nosso arranjo simplificado de “Hallelujah”, a icônica música de Leonard Cohen, também presente na trilha sonora do filme Shrek. Este arranjo é perfeito para estudantes que buscam um repertório satisfatório e desafiador, além de ser uma excelente ferramenta de ensino para educadores.Nosso arranjo é ideal para músicos de todos os níveis, inclusive profissionais que necessitam de praticidade e qualidade em suas apresentações. Seja para eventos, shows ou casamentos, esse arranjo oferece a combinação perfeita entre simplicidade e sofisticação, permitindo interpretar essa linda música com maestria e emoção.Obtenha sua partitura agora e leve suas apresentações musicais a um novo nível. Garanta um material que alie acessibilidade e excelência, atendendo às necessidades de músicos exigentes e comprometidos com a qualidade.Tags: partituras, arranjo simplificado, Aleluia, Leonard Cohen, trilha sonora, Shrek, estudantes de música, professores de música, músicos profissionais, eventos, casamentos, repertório musical, material didático, qualidade profissional, praticidade.
$7.99
7.3 €
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Saxophone Baryton, Piano
#
Andrea Bocelli
#
Glauco Fernandes
#
Hallelujah
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Glauco Fernandes
#
SheetMusicPlus
Hallelujah
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1444432 By Andrea Boc…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1444432 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #1024358. Published by Glauco Fernandes (A0.1444432). Você está procurando um arranjo de partituras que combine facilidade de execução com qualidade profissional? Apresentamos nosso arranjo simplificado de “Hallelujah”, a icônica música de Leonard Cohen, também presente na trilha sonora do filme Shrek. Este arranjo é perfeito para estudantes que buscam um repertório satisfatório e desafiador, além de ser uma excelente ferramenta de ensino para educadores.Nosso arranjo é ideal para músicos de todos os níveis, inclusive profissionais que necessitam de praticidade e qualidade em suas apresentações. Seja para eventos, shows ou casamentos, esse arranjo oferece a combinação perfeita entre simplicidade e sofisticação, permitindo interpretar essa linda música com maestria e emoção.Obtenha sua partitura agora e leve suas apresentações musicais a um novo nível. Garanta um material que alie acessibilidade e excelência, atendendo às necessidades de músicos exigentes e comprometidos com a qualidade.Tags: partituras, arranjo simplificado, Aleluia, Leonard Cohen, trilha sonora, Shrek, estudantes de música, professores de música, músicos profissionais, eventos, casamentos, repertório musical, material didático, qualidade profissional, praticidade.
$7.99
7.3 €
#
Saxophone Baryton, Piano
#
Andrea Bocelli
#
Glauco Fernandes
#
Hallelujah
#
Glauco Fernandes
#
SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.81 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.12 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.82 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Al…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Saxophone Baryton, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Romance
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1394927 Composed by A…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1394927 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #978413. Published by Nagamon Publications (A0.1394927). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00
7.31 €
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Saxophone Baryton, Piano
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Alexander Scriabin
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Steven Nunes
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Romance
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Nagamon Publications
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SheetMusicPlus
Jingle Bells for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by Ja…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.81 €
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Saxophone Baryton, Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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