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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ASCAP.
Non classifié
1 832
Piano & claviers
Piano seul
5 325
Orgue
743
Piano, Voix et Guitare
442
Piano, Voix
317
Piano Facile
172
1 Piano, 4 mains
69
Orgue, Piano (duo)
60
Piano Trio: piano, violon, violoncelle
39
Accompagnement Piano
29
Piano Quatuor: piano, violon, alto, violoncelle
27
Instruments en Do
22
2 Pianos, 4 mains
17
2 Pianos, 8 mains
4
1 Piano, 6 mains
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
173
Guitare
64
2 Guitares (duo)
15
Ligne De Mélodie, (Paroles) et Accords
14
Piano, Guitare (duo)
10
Basse electrique
3
Ukulele
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
1 393
Chorale Unison
145
Chorale 3 parties
108
Chorale TTBB
49
Voix duo
45
Chorale 2 parties
45
Chorale SSAA
23
Voix haute
23
Voix Alto, Piano
16
Voix Soprano, Piano
15
Voix seule
14
Voix duo, Piano
13
Voix basse, Piano
9
Voix Baryton, Piano
8
Voix basse
4
Voix Tenor, Piano
4
Voix Tenor
2
Voix moyenne, Piano
2
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 021
Hautbois, Piano (duo)
584
Clarinette et Piano
336
Saxophone Alto et Piano
243
Cor anglais, Piano
161
Saxophone Tenor et Piano
140
Saxophone Soprano et Piano
126
Saxophone Baryton, Piano
112
Clarinette Basse, Piano
87
2 Flûtes traversières (duo)
71
Clarinette
71
2 Saxophones (duo)
69
2 Clarinettes (duo)
64
Flûte et Guitare
59
Quatuor de Saxophones: 4 saxophones
56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte traversière
40
Quatuor de Clarinettes: 4 clarinettes
35
Ensemble de Flûtes
27
Flûte, Hautbois, Clarinette, Basson
24
3 Clarinettes (trio)
21
2 Hautbois (duo)
18
3 Saxophones (trio)
17
Ensemble de Clarinettes
16
Flûte, Violoncelle
14
Quatuor de Flûtes : 4 flûtes
13
Clarinette, Violoncelle (duo)
12
Flûte, Clarinette (duo)
11
Hautbois, Basson (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Trio de Flûtes: 3 flûtes
10
Clarinette, Guitare (duo)
9
Piccolo, Piano
9
Quintette de Saxophone: 5 saxophones
9
2 Cors Anglais Et Pianoforte
8
Saxophone Tenor
8
Flûte, Clarinette, Piano (trio)
8
Flûte, Guitare, Piano
7
Saxophone Alto
7
Hautbois (partie séparée)
6
Saxophone
6
Hautbois, Violoncelle
5
Clarinette, Basson (duo)
5
Flûte, Violon, Piano
5
Flûte, Violoncelle, Piano (trio)
4
Flûte, Alto (duo)
3
Clarinette et Alto
3
Saxophone Baryton
3
Flûte, Violon
3
Saxophone (partie séparée)
3
Flûte et Quatuor à Cordes
3
Saxophone et violoncelle
3
Flûte, Violon et Violoncelle
3
Flûte traversière, Orgue (duo)
2
Saxophone et Guitare
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Flûtes traversières, Piano
2
Saxophone, Basson (duo)
2
Flute (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Flûte à Bec, Piano
2
Saxophone Soprano
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Harpe et Violoncelle
1
Hautbois
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
4 Hautbois
1
Clarinette Basse
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Flute, harpe et violon
1
Flûte, alto et harpe
1
Clarinette, Orgue
1
2 Clarinettes, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
Clarinette, Violon (duo)
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette (duo)
1
Saxophone, Clarinette (duo)
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
166
Cor anglais, Piano
161
Cor et Piano
150
Trompette, Piano
137
Euphonium, Piano (duo)
106
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
99
Trompette
57
Tuba et Piano
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
2 Trompettes (duo)
20
3 Trombones (trio)
17
2 Cors (duo)
16
2 Trombones (duo)
16
Trombone
12
2 Euphoniums (duo)
11
Cor
10
Ensemble de Trombones
9
2 Cors Anglais Et Pianoforte
8
Tuba
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres
5
Cor, Violoncelle (duo)
5
Trompette (partie séparée)
5
Euphonium, Tuba (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba et Orgue
3
Euphonium
3
Trombone (partie séparée)
3
Trio de Cuivres
3
Trombone, Tuba (duo)
3
2 Tubas (duo)
2
Trombone, violoncelle (duo)
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Trombone basse
2
2 Euphoniums et 2 Tubas
1
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Orgue
1
+ 39 instrumentations
Retracter
Cordes
Violon et Piano
1 074
Quatuor à cordes: 2 violons, alto, violoncelle
299
Violoncelle, Piano
267
Alto, Piano
243
Trio à Cordes: violon, alto, violoncelle
113
Violon, Violoncelle (duo)
62
2 Violons (duo)
42
Harpe
41
Violoncelle , Guitare (duo)
32
Violon
32
2 Violoncelles (duo)
29
Violon, Alto (duo)
28
Violoncelle
28
2 Altos (duo)
18
4 Violoncelles
16
Alto, Violoncelle (duo)
13
Violon, Guitare (duo)
10
Alto, Guitare (duo)
8
Alto seul
8
Piano Trio: Violon, Alto, Piano
7
Trio à cordes
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
4
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, alto
3
Contre Basse
2
Alto, Orgue
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orgue
2
Contrebasse, Piano (duo)
2
Violon, Orgue
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
2 Harpes (duo)
1
4 Harpes
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
Alto et Basson
1
Alto (partie séparée)
1
Flûte, Contrebasse (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
147
Ensemble de cuivres
143
Orchestre
137
Orchestre d'harmonie
101
Ensemble Jazz
94
Cloches
50
Orchestre de chambre
40
Jazz combo
38
Fanfare
12
Batterie
6
Marimba
4
Ensemble de Percussions
4
Marimba et Orgue
3
Quintette à Vent
2
Vibraphone et Marimba
1
+ 10 instrumentations
Retracter
Autres
Théorie de la musique
1
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
ASCAP.
Saxophone Baryton, Piano
Partitions à imprimer
112 partitions trouvées
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101
Lionel Richie: Endless Love for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
Lionel Richie & Diana Ross
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James M
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Lionel Richie: Endless Love fo
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jmsgu3
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SheetMusicPlus
By Lionel Richie & Diana Ross. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.311299-224100). - Score,Set of Parts ...
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By Lionel Richie & Diana Ross. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.311299-224100). - Score,Set of Parts - - jmsgu3
$46.95
David Bowie: Life On Mars for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
David Bowie
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James M
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David Bowie: Life On Mars for
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jmsgu3
#
SheetMusicPlus
By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.266233-475597). - Score,Set of Parts - - jmsgu3...
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By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.266233-475597). - Score,Set of Parts - - jmsgu3
$49.95
Vivaldi: The Four Seasons Complete for Baritone Sax & Piano
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Op
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Vivaldi: The Four Seasons Comp
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.551434 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Stan...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.551434 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 191 pages. Jmsgu3 #5204975. Published by jmsgu3 (A0.551434). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Vivaldi: Summer from the Four Seasons for Baritone Sax & Piano
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Saxophone Baryton, Piano
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AVANCÉ
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Summer from the Four
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.551421 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,We...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.551421 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 56 pages. Jmsgu3 #5203833. Published by jmsgu3 (A0.551421). Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$32.95
Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
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James M
#
Fauré: Élé
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
BACH: Sonata BWV 1032 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata BWV 1032 for Bari
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551883 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,S...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551883 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 47 pages. Jmsgu3 #5770605. Published by jmsgu3 (A0.551883). J. S. BACH: Sonata BWV 1032
$26.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Schumann: Abendlied for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Robert Schumann
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James M
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Schumann: Abendlied for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549039 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sa...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549039 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448159. Published by jmsgu3 (A0.549039). Op. 85/12 Baritone Sax: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
Telemann: Sonata in F Major for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in F Major fo
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550850 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550850 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #4839661. Published by jmsgu3 (A0.550850). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
Goodbye Yellow Brick Road
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 8 pages. Jmsgu3 #3073391. Published by jmsgu3 (A0.547876). BARITONE SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of tonal harmony. The verses are syllabic, arranged in 8 regular phrases. The last phrase is elided with a melismatic bridge that suddenly modulates to the lowered mediant, causing a chromatic mediant relation. Further drama is introduced by the voice leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. -jmsgu3
$53.95
Franck: Panis Angelicus for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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César Franck
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James M
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Franck: Panis Angelicus for Ba
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549178 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Perio...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549178 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3456287. Published by jmsgu3 (A0.549178). César Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. Duration: 3:25, Score: 61 ms, 7 pg. solo part - 1 pg. piano part 3 pg. Poco lento. A popular Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version is suitable for Lent, Easter, or any Christian eucharistic service. It is also a great choice for a recital encore because of the potential for musical expressivity. This music emphasizes sensitive phrasing, dynamics, tone color, and rubato.Â
$32.95
Rachmaninoff: Vocalise for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Sergei Rachmaninoff
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James M
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Rachmaninoff: Vocalise for Bar
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549282 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructio...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549282 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #3480123. Published by jmsgu3 (A0.549282). Sergei Rachmaninoff: Vocalise Op. 34 No. 14. Score: 7 pages, 41 measures. Duration: ca. 6:33. Solo part: 2 pages, Piano part: 4 pages. Very famous composition with a distinctly melancholy flavor. Suitable for Lent or Easter meditations, receptions, weddings, recitals, school performances, and concert encores.
$32.95
Tchaikovsky: The Complete Nutcracker Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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&
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Tchaikovsky: The Complete Nutc
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550942 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Concer...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550942 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Concert,Standards,Wedding. Score and part. 139 pages. Jmsgu3 #4890465. Published by jmsgu3 (A0.550942). The Complete Nutcracker Suite for Baritone Sax & PianoDuration 21:08 Score: 69 pages, Baritone Sax part: 19 pages, Piano part: 48 pagesContents:1. Overture2. March3. Dance of the Sugar-Plum Fairy4. Russian Dance5. Arabian Dance6. Chinese Dance7. Dance of the Flutes8. Waltz of the Flowers
$74.95
Korsakov: Flight of the Bumblebee for Baritone Sax & Piano
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.549251 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.549251 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473677. Published by jmsgu3 (A0.549251). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore!
$32.95
Fauré: Sicilienne for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Sicilienne for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549069 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Instructional,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549069 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Instructional,Standards. Score and part. 15 pages. Jmsgu3 #3450075. Published by jmsgu3 (A0.549069). Gabriel Fauré: Sicilienne Op. 78. Duration: ca. 3:30 Score: 11 pg. 86 ms. meter: 6/8 pages: Parts: 2 pg. Very nice recital encore piece. Very moody with a light touch of impressionism and a poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity.
$32.95
Morning Has Broken
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Saxophone Baryton, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Nights In White Satin
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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The Moody Blues
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James M
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Nights In White Satin
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547830 By The Moody Blues. By Justin Hayward. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 9 ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.547830 By The Moody Blues. By Justin Hayward. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 9 pages. Jmsgu3 #3063003. Published by jmsgu3 (A0.547830). The Moody Blues: Nights In White Satin for Baritone Sax & Piano.Download includes full score (5 pg.), solo part (2 pg.) and piano part (2 pg.)
$49.95
Fauré: Romance Op. 28 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Romance Op. 28 f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.551772 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,St...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.551772 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. Score and part. 30 pages. Jmsgu3 #5711983. Published by jmsgu3 (A0.551772). Gabriel Fauré Romance Op. 28. A Mademoisèlle ARMA HARKNESSDuration ca. 4:15, Score: 17 pages.Andantino molto moderatopiù mosso.
$32.95
(Everything I Do) I Do It For You
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Bryan Adams
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James M
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(Everything I Do) I Do It For
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548298 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guth...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.548298 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233895. Published by jmsgu3 (A0.548298). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
Mozart: Ave Verum Corpus for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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W
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James M
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Mozart: Ave Verum Corpus for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549148 Composed by W. A. MOZART (1756 - 1791). Arranged by James M. Guthrie, ASCAP. Classical,Easter,Standa...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549148 Composed by W. A. MOZART (1756 - 1791). Arranged by James M. Guthrie, ASCAP. Classical,Easter,Standards. Score and part. 7 pages. Jmsgu3 #3454727. Published by jmsgu3 (A0.549148). Mozart: Ave verum corpus K. 618 Duration: 2:30 Score: 4 pg, Solo part: 1 pg, Piano part: 2 pg. This is an amazing masterpiece of music written by one of the greatest composers in our history. This popular piece by Mozart was composed only 6 months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations, or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549820 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romant...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549820 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3546585. Published by jmsgu3 (A0.549820). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
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