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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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SYNTHETISEUR
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Advanced level. Duration
Non classifié
318
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478
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15
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12
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11
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6
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6
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4
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4
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1
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1
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1
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1
+ 9 instrumentations
Retracter
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15
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3
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1
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53
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20
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5
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4
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1
+ 6 instrumentations
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35
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32
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14
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11
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11
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9
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7
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65
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23
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8
Trompette
8
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5
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4
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4
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3
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2
Trombone (partie séparée)
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1
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Euphonium
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Tuba (partie séparée)
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Ensemble de Trombones
1
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1
Trio de Cuivres
1
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67
Harpe
58
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48
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23
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16
Violon
11
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10
Violoncelle
9
2 Violons (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
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5
2 Altos (duo)
5
Alto seul
3
Violon, Alto (duo)
2
Alto (partie séparée)
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Violoncelle, Contrebasse (duo)
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1
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Contrebasse, Piano (duo)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Harpe, Violon (duo)
1
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50
Orchestre d'harmonie
49
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39
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39
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24
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7
Ensemble de Percussions
7
Jazz combo
5
Marimba
4
Cloches
3
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1
Timbales (partie séparée)
1
Xylophone (partie séparée)
1
Vibraphone
1
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Saxophone Baryton, Piano
Partitions à imprimer
7 partitions trouvées
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1
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Baritone Sax and Piano - Advanced
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Saxophone Baryton, Piano
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AVANCÉ
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.760672 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worshi...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.760672 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5772091. Published by Raymond Fenech (A0.760672). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
Polonaise - F. Schubert - For Baritone Sax and Piano - Intermediate
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Raymond Fenech
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Polonaise - F. Schubert - For
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Raymond Fenech
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.760763 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wed...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.760763 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedding. Score and part. 11 pages. Raymond Fenech #5888839. Published by Raymond Fenech (A0.760763). Franz Schubert composed a set of six Polonaise (D.824 Op.61 No 1) in 1826 for Piano Four Hands. This lovely Polonaise was arranged for Solo Piano. The Level is Intermediate/Advanced Intermediate and the duration is approximately 3.28 minutes. It could be played in any type of recital/concert.
$3.99
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Raymond Fenech
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Lascia Ch'io Pianga - From Ope
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Baritone Saxophone,Piano - Level 4 - SKU: A0.760003 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Ins...
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Chamber Orchestra Baritone Saxophone,Piano - Level 4 - SKU: A0.760003 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Praise & Worship,Standards. Score and part. 17 pages. Raymond Fenech #3479945. Published by Raymond Fenech (A0.760003). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for Baritone Saxophone and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$3.50
Badinerie - J.S.Bach - for Baritone Sax and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Raymond Fenech
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Badinerie - J.S.Bach - for Bar
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Raymond Fenech
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1304476 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Fes...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1304476 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893967. Published by Raymond Fenech (A0.1304476). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.
$3.99
Waltz in A Minor (Chopin) - Baritone Saxophone and Piano - Chamber music
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instruct...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4623209. Published by Raymond Fenech (A0.760540). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Goodbye Yellow Brick Road
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 8 pages. Jmsgu3 #3073391. Published by jmsgu3 (A0.547876). BARITONE SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of tonal harmony. The verses are syllabic, arranged in 8 regular phrases. The last phrase is elided with a melismatic bridge that suddenly modulates to the lowered mediant, causing a chromatic mediant relation. Further drama is introduced by the voice leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. -jmsgu3
$53.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Advanced level. Duration 
