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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CLAIRON
CLARINETTE
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COR ANGLAIS
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Alexander S
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290
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Piano seul
307
Piano, Voix
73
Piano Facile
48
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37
Orgue
8
Instruments en Do
8
1 Piano, 4 mains
5
Accordéon
3
Piano (partie séparée)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
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Guitares
Ligne De Mélodie, (Paroles) et Accords
17
Guitare
16
Guitare notes et tablatures
14
Ukulele
6
Guitare (partie séparée)
3
Banjo
2
Basse électrique (partie séparée)
2
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1
4 Guitares (Quatuor)
1
Paroles et Accords
1
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Voix
Chorale SATB
126
Chorale 3 parties
80
Chorale 2 parties
37
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31
Chorale SSAA
19
Chorale Unison
6
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3
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3
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2
Voix Tenor, Piano
2
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1
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1
Voix duo
1
Voix basse, Piano
1
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Saxophone (partie séparée)
112
Clarinette (partie séparée)
28
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25
Hautbois (partie séparée)
25
Flûte traversière
19
Flute (partie séparée)
18
2 Saxophones (duo)
17
Ensemble de saxophones
15
Quatuor de Saxophones: 4 saxophones
15
Saxophone Alto
14
Flûte, Hautbois, Clarinette, Basson
13
Clarinette
12
Quintette de Saxophone: 5 saxophones
12
Ensemble de Clarinettes
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière et Piano
8
Saxophone Tenor
8
Clarinette et Piano
7
3 Saxophones (trio)
7
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
5
Trio de Flûtes: 3 flûtes
5
Saxophone Soprano et Piano
5
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Flûtes
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Clarinette, Violoncelle (duo)
1
Cornemuse
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon
1
2 Clarinettes, Piano
1
Harmonica
1
Hautbois, Harpe
1
Clarinette, Violon (duo)
1
Hautbois
1
Flûte à bec Alto
1
Saxophone et Harpe
1
Hautbois, Flûte
1
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1
Piccolo
1
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1
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240
Trompette (partie séparée)
34
Trombone (partie séparée)
33
Cor (partie séparée)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Tuba (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette
9
Trombone et Piano
8
Euphonium, Piano (duo)
7
Trompette, Piano
6
Trombone
5
Tuba et Piano
4
Ensemble de Trombones
4
Cor et Piano
4
Cor
3
Tuba
3
Euphonium
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
Ensemble de Cors
2
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Saxophone (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
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Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon (partie séparée)
31
Alto (partie séparée)
28
Violon et Piano
27
Violon
18
Violoncelle (partie séparée)
14
Violoncelle, Piano
13
Contrebasse (partie séparée)
11
Violoncelle
11
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Alto seul
6
Harpe
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
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2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
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1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Contre Basse
1
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Orchestre d'harmonie
86
Orchestre à Cordes
36
Orchestre
29
Ensemble de cuivres
28
Percussion (partie séparée)
14
Fanfare
9
Ensemble Jazz
9
Orchestre de chambre
6
Batterie
5
Jazz combo
5
Timbales (partie séparée)
5
Batterie (partie séparée)
3
Ensemble de Percussions
3
Cloches
3
Piano et Orchestre
1
Vibraphone (partie séparée)
1
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1
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Vous avez sélectionné:
Alexander S
Saxophone Baryton, Piano
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Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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