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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All The Years
Non classifié
1 904
Piano & claviers
Piano seul
675
Piano Facile
203
Piano, Voix
197
Piano, Voix et Guitare
154
Instruments en Do
59
Orgue
46
Accordéon
39
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
16
Piano grosses notes
12
Accompagnement Piano
11
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
6
Clavier
4
2 Pianos, 8 mains
2
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
66
Ukulele
27
Ligne De Mélodie, (Paroles) et Accords
16
Basse electrique
12
2 Guitares (duo)
7
Dulcimer
7
Paroles et Accords
3
Banjo
3
Mandoline
3
Ensemble de guitares
2
Guitare (partie séparée)
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Dobro
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
296
Chorale 3 parties
68
Chorale Unison
59
Chorale 2 parties
51
Chorale TTBB
42
Chorale SSAA
23
Voix duo, Piano
22
Voix Alto, Piano
10
Voix seule
9
Voix duo
7
Voix Soprano, Piano
6
Voix haute
6
Voix Baryton, Piano
4
Voix moyenne, Piano
4
Voix Tenor, Piano
3
Voix Tenor
2
Voix basse, Piano
2
Voix basse
1
Chorale
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
135
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
133
Ensemble de saxophones
103
2 Saxophones (duo)
73
Quatuor de Saxophones: 4 saxophones
73
Flûte traversière et Piano
68
Clarinette et Piano
62
Hautbois, Piano (duo)
52
2 Flûtes traversières (duo)
50
Saxophone Alto et Piano
49
Clarinette
46
Ensemble de Clarinettes
43
Saxophone Tenor et Piano
41
Quatuor de Clarinettes: 4 clarinettes
40
Flûte, Hautbois, Clarinette, Basson
36
2 Clarinettes (duo)
36
Saxophone Soprano et Piano
31
Quatuor de Flûtes : 4 flûtes
31
Flûte traversière
29
Saxophone Alto
26
Saxophone, Clarinette (duo)
25
Saxophone Tenor
24
Hautbois (partie séparée)
24
Quintette de Flûte : 5 flûtes
22
Clarinette, Violon (duo)
18
Saxophone Baryton, Piano
17
Clarinette, Trompette (duo)
16
Cor anglais, Piano
16
Saxophone (partie séparée)
16
Flûte, Clarinette (duo)
15
Ensemble de Flûtes
15
3 Saxophones (trio)
14
2 Flûte à bec (duo)
11
2 Hautbois (duo)
11
Hautbois, Basson (duo)
10
Flûte, Saxophone (duo)
10
Flûte, Trompette (duo)
9
Flûte à bec Soprano
9
Hautbois, Clarinette (duo)
9
Clarinette et Alto
9
3 Clarinettes (trio)
8
Clarinette Basse, Piano
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Violon
7
Flûte, Alto (duo)
7
Hautbois, Flûte
7
Clarinette, Guitare (duo)
6
Clarinette (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Saxophone Soprano
6
Clarinette, Basson (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes à bec
5
Flûte et Guitare
5
Flûte, Violon et Violoncelle
4
Flûte, Violon, Violoncelle et Piano
4
Flute, harpe et violon
4
Flûte à bec Soprano, Piano
4
Hautbois
4
Flûte, Violoncelle
3
Flûte à bec Alto
3
Flute (partie séparée)
3
Flûte et Trio à cordes
2
Flûte à Bec
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Cor anglais, Guitare (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte à bec Alto, Piano
2
Ensemble de Hautbois
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Ensemble De Flûte à bec
1
Clarinette Basse
1
Ocarina
1
Flûte, Clarinette et Basson
1
2 Saxophones, Piano
1
2 Clarinettes, Basson
1
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Quatuor de Cuivres : 2 trompettes, trombone, tuba
122
Ensemble de Trompettes
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Trompette
45
Ensemble de Trombones
38
Trombone et Piano
38
Trompette, Piano
35
Trombone
32
Cor et Piano
26
Quatuor de Cuivres
25
Trompette, Saxophone (duo)
18
Cor anglais, Piano
16
Tuba et Piano
15
2 Trompettes (duo)
15
Trompette, Trombone (duo)
14
Trombone (partie séparée)
13
2 Trombones (duo)
13
Tuba
12
Euphonium, Piano (duo)
12
Cor
11
Trompette (partie séparée)
11
Ensemble de Cors
6
Quatuor de cuivres: 4 trombones
5
Quatuor de cuivres: 4 trompettes
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 cors
4
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
3 Trompettes (trio)
3
Tuba (partie séparée)
3
Trombone basse et Piano
2
Euphonium
2
Cor anglais, Guitare (duo)
2
Trompette, Violoncelle (duo)
1
Trombone basse
1
Trompette, Harpe
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors (duo)
1
Cor et Harpe
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
181
Violon et Piano
118
Violon
61
Violoncelle, Piano
52
Alto, Piano
51
Trio à Cordes: violon, alto, violoncelle
46
Violoncelle
41
Violon, Violoncelle (duo)
41
2 Violons (duo)
40
2 Violoncelles (duo)
26
Violon, Alto (duo)
24
Harpe
24
2 Altos (duo)
22
Ensemble d'Altos
21
Trio à Cordes: 2 violons, violoncelle
21
Alto seul
20
Ensemble de Violons
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
13
Contre Basse
11
Violon, Guitare (duo)
9
Violon (partie séparée)
8
Trio à cordes: 3 violins
7
2 Harpes (duo)
6
4 Violoncelles
6
Alto (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Contrebasse (partie séparée)
5
Alto, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
Harpe, Violon (duo)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Harpe, Voix
1
4 Harpes
1
Ensemble de Violoncelles
1
Harpe et Piano
1
4 Contrebasses
1
Alto et Harpe
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
451
Orchestre à Cordes
148
Orchestre
128
Orchestre de chambre
95
Ensemble de cuivres
61
Ensemble Jazz
54
Cloches
32
Jazz combo
22
Batterie
16
Fanfare
10
Ensemble de Percussions
5
Percussion (partie séparée)
5
Vibraphone
4
2 Marimbas
1
Piano et Orchestre
1
Orchestre, Violon
1
Caisse Claire
1
Vibraphone et Marimba
1
Marimba
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
All The Years
Saxophone Baryton, Piano
Partitions à imprimer
17 partitions trouvées
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1
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for B
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
A Thousand Years
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Saxophone Baryton, Piano
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DÉBUTANT
#
Christina Perri
#
Jhonatan Lucio Viana
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A Thousand Years
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JLVPartitura
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1460039 By Christina Perri. By Christina Perri and David Hodges. Arranged by Jhonatan Lucio Viana. Contempo...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1460039 By Christina Perri. By Christina Perri and David Hodges. Arranged by Jhonatan Lucio Viana. Contemporary,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 10 pages. JLVPartitura #1039028. Published by JLVPartitura (A0.1460039). A Thousand Years for Baritone Sax + Piano + Chords:Key Features:- Melodies and harmonies that capture the essence of the piece;- Suitable for Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Classic Pop;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$5.99
A Thousand Years
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Saxophone Baryton, Piano
#
DÉBUTANT
#
Christina Perri
#
Jhonatan Lucio Viana
#
A Thousand Years
#
JLVPartitura
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1460038 By Christina Perri. By Christina Perri and David Hodges. Arranged by Jhonatan Lucio Viana. Contempo...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1460038 By Christina Perri. By Christina Perri and David Hodges. Arranged by Jhonatan Lucio Viana. Contemporary,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 10 pages. JLVPartitura #1039027. Published by JLVPartitura (A0.1460038). A Thousand Years for Baritone Sax + Piano:Key Features:- Melodies and harmonies that capture the essence of the piece;- Suitable for Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Classic Pop;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$5.99
Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Symphony No. 7 by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Perio...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758753. Published by Woods Only, Arrangements (A0.1158467). This arrangement adapted for baritone saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
O Holy Night for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Baritone Sax
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Wichita Lineman
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1078299 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1078299 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682507. Published by jmsgu3 (A0.1078299). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
It's Been A Long, Long Time
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366361. Published by David McKeown (A0.592551). It’s Been a Long Long Time is arranged as a solo for one Baritone Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Maple Leaf Rag - Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Maple Leaf Rag - Baritone Saxo
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Music-Scores.com
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.722355 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.722355 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,Wedding. Score and part. 7 pages. Music-Scores.com #6439027. Published by Music-Scores.com (A0.722355). Maple Leaf Rag was an early ragtime piece that was arranged and played by many dance bands over the years. It could have been named after a club called the Maple Leaf Club in the city of Sedalia, Missouri, where Joplin later lived.This is a version for Baritone Saxophone and Piano.Duration: just over 3 minutes, with repeats.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
Moonlight Sonata by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romant...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757290. Published by Woods Only, Arrangements (A0.1156946). This arrangement adapted for baritone saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
Swing Low Sweet Chariot. Gospel Song for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Swing Low Sweet Chariot. Gospe
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593301 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritu...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593301 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6418269. Published by David McKeown (A0.593301). Swing Low, Sweet Chariot is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recenttimes Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other.
$2.49
Steal Away, Gospel Song for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for Ba
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593276 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiri...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593276 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418069. Published by David McKeown (A0.593276). Steal Away is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
Amazing Grace, Gospel Hymn for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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John Newton
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David McKeown
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Amazing Grace, Gospel Hymn for
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.592651 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritu...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.592651 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411255. Published by David McKeown (A0.592651). Amazing Grace is a beautiful hymn arranged here for Solo Baritone Saxophone and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
$2.49
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