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FLUTE A BEC
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5751
PIANO & CLAVIERS
Piano, Voix
5432
Piano seul
3643
Piano Facile
1426
Piano, Voix et Guitare
662
Accompagnement Piano
411
Instruments en Do
197
Accordéon
115
Orgue
112
Piano Trio: piano, violon, violoncelle
61
Piano Quatuor: piano, 2 violons, violoncelle
56
1 Piano, 4 mains
29
Piano grosses notes
24
Ligne De Mélodie, Piano
12
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
Orgue, Piano (duo)
3
Piano (partie séparée)
3
2 Pianos, 8 mains
1
Clavecin
1
2 Accordéons
1
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GUITARES
Basse electrique
577
Guitare
495
Guitare notes et tablatures
197
Ligne De Mélodie, (Paroles) et Accords
168
Piano, Guitare (duo)
66
Ukulele
53
Dulcimer
20
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20
Mandoline
15
Banjo
12
2 Guitares (duo)
10
4 Guitares (Quatuor)
6
Guitare (partie séparée)
6
2 Dulcimers (duo)
2
Ensemble de guitares
2
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Dobro
1
Basse électrique (partie séparée)
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Chorale SATB
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1019
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Voix duo, Piano
454
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Voix duo
222
Chorale SSAA
203
Voix Soprano, Piano
56
Voix haute
27
Voix moyenne, Piano
27
Voix basse, Piano
15
Voix Tenor, Piano
15
Voix Alto, Piano
15
Voix Baryton, Piano
12
Voix Mezzo-Soprano, Piano
11
Chorale
8
Voix Tenor
6
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5
Voix basse
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VENTS
Saxophone
1103
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622
Clarinette
606
2 Saxophones (duo)
511
Quatuor de Saxophones: 4 saxophones
509
Flûte, Hautbois, Clarinette, Basson
387
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374
Saxophone Alto et Piano
372
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334
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321
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
303
Clarinette et Piano
290
Saxophone (partie séparée)
267
Quintette de Saxophone: 5 saxophones
241
Hautbois, Piano (duo)
231
Saxophone Alto
184
Saxophone, Clarinette (duo)
166
2 Clarinettes (duo)
163
Quatuor de Clarinettes: 4 clarinettes
157
2 Flûtes traversières (duo)
142
Flûte, Clarinette (duo)
124
Ensemble de Clarinettes
120
Clarinette, Violon (duo)
110
Saxophone Baryton, Piano
108
Clarinette, Trompette (duo)
97
Hautbois (partie séparée)
94
2 Hautbois (duo)
86
Quintette de Clarinettes: 5 clarinettes
79
Ensemble de Flûtes
72
Ensemble de saxophones
72
Quatuor de Flûtes : 4 flûtes
64
Hautbois, Clarinette (duo)
64
3 Saxophones (trio)
62
Hautbois, Basson (duo)
62
Flûte, Violon
59
Clarinette et Alto
58
Saxophone Tenor
55
Flûte, Saxophone (duo)
54
Flûte à Bec
51
Hautbois, Flûte
50
Flûte, Trompette (duo)
44
Cor anglais, Piano
38
Quintette de Flûte : 5 flûtes
37
Flûte, Alto (duo)
34
Saxophone Soprano
27
2 Flûte à bec (duo)
27
3 Clarinettes (trio)
25
Hautbois
23
Trio de Flûtes: 3 flûtes
22
Flûte à bec Soprano
22
Cor Anglais
17
Flûte, Hautbois, Clarinette (trio)
15
Clarinette Basse, Piano
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Clarinette (partie séparée)
14
Flûte et Guitare
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Harmonica
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9
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9
Flûte à bec Alto
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8
Piccolo, Piano
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7
Saxophone Baryton
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Flûte à bec Soprano, Piano
7
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6
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5
Quatuor de Flûtes à bec
5
Flûte, Violon, Piano
5
Flûte à bec Alto, Piano
5
Flûte, Violoncelle
5
5 Flûtes à bec
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Flûte, Hautbois (duo)
5
Flûte, Basson et Piano
5
2 Saxophones, Piano
4
3 Flûtes à bec (trio)
4
Flûte, Violon et Violoncelle
4
Flûte, Hautbois, Basson
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois, Harpe
3
4 Hautbois
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Clarinette, Basson, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Cor anglais, Guitare (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte irlandaise
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Flute, harpe et violon
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Saxophone et Guitare
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, violon (duo)
2
2 Clarinettes, Piano
1
Flûte à bec, Harpe
1
Ensemble de Hautbois
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Violoncelle et Piano
1
Hautbois, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Alto et Piano
1
Flûte et Trio à cordes
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Flûte de Pan
1
2 Flûtes traversières, Piano
1
Clarinette, Alto et Piano (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
3 Hautbois
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Flûte à bec Tenor
1
Piccolo
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Harpe
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CUIVRES
Trompette
644
Trombone
519
Trombone et Piano
361
Trompette, Piano
342
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
300
Cor et Piano
265
Quatuor de Cuivres : 2 trompettes, trombone, tuba
219
Quatuor de Cuivres: 2 trompettes, Cor, trombone
184
2 Trombones (duo)
137
2 Trompettes (duo)
123
Trompette, Saxophone (duo)
115
Cor
97
Tuba et Piano
83
Quatuor de Cuivres
70
Trompette, Trombone (duo)
69
Tuba
58
Trompette, Cor (duo)
46
2 Cors (duo)
42
Euphonium, Piano (duo)
40
Cor anglais, Piano
38
Trompette (partie séparée)
30
Trombone (partie séparée)
29
Quatuor de cuivres: 4 trombones
25
Ensemble de Trombones
22
Cor Anglais
17
Ensemble de Trompettes
16
Quatuor de cuivres: 4 cors
15
Cor (partie séparée)
12
Tuba (partie séparée)
10
Trio de Cuivres
10
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Euphonium
9
2 Euphoniums et 2 Tubas
8
2 Tubas (duo)
7
3 Trompettes (trio)
6
Quatuor de cuivres: 4 trompettes
6
Trombone, Tuba (duo)
5
Ensemble de Cors
5
Cor et Harpe
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3 Trombones (trio)
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Tuba et Orgue
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Trompette, Harpe
4
Euphonium, Tuba (duo)
3
Cor anglais, Guitare (duo)
2
Cor, Trompette, Trombone (trio)
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
4 Tubas
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Trombone basse
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3 Cors (trio)
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Trompette, Trombone, Piano
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3 Tubas (trio)
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Cornet et orchestre
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Ensemble de Tubas
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Trompette, Euphonium (duo)
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Cor anglais et Harpe (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Violon
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Alto, Piano
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Alto seul
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Violon, Violoncelle (duo)
255
Harpe
219
2 Violons (duo)
132
2 Violoncelles (duo)
123
Violoncelle (partie séparée)
122
Piano Trio: Violon, Alto, Piano
112
Trio à Cordes: 2 violons, violoncelle
109
Trio à Cordes: violon, alto, violoncelle
101
Violon, Alto (duo)
101
Quintette à cordes: 2 violons, alto, violoncelle, basse
96
2 Altos (duo)
91
Contre Basse
65
Contrebasse, Piano (duo)
59
Alto (partie séparée)
43
Violon (partie séparée)
28
2 Harpes (duo)
20
Harpe, Voix
18
Contrebasse (partie séparée)
15
Violon, Guitare (duo)
13
Trio à Cordes: 3 violoncelles
13
Harpe, Flûte (duo)
12
Alto, Violoncelle (duo)
11
Ensemble de Violons
11
4 Violoncelles
10
Ensemble d'Altos
9
Alto et Harpe
6
2 Contrebasses (duo)
6
Trio à cordes: 3 violins
6
Violoncelle , Guitare (duo)
6
Harpe, Violon (duo)
6
Trio à Cordes: 2 violons, alto
4
Violoncelle, Orgue
4
Violoncelle, Contrebasse (duo)
4
Harpe, Violoncelle (duo)
4
Violon, Clarinette, Piano (trio)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
3 Harpes
2
Harpe et Piano
2
Trio à cordes: 3 altos
2
5 Harpes
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quatuor à cordes : 4 altos
2
2 Violons, Piano
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes: 4 violons
1
Violon, Tuba (duo)
1
Harpe, Trombone (duo)
1
Flûte, Contrebasse (duo)
1
Violon, Basson (duo)
1
4 Contrebasses
1
Violoncelle, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
665
Batterie
273
Orchestre à Cordes
239
Ensemble de cuivres
228
Orchestre
204
Cloches
127
Ensemble Jazz
104
Orchestre de chambre
95
Fanfare
38
Jazz combo
31
Percussion (partie séparée)
11
Ensemble de Percussions
10
Vibraphone
8
Batterie (partie séparée)
7
Marimba
7
Xylophone, Piano
4
Percussion
3
Instrumentation Flexible
1
Quintette à Vent
1
Marimba, Piano (duo)
1
3 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
Formation musicale - Solfège
1
Théorie de la musique
1
Vous avez sélectionné:
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Saxophone Baryton, Piano
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101
3 GREAT GOSPEL SONGS (for Baritone Sax with Piano - Instrument Part included)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617342 Composed by J.…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617342 Composed by J. B. F. WRIGHT, Traditional, and W. B. STEVENS. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 23 pages. The Lanier Company #4885123. Published by The Lanier Company (A0.617342). 3 GREAT GOSPEL SONGS by Gary Lanier is for Baritone Sax with Piano. The songs titles are (1) Farther Along, (2) Precious Memories, & (3) Will The Circle Be Unbroken. All for the price of 2. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where Gospel music is desired (23 pages).A mp3 Piano Accompaniment (aka Rehearsal Track) is also available for each individual song listed as:
$11.98
11 €
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Saxophone Baryton, Piano
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J
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Gary Lanier
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3 GREAT GOSPEL SONGS
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The Lanier Company
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
The Chipmunk Song
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1313905 By Alvin And …
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1313905 By Alvin And The Chipmunks. By Ross Bagdasarian Jr. Arranged by Stephen DeCesare. Children,Christmas,Film/TV,Holiday. Score and part. 7 pages. Exultet Music #902628. Published by Exultet Music (A0.1313905). The popular song by the fictitious group Alvin and the Chipmunks has been freshly arranged for a Baritone Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any concert setting.
$4.99
4.58 €
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Saxophone Baryton, Piano
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Alvin And The Chipmunks
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Stephen DeCesare
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The Chipmunk Song
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Exultet Music
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SheetMusicPlus
Old Time Religion, Gospel Song for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593126 Composed by Tr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593126 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416405. Published by David McKeown (A0.593126). Old Time Religion is a beautiful gospel song arranged here for Solo Baritone Saxophone and Piano.Old Time Religion was first published in 1873 but probably dates from many years earlier, with possible roots in English folk song
$2.49
2.29 €
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Saxophone Baryton, Piano
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Traditional
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David McKeown
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Old Time Religion, Gospel Song for Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
Nobody Knows the Trouble I've Seen, Gospel Song for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593026 Composed by Tr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593026 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415257. Published by David McKeown (A0.593026). Nobody Knows the Trouble I’ve Seen is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.Nobody Knows the Trouble I’ve Seen is a spiritual that was published in 1867. It has been recorded countless times by many famous artists from Paul Robeson to Louis Armstrong
$2.49
2.29 €
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Saxophone Baryton, Piano
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Traditional
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David McKeown
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Nobody Knows the Trouble I've Seen, Gospel Song for Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
My Song Is Love Unknown - for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1174969 Composed by R…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1174969 Composed by Ron Planting. Sacred. Score and part. 5 pages. Converging Prospect Music #775099. Published by Converging Prospect Music (A0.1174969). This would still likely be John Ireland's most-loved hymn tune -- even if he had written more than one! The arrangement echoes the yearning to comprehend that's expressed in Samuel Crossman's text. Also available as a solo for many other orchestral and band instruments. Approximate duration: Â 3 minutes.
$4.95
4.55 €
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Saxophone Baryton, Piano
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Ron Planting
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My Song Is Love Unknown - for Baritone Saxophone and Piano
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Converging Prospect Music
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502515. Published by jmsgu3 (A0.549512). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30.26 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Ed…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.05 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Gary Lanier: 3 HYMNS of COMMITMENT (Duets for Baritone Sax & Piano)
Saxophone Baryton, Piano
Composed by WILLIAM B. BRADBURY, Indian Folk Song, GEORGE C. STEBBINS. Arranged by Gary La…
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Composed by WILLIAM B. BRADBURY, Indian Folk Song, GEORGE C. STEBBINS. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 22 pages. Published by The Lanier Company (S0.94699). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$11.98
11 €
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Saxophone Baryton, Piano
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WILLIAM B
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Gary Lanier
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Gary Lanier: 3 HYMNS of COMMITMENT
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The Lanier Company
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mighty To Save
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1221171 Composed by B…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1221171 Composed by Ben Fielding and Reuben Morgan. Arranged by Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 13 pages. Exultet Music #817523. Published by Exultet Music (A0.1221171). The popular Contemporary Christian song by Hillsong has now been freshly arranged for a Baritone Saxophone solo with Piano accompaniment. Â This arrangement is accessible and appropriate for any church or concert setting. Â Can be used for many times throughout the liturgical year but especially during the Easter season.
$4.99
4.58 €
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Saxophone Baryton, Piano
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Ben Fielding and Reuben Morgan
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Stephen DeCesare
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Mighty To Save
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Exultet Music
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SheetMusicPlus
Mighty To Save
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1220383 Composed by B…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1220383 Composed by Ben Fielding and Reuben Morgan. Arranged by Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 13 pages. Exultet Music #816717. Published by Exultet Music (A0.1220383). The popular Contemporary Christian song by Hillsong has now been freshly arranged for a Baritone Saxophone solo with Piano accompaniment. Â This arrangement is accessible and appropriate for any church or concert setting. Â Can be used for many times throughout the liturgical year but especially during the Easter season.
$4.99
4.58 €
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Saxophone Baryton, Piano
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Ben Fielding and Reuben Morgan
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Stephen DeCesare
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Mighty To Save
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Exultet Music
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SheetMusicPlus
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Ma…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Christmas Joy Medley (Baritone Sax and Piano)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.616949 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.616949 Composed by George Frideric Handel, James R. Murray, and John F. Wade. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Score and part. 14 pages. The Lanier Company #3877881. Published by The Lanier Company (A0.616949). Christmas Joy Medley is an instrumental arrangement for Baritone Sax and Piano using 3 of our most popular Christmas Songs, (1) Joy to the World, (2) O Come, All Ye Faithful, and (3) Away In a Manger. The score, including cover and instrumental part is 14 pages long. This work is perfect for any church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: Christmas Joy Medley (Piano Accompaniment for Baritone Sax).
$7.99
7.34 €
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Saxophone Baryton, Piano
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George Frideric Handel, James R
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Gary Lanier
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Christmas Joy Medley
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The Lanier Company
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SheetMusicPlus
3 HYMNS OF PEACE AND COMFORT (for Baritone Sax with Piano - Instrument Part included)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617395 Composed by Cl…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617395 Composed by Cleland B. McAfee, Lowell Mason, and William H. Doane. Arranged by Gary Lanier. Contemporary,Praise & Worship,Sacred. Score and part. 25 pages. The Lanier Company #4968757. Published by The Lanier Company (A0.617395). 3 HYMNS OF PEACE AND COMFORT by Gary Lanier is for Baritone Sax with Piano. The songs titles are (1) Near to the Heart of God, (2) Nearer My God to Thee, & (3) Near the Cross. All for the price of 2. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where inspirational music is desired (25 pages).
$14.99
13.76 €
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Saxophone Baryton, Piano
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Cleland B
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Gary Lanier
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(3) Near the Cross
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3 HYMNS OF PEACE AND COMFORT
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The Lanier Company
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SheetMusicPlus
Bridge Over Troubled Water
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Digital Download SKU: A0.617077 By Simon And Garfunkel. …
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Baritone Saxophone,Piano - Digital Download SKU: A0.617077 By Simon And Garfunkel. By Paul Simon. Arranged by Gary Lanier. Pop,Rock. Score and part. 10 pages. The Lanier Company #4316849. Published by The Lanier Company (A0.617077). BRIDGE OVER TROUBLED WATER is an arrangement for Baritone Sax and Piano of one of the most popular songs of the 20th century. Paul Simon wrote both the words and music. It is ideal for concerts, recitals, get-togethers or any place where people enjoy listening to great popular music (10 pages including cover, score and Baritone Sax Part.
$6.99
6.42 €
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Saxophone Baryton, Piano
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Simon And Garfunkel
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Gary Lanier
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Bridge Over Troubled Water
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The Lanier Company
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SheetMusicPlus
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