Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bach Song
Non classifié
369
Piano & claviers
Piano seul
148
Piano, Voix
125
Piano Facile
121
Piano, Voix et Guitare
61
Accompagnement Piano
56
Instruments en Do
31
Orgue
29
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
2
2 Pianos, 4 mains
2
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
44
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
13
Basse electrique
9
Mandoline
8
Ukulele
7
2 Guitares (duo)
4
Piano, Guitare (duo)
3
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
78
Voix Tenor, Piano
19
Chorale 3 parties
17
Chorale Unison
11
Chorale SSAA
11
Chorale 2 parties
10
Chorale TTBB
10
Voix Soprano, Piano
9
Voix moyenne, Piano
6
Voix Alto, Piano
5
Voix Tenor
4
Voix duo
4
Voix haute
3
Pack Instrumental pour Chorale
3
Voix Baryton, Piano
2
Voix seule
2
Chorale SSATB
2
Chorale
1
Voix, Guitare
1
Voix Soprano
1
Chorale SSAATTBB
1
Voix basse
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
54
2 Saxophones (duo)
37
Clarinette et Piano
35
Saxophone Tenor et Piano
34
Saxophone Alto et Piano
32
Flûte et Guitare
28
Flûte traversière
26
Quatuor de Saxophones: 4 saxophones
25
Saxophone Alto
24
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
23
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
3 Saxophones (trio)
19
Saxophone Tenor
18
Quatuor de Clarinettes: 4 clarinettes
16
2 Flûtes traversières (duo)
15
Saxophone Soprano et Piano
13
2 Clarinettes (duo)
13
Hautbois (partie séparée)
12
Saxophone (partie séparée)
11
Quintette de Saxophone: 5 saxophones
10
3 Clarinettes (trio)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte à bec Soprano
9
2 Hautbois (duo)
8
Flûte à bec Alto
7
Saxophone Baryton, Piano
7
2 Flûte à bec (duo)
6
Cor anglais, Piano
6
Trio de Flûtes: 3 flûtes
5
Harmonica
5
Quintette de Flûte : 5 flûtes
4
Hautbois
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Harpe (duo)
3
Quatuor de Flûtes à bec
3
Saxophone Soprano
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Ensemble de Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette (duo)
2
Hautbois, Flûte
2
Clarinette Basse, Piano
2
Flûte à Bec
2
Ensemble de Clarinettes
2
3 Flûtes à bec (trio)
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
Saxophone et Guitare
1
Clarinette, Violoncelle (duo)
1
3 Hautbois
1
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
Clarinette, Violon (duo)
1
Ensemble de Flûtes
1
4 Hautbois
1
Saxophone
1
+ 61 instrumentations
Retracter
Cuivres
Trompette
28
Trombone
21
Trombone et Piano
17
Trompette, Piano
15
Cor
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
2 Trombones (duo)
9
Cor et Piano
8
2 Trompettes (duo)
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Tuba et Piano
6
Cor anglais, Piano
6
2 Cors (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Trompette, Trombone (duo)
5
2 Tubas (duo)
3
Quatuor de cuivres: 4 trombones
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
Trombone, Cor (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
3 Trombones (trio)
2
Trompette, Cor (duo)
1
3 Cors (trio)
1
Trompette (partie séparée)
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
4 Tubas
1
Trio de Cuivres
1
Trompette, Orchestre
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon et Piano
41
Violon
35
Violoncelle, Piano
28
Violoncelle
28
Alto, Piano
23
Alto seul
20
Violon, Violoncelle (duo)
20
Harpe
20
2 Violons (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
2 Violoncelles (duo)
10
Violon, Alto (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
5
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
4
Alto (partie séparée)
4
4 Violoncelles
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 violins
3
2 Harpes (duo)
3
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
3
Contrebasse, Piano (duo)
3
Contre Basse
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon (partie séparée)
1
Alto, Guitare (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
19
Orchestre de chambre
15
Ensemble de cuivres
14
Cloches
13
Orchestre à Cordes
11
Ensemble Jazz
9
Orchestre
9
Jazz combo
4
2 Xylophones
2
Fanfare
2
Xylophone, Piano
1
Ensemble de Percussions
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
7
Librairie Musicale
0
Matériel de Musique
4
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Bach Song
Saxophone Baryton, Piano
Partitions à imprimer
7 partitions trouvées
<
1
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
O Jesulein süss by Bach for Baritone Sax and Piano
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Ander
#
O Jesulein süss by Bach f
#
Woods Only, Arrangements
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1049990 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and pa...
(+)
Baritone Saxophone,Piano - Level 1 - SKU: A0.1049990 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654387. Published by Woods Only, Arrangements (A0.1049990). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Luther: Out of the Depths for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
(+)
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Being Alive
#
Saxophone Baryton, Piano
#
FACILE
#
Stephen Sondheim
#
Rodrigo Ramos
#
Being Alive
#
Rodrigo Ramos
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1367045 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musi...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.1367045 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 13 pages. Rodrigo Ramos #951389. Published by Rodrigo Ramos (A0.1367045). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for baritone sax and piano.
$5.99
Smoke Gets In Your Eyes
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
The Platters
#
Debra E
#
Smoke Gets In Your Eyes
#
Standard Time
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1178681 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Debra E. Stempien, Gregory H. Turner....
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.1178681 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Jazz,Musical/Show,Standards. Score and part. 5 pages. Standard Time #778644. Published by Standard Time (A0.1178681). This classic song is arranged for bari sax solo with piano accompaniment. Â The sax carries the melody through the A sections and provides harmonic lines while the piano takes over the melody during the bridge. Â Please note that the recording features the soprano sax version of this arrangement, which is in a different key. Â Play along with the accompaniment at the link provided.
$7.99
Mendelssohn: Wedding March for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Bach Song
