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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Beethoven: Symphony
Non classifié
331
Piano & claviers
Piano seul
256
Piano Facile
174
1 Piano, 4 mains
10
Instruments en Do
9
Orgue
6
Piano, Voix
5
Accordéon, Piano
4
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
Piano, Voix et Guitare
2
Piano (partie séparée)
2
1 Piano, 6 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Ensemble de Pianos
1
Instrument seul et Orgue
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
15
Piano, Guitare (duo)
5
2 Guitares (duo)
4
Ukulele
3
Basse electrique
3
Mandoline
1
Partitions De Groupes
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
7
Chorale
1
Chorale Unison
1
Chorale 3 parties
1
Vents
2 Saxophones (duo)
54
Clarinette
50
Clarinette (partie séparée)
45
2 Flûtes traversières (duo)
42
Flûte traversière
41
Quatuor de Saxophones: 4 saxophones
36
Hautbois (partie séparée)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Saxophone (partie séparée)
30
Flûte, Hautbois, Clarinette, Basson
28
Flûte traversière et Piano
27
2 Clarinettes (duo)
24
Quintette de Saxophone: 5 saxophones
21
3 Saxophones (trio)
20
Saxophone Alto et Piano
19
Clarinette et Piano
19
Saxophone Alto
18
Saxophone Tenor
18
Hautbois, Piano (duo)
18
Flute (partie séparée)
17
Flûte, Clarinette (duo)
17
Quatuor de Flûtes : 4 flûtes
15
Saxophone Tenor et Piano
15
Quatuor de Clarinettes: 4 clarinettes
14
Hautbois
11
3 Clarinettes (trio)
10
Flûte à Bec
9
2 Hautbois (duo)
8
2 Flûte à bec (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Saxophone Baryton, Piano
7
Trio de Flûtes: 3 flûtes
6
Ensemble de Flûtes
6
Clarinette, Basson (duo)
6
Ensemble de Clarinettes
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte et Guitare
5
Ensemble de saxophones
5
Quatuor de Flûtes à bec
5
Saxophone Soprano et Piano
4
3 Flûtes à bec (trio)
4
Flûte à bec Alto
3
Flûte, Hautbois, Clarinette (trio)
3
5 Flûtes à bec
3
Cor anglais, Piano
3
Hautbois, Clarinette (duo)
3
Clarinette Basse, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois (duo)
2
Flûte à Bec, Piano
2
Saxophone
2
2 Saxophones, Piano
2
Hautbois, Guitare (duo)
2
Saxophone et Harpe
2
Hautbois, Basson (duo)
2
Saxophone et Guitare
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette et Basson
2
3 Hautbois
2
Flûte, Hautbois, Basson
1
Ensemble à vent
1
Hautbois, Harpe
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Flûte, Violon
1
Clarinette Basse
1
Flûte à bec Alto, Piano
1
Clarinette, Basson, Piano (trio)
1
Ensemble De Flûte à bec
1
+ 64 instrumentations
Retracter
Cuivres
Cor
54
Trompette
44
Trombone (partie séparée)
40
Trompette (partie séparée)
36
Trombone
29
Trombone et Piano
21
Trompette, Piano
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Cor (partie séparée)
19
2 Trompettes (duo)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trompette, Trombone (duo)
14
2 Trombones (duo)
13
Cor et Piano
13
Tuba
11
2 Cors (duo)
10
Trompette, Cor (duo)
10
Tuba (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba et Orgue
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 cors
6
4 Tubas
6
3 Trombones (trio)
5
Tuba et Piano
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trombone, Cor (duo)
4
Ensemble de Cors
4
Trio de Cuivres
3
3 Cors (trio)
3
Cor anglais, Piano
3
3 Trompettes (trio)
3
3 Tubas (trio)
3
Euphonium, Tuba (duo)
3
Ensemble de Tubas
2
Euphonium
2
Ensemble de Trompettes
2
Euphonium, Piano (duo)
2
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Bass Clef Instruments
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon (partie séparée)
59
Violon
51
Violoncelle
41
Alto seul
37
2 Violons (duo)
31
Violon et Piano
28
Violon, Violoncelle (duo)
22
Violoncelle, Piano
22
Alto, Piano
21
Violon, Alto (duo)
20
Violoncelle (partie séparée)
18
Contrebasse (partie séparée)
18
Contre Basse
16
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
13
4 Violoncelles
11
Harpe
10
Contrebasse, Piano (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto (partie séparée)
9
2 Altos (duo)
9
2 Harpes (duo)
7
Quatuor à cordes: 4 violons
7
Quatuor à cordes : 4 altos
6
Trio à Cordes: 2 violons, violoncelle
6
Trio à cordes: 3 violins
6
Alto, Violoncelle (duo)
6
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 altos
5
2 Contrebasses (duo)
4
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
3 Contrebasses
1
Trio à cordes
1
Ensemble de Violoncelles
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre
101
Orchestre à Cordes
93
Orchestre d'harmonie
67
Orchestre de chambre
13
Timbales (partie séparée)
11
Percussion (partie séparée)
7
Timbales
5
Ensemble de cuivres
4
Fanfare
4
Percussion
3
Cloches
3
Instrumentation Flexible
2
Ensemble de Percussions
2
Quintette à Vent
1
Xylophone, Piano
1
Xylophone
1
Ensemble Jazz
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
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POP ROCK - ROCK CLAS…
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Beethoven: Symphony
CLASSIQUE - BAROQUE - ROMANTIQUE
Saxophone Baryton, Piano
Partitions à imprimer
7 partitions trouvées
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1
Ode the Joy ( Sax Baritono - Piano - Beethoven Symphony No. 9 ) BEGINNER
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Duda Oriontte
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Ode the Joy
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Duda Oriontte
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1122839 Composed by Ludwig van Beethoven. Arranged by Duda Oriontte. Children,Christmas,Classical,Instructi...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1122839 Composed by Ludwig van Beethoven. Arranged by Duda Oriontte. Children,Christmas,Classical,Instructional,Opera. Score and part. 1 pages. Duda Oriontte #723802. Published by Duda Oriontte (A0.1122839). Ode the Joy ( Sax Baritono - Piano - Beethoven Symphony No. 9 ) BEGINNER I made this arrangement for two instruments. It is a good choice for classes. Ode the Joy is one of the most well know music ever made You can play with your friends, teacher, student, etc I hope you like it!
$5.00
Symphony No. 7 by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Perio...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758753. Published by Woods Only, Arrangements (A0.1158467). This arrangement adapted for baritone saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Ode to Joy by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ba
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic P...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Symphony No. 5 by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
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Ander
#
Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755188. Published by Woods Only, Arrangements (A0.1154912). This adaptation was intended for a small group of baritone saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
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