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612
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628
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39
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30
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28
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21
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13
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10
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10
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6
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6
Piano (partie séparée)
5
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
4
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3
2 Pianos, 4 mains
2
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1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Clavecin
1
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Guitare notes et tablatures
60
Guitare
48
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18
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9
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4
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3
3 Guitares (trio)
3
Ensemble de guitares
3
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3
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2
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1
2 Guitares (duo)
1
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69
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12
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10
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8
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2
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2
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2
Voix haute
2
Voix Tenor, Piano
2
Voix basse, Piano
1
Voix duo
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix seule
1
Chorale SSAATTBB
1
Voix duo, Piano
1
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Saxophone
59
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46
Clarinette
35
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30
Flûte traversière
30
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27
Saxophone (partie séparée)
26
2 Saxophones (duo)
25
2 Flûtes traversières (duo)
21
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21
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20
2 Clarinettes (duo)
20
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18
Quatuor de Clarinettes: 4 clarinettes
17
Flûte, Clarinette (duo)
16
Quatuor de Flûtes : 4 flûtes
16
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12
Saxophone Alto
11
Saxophone Tenor et Piano
8
Hautbois, Piano (duo)
7
Flûte, Clarinette, Piano (trio)
7
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7
Saxophone Tenor
6
2 Hautbois (duo)
5
Trio de Flûtes: 3 flûtes
5
Harmonica
5
3 Saxophones (trio)
3
Saxophone Soprano et Piano
3
Flûte, trombone et piano
3
Flûte, Hautbois, Clarinette (trio)
3
Ensemble de Clarinettes
3
3 Flûtes à bec (trio)
3
Hautbois
3
Clarinette, Basson (duo)
2
2 Clarinettes, Piano
2
3 Clarinettes (trio)
2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
Flûte à bec Alto
1
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1
Clarinette (partie séparée)
1
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1
Flûte à Bec
1
2 Saxophones, Piano
1
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1
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1
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1
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1
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1
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1
5 Flûtes à bec
1
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1
Clarinette Basse, Piano
1
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105
Trompette
52
Trombone
34
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28
Trombone (partie séparée)
23
Trompette (partie séparée)
23
Trompette, Piano
22
Trombone et Piano
19
2 Trombones (duo)
19
2 Trompettes (duo)
16
Ensemble de Trombones
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Tuba et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de cuivres: 4 trombones
10
Trompette, Trombone (duo)
8
Tuba
6
Euphonium, Piano (duo)
5
2 Cors (duo)
5
Quatuor de cuivres: 4 cors
5
Ensemble de Cors
5
Cor et Piano
5
3 Trombones (trio)
4
Cor
4
2 Euphoniums (duo)
3
Cor (partie séparée)
3
Trio de Cuivres
3
Trombone, Orgue
2
Euphonium
2
4 Tubas
2
Tuba (partie séparée)
2
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
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1
2 Tubas (duo)
1
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1
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
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71
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69
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59
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36
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30
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25
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23
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23
2 Violons (duo)
16
Alto seul
14
2 Altos (duo)
13
Violon
13
Violoncelle
12
4 Violoncelles
6
Piano Trio: Violon, Alto, Piano
5
2 Harpes (duo)
5
Alto, Violoncelle (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse (partie séparée)
4
Violoncelle , Guitare (duo)
4
Harpe, Flûte (duo)
4
Harpe, Voix
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
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3
3 Harpes
2
Trio à Cordes: 2 violons, alto
2
Violoncelle (partie séparée)
2
5 Harpes
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Violoncelle, Basse continue
1
Contre Basse
1
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102
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65
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50
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43
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38
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9
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8
Cloches
8
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5
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4
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2
Marimba
2
Big band
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Xylophone, Piano
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C advanced
Saxophone Baryton, Piano
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Elegy, Op. 24
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Gabriel Faure
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Robert Stevens
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Elegy, Op. 24
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SAXpress.com
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.1393227 Composed by Gabriel Faure. Arranged by Robert Stevens. 19th Century,Chamber,Classical,Contest,Festi...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.1393227 Composed by Gabriel Faure. Arranged by Robert Stevens. 19th Century,Chamber,Classical,Contest,Festival. Score and part. 20 pages. SAXpress.com #976708. Published by SAXpress.com (A0.1393227). Élégie, Op. 24 by Gabriel Fauré, arranged for Baritone Saxophone and Piano. Composed in 1889, It is one of a number of significant works for cello composed by French composer Gabriel Fauré. Élégie, Op.24 was conceived as the slow movement of a cello sonata. The sonata was never completed. Élégie was first performed in 1883 and later published as a stand-alone piece. The work features a somber opening then an intense central section before returning to the elegiac opening theme in C minor.Elegie is dedicated to the cellist Jules Loeb, who gave the first performances accompanied by the composer in December 1883. It was later orchestrated and performed at the Societe Nationale in April 1901, with Pablo Casals as the soloist and the composer as conductor.Fauré later orchestrated this work for cello and orchestra. Many other arrangements exist as solo with piano. This version is for solo baritone saxophone with piano. Difficulty level: advanced. The bari sax part extends well into the altissimo range. Alternate notes are provided in the part for performers who do not wish to play altissimo.
$24.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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