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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
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HARMONICA
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Piano seul
614
Piano, Voix et Guitare
577
Piano, Voix
356
Orgue
348
Piano Facile
242
Instruments en Do
36
1 Piano, 4 mains
32
Accompagnement Piano
24
Piano Trio: piano, violon, violoncelle
13
Piano grosses notes
8
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Piano (duo)
6
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Clavecin
3
Accordéon
2
Clavier
1
1 Piano, 6 mains
1
Ensemble de Pianos
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
104
Ukulele
63
Guitare notes et tablatures
57
Guitare
37
Paroles et Accords
25
2 Guitares (duo)
7
4 Guitares (Quatuor)
5
Basse electrique
3
Piano, Guitare (duo)
2
Banjo
2
3 Guitares (trio)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
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VOIX
Chorale SATB
668
Chorale 3 parties
186
Chorale 2 parties
80
Chorale TTBB
74
Chorale SSAA
47
Voix duo, Piano
31
Chorale Unison
28
Voix seule
18
Chorale
11
Voix Soprano, Piano
9
Voix duo
8
Chorale SSAATTBB
8
Voix Baryton, Piano
6
Voix haute
5
Chorale SSAB a cappella
4
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
3
Chorale SSATB
3
Voix, Guitare
3
Chorale SSATTB
2
Voix basse
1
Chorale SSATBB
1
Chorale SATTB
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
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VENTS
Flûte traversière et Piano
75
Flûte, Hautbois, Clarinette, Basson
63
Quatuor de Saxophones: 4 saxophones
60
Hautbois, Piano (duo)
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Saxophone Alto et Piano
45
Clarinette et Piano
44
Saxophone Tenor et Piano
44
Clarinette
39
3 Saxophones (trio)
36
Quatuor de Clarinettes: 4 clarinettes
35
Saxophone (partie séparée)
32
Flûte traversière
32
2 Saxophones (duo)
31
2 Flûtes traversières, Piano
29
2 Flûtes traversières (duo)
27
2 Clarinettes (duo)
26
Saxophone Alto
26
Flûte à Bec
25
Quatuor de Flûtes : 4 flûtes
25
2 Flûte à bec (duo)
24
Saxophone Soprano et Piano
23
Quintette de Saxophone: 5 saxophones
19
3 Clarinettes (trio)
18
Saxophone Tenor
16
Saxophone Baryton, Piano
13
Flûte, Clarinette (duo)
12
Hautbois (partie séparée)
12
3 Flûtes à bec (trio)
12
Flûte et Guitare
12
Quatuor de Flûtes à bec
11
Trio de Flûtes: 3 flûtes
11
Quintette de Clarinettes: 5 clarinettes
11
Cor anglais, Piano
10
Clarinette (partie séparée)
10
Ensemble de Clarinettes
10
Quintette de Flûte : 5 flûtes
8
Saxophone Soprano
7
Flute (partie séparée)
7
5 Flûtes à bec
6
Ensemble de saxophones
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Alto, Piano
6
Flûte à bec Soprano, Piano
6
Ensemble de Flûtes
5
Flûte, Clarinette, Piano (trio)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte à bec Alto, Basse continue
4
2 Hautbois (duo)
4
2 Clarinettes, Piano
4
Flûte à bec Soprano
4
Hautbois, Basson (duo)
4
Clarinette, trompette et piano
3
Flûte, Violon, Piano
3
Flûte, Violon
3
Flûte, trombone et piano
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette Basse, Piano
3
Ensemble De Flûte à bec
3
Flûte, Violon et Violoncelle
3
Clarinette, Basson (duo)
3
Clarinette, Guitare (duo)
3
Cor Anglais
2
Flûte, Hautbois, Basson
2
Hautbois, Violoncelle et Piano
2
Flûte, Alto et Piano
2
Hautbois
2
Flûte à Bec, Piano
2
Clarinette, Violon (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte irlandaise
1
Flûte à bec Tenor
1
Flûte, Basson et Piano
1
Flûte à bec, Guitare (duo)
1
Flute, harpe et violon
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Hautbois, Clarinette (duo)
1
3 Hautbois
1
Clarinette, Orgue
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Harpe
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Hautbois
1
Saxophone et Piano
1
Flûte, Violon, Guitare
1
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CUIVRES
Trompette
80
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Trompette, Piano
46
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor et Piano
17
Trompette (partie séparée)
16
2 Trompettes (duo)
15
Cor
11
Cor anglais, Piano
10
Quatuor de cuivres: 4 trombones
10
Euphonium, Piano (duo)
9
Tuba
9
Quatuor de cuivres: 4 cors
9
Quatuor de Cuivres
8
Trombone (partie séparée)
8
2 Trombones (duo)
7
2 Cors (duo)
7
3 Trompettes (trio)
5
Trompette, Cor (duo)
5
Cor (partie séparée)
5
Ensemble de Cors
4
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Trombones
4
Euphonium
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
4 Tubas
3
Tuba et Piano
3
2 Euphoniums et 2 Tubas
3
Cor Anglais
2
2 Tubas (duo)
2
Trombone basse
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
Ensemble de Trompettes
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Trompette, Basson (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Trompette, Violoncelle et Piano
1
Trompette, Violoncelle (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
86
2 Violoncelles (duo)
79
Violoncelle, Piano
61
2 Violons (duo)
52
Violon
50
Violon (partie séparée)
47
Alto, Piano
42
Harpe
41
Violon, Violoncelle (duo)
36
Violoncelle (partie séparée)
34
2 Altos (duo)
27
Alto seul
26
Violon, Alto (duo)
25
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle
21
Trio à Cordes: 2 violons, violoncelle
20
Alto, Violoncelle (duo)
16
Alto (partie séparée)
15
Contrebasse (partie séparée)
12
4 Violoncelles
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Piano Trio: Violon, Alto, Piano
7
2 Harpes (duo)
6
Trio à cordes: 3 violins
6
Contre Basse
6
Trio à Cordes: 3 violoncelles
6
Harpe, Flûte (duo)
5
Trio à cordes: 3 altos
4
Harpe, Violon (duo)
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Violon, Basse continue
4
Violoncelle , Guitare (duo)
3
2 Violons, Piano
3
Alto et Harpe
3
Harpe, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Violoncelle, Orgue
2
Violoncelle, Basse continue
2
Violoncelle, Orchestre
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Voix
1
Harpe (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
155
Orchestre à Cordes
70
Orchestre
38
Cloches
36
Ensemble de cuivres
25
Batterie
22
Ensemble Jazz
19
Orchestre de chambre
17
Marimba
9
Percussion (partie séparée)
9
Jazz combo
8
Ensemble de Percussions
8
Fanfare
5
Percussion
1
Batterie (partie séparée)
1
Timbales (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Chris Ott
Saxophone Baryton, Piano
Partitions à imprimer
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1
Just As I Am, Gospel Hymn for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.592926 Composed by Ch…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.592926 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413437. Published by David McKeown (A0.592926). Just as I Am is a beautiful hymn arranged here for Solo Baritone Saxophone and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Saxophone Baryton, Piano
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
Morning Has Broken
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548735 By Cat Stevens…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.03 €
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Saxophone Baryton, Piano
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J.…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Saxophone Baryton, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Fr…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.5 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Feel It Still
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1091941 By Portugal. …
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1091941 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Lawrence H Underwood. Pop,Rock. Score and part. 9 pages. Lawrence H Underwood #696073. Published by Lawrence H Underwood (A0.1091941). This Portugal. The Man. hit is a blast to play. . .from the first note of the driving bass line to the last note of its catch melody. Now available as an instrumental solo with piano accompaniment, it’s sure to be a favorite with performer and audience alike! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.5 €
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Saxophone Baryton, Piano
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Portugal
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Lawrence H Underwood
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Feel It Still
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Lawrence H Underwood
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SheetMusicPlus
O Holy Night
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.848207 Composed by Ad…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.848207 Composed by Adolphe-Charles Adam. Arranged by Gary Burch. Christian,Christmas,Praise & Worship,Romantic Period,Sacred. Score and part. 9 pages. Great Scott Bones Music #3478243. Published by Great Scott Bones Music (A0.848207). O Holy Night composed by Adolphe-Charles Adam (1803-1856). Arranged by Gary Burch. For Baritone Saxophone and Piano. Contains solo part, piano score, and program notes. The attached recording is of the Trombone and Piano version. Grade 3. Published by Great Scott Bones Music.
$7.95
7.3 €
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Saxophone Baryton, Piano
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Adolphe-Charles Adam
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Gary Burch
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O Holy Night
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Great Scott Bones Music
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1076837 Composed by M…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1076837 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680952. Published by Woods Only, Arrangements (A0.1076837). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
1.83 €
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Saxophone Baryton, Piano
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Martin Luther
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Ander
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A Mighty Fortress is Our God by Luther for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Hymn For The Weekend
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1148824 By Coldplay. …
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1148824 By Coldplay. By Christopher Martin, Guy Berryman, Jonathan Buckland, Marcos Tovar, Mikkel Eriksen, Scott Zant, Tor Hermansen, Venar Yard, and William Champion. Arranged by Zachary Corbett. Pop. Score and part. 7 pages. ZCM Sheets #748961. Published by ZCM Sheets (A0.1148824). Website, Instagram, FB, Sheet Music and Recordings Purchase below: https://linktr.ee/zcmacademy.
$10.50
9.64 €
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Saxophone Baryton, Piano
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Coldplay
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Zachary Corbett
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Hymn For The Weekend
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ZCM Sheets
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SheetMusicPlus
Moonlight Sonata by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1156946 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757290. Published by Woods Only, Arrangements (A0.1156946). This arrangement adapted for baritone saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.83 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Jingle Bells for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by Ja…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.91 €
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Saxophone Baryton, Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
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