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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concert
Non classifié
26 013
Piano & claviers
Piano seul
11 064
Piano, Voix
2 706
Piano Facile
1 824
Orgue
1 055
Accompagnement Piano
538
1 Piano, 4 mains
508
Piano (partie séparée)
495
Piano, Voix et Guitare
339
Piano Trio: piano, violon, violoncelle
276
Instruments en Do
139
2 Pianos, 4 mains
136
Piano Quatuor: piano, 2 violons, violoncelle
135
Orgue, Trompette (duo)
91
Piano Quatuor: piano, violon, alto, violoncelle
68
Clavecin
55
Piano Quintette: piano, 2 violons, alto, violoncelle
51
Accordéon
24
Orgue, Piano (duo)
23
Piano grosses notes
12
Clavier
8
1 Piano, 6 mains
6
2 Pianos, 8 mains
5
2 Orgues (duo)
4
Orgue et Orchestre
3
Accordéon et Orchestre
3
Concertina
3
Ligne De Mélodie, Piano
2
Ensemble d'Accordéons
2
2 Accordéons
1
Ensemble de Pianos
1
Fake Book
1
Accordéon, Corde(s)
1
+ 27 instrumentations
Retracter
Guitares
Guitare
1 142
Guitare notes et tablatures
468
Guitare (partie séparée)
238
2 Guitares (duo)
122
Basse électrique (partie séparée)
81
Ukulele
77
4 Guitares (Quatuor)
73
Ligne De Mélodie, (Paroles) et Accords
66
Piano, Guitare (duo)
61
Partitions De Groupes
47
3 Guitares (trio)
44
Basse electrique
19
Banjo
14
Mandoline
14
Ensemble de guitares
12
Paroles et Accords
10
Guitare, Orchestre
6
Mandoline, Guitare (duo)
5
Mandoline, Piano (duo)
5
Guitare, Violon, Violoncelle (trio)
5
Guitare, Quatuor à cordes
4
Dobro
3
Luth
3
2 Guitares et Orchestre
3
2 Mandolines (duo)
2
2 Dulcimers (duo)
1
Dulcimer
1
2 Ukuleles
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
10 184
Chorale 3 parties
6 640
Pack Instrumental pour Chorale
5 451
Chorale 2 parties
4 928
Chorale
1 897
Chorale TTBB
1 171
Voix duo, Piano
1 161
Chorale Unison
934
Voix duo
597
Chorale SSAA
346
Voix haute
234
Voix Soprano, Piano
166
Voix Alto, Piano
89
Voix Tenor, Piano
71
Voix seule
51
Voix moyenne, Piano
47
Voix basse, Piano
44
Voix Baryton, Piano
44
Voix basse
23
Voix Tenor
23
Chorale SSATB
20
Chorale SSAATTBB
18
Chorale SSAB, Piano
11
Voix Soprano
8
Voix Mezzo-Soprano, Piano
7
Soli, choeur mixte et accompagnement
7
Chorale SSATTB
7
Chorale SSAB a cappella
2
Chorale SAATB A Cappella
2
Chorale SSAATB
1
Voix Soprano, Orchestre
1
Voix Moyenne
1
Voix, Guitare
1
+ 28 instrumentations
Retracter
Vents
Saxophone (partie séparée)
11 353
Clarinette (partie séparée)
11 188
Flute (partie séparée)
4 227
Hautbois (partie séparée)
2 766
Flûte traversière et Piano
1 850
Clarinette et Piano
1 634
Quatuor de Saxophones: 4 saxophones
1 576
2 Saxophones (duo)
1 535
Hautbois, Piano (duo)
1 270
Saxophone Alto et Piano
1 241
Flûte, Hautbois, Clarinette, Basson
1 220
Saxophone Tenor et Piano
1 175
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 115
Flûte traversière
992
Saxophone Soprano et Piano
964
2 Flûtes traversières (duo)
876
Clarinette
852
Quatuor de Clarinettes: 4 clarinettes
794
Hautbois
790
2 Clarinettes (duo)
761
Quatuor de Flûtes : 4 flûtes
549
Flûte, Clarinette (duo)
451
Ensemble de Clarinettes
423
Quintette de Saxophone: 5 saxophones
402
Saxophone Tenor
359
Saxophone Alto
347
3 Saxophones (trio)
345
Saxophone, Clarinette (duo)
338
3 Clarinettes (trio)
331
Clarinette, Violon (duo)
294
Piccolo
281
Clarinette Basse
277
2 Hautbois (duo)
276
Ensemble de saxophones
258
Trio de Flûtes: 3 flûtes
250
Saxophone Baryton, Piano
218
Clarinette, Trompette (duo)
213
Quintette de Clarinettes: 5 clarinettes
209
Cor anglais, Piano
201
Ensemble de Flûtes
198
Hautbois, Basson (duo)
181
Hautbois, Clarinette (duo)
178
Clarinette et Alto
152
Flûte, Violon
149
Flûte, Saxophone (duo)
141
Flûte, Hautbois, Clarinette (trio)
138
Flûte, Clarinette et Basson
134
2 Flûte à bec (duo)
126
Flûte, Alto (duo)
123
Flûte, Violon, Piano
113
Clarinette Basse, Piano
110
Hautbois, Flûte
110
Flûte, Trompette (duo)
106
Quintette de Flûte : 5 flûtes
103
Quatuor de Flûtes à bec
100
Flûte, Hautbois, Basson
94
Flûte et Guitare
88
Clarinette, Basson (duo)
88
Flûte à Bec
82
Hautbois, Clarinette, Basson (trio d'anches)
79
Flûte, Violon et Violoncelle
75
Cor Anglais
74
Flûte, Clarinette, Piano (trio)
65
Flûte, Violoncelle
60
2 Clarinettes, Piano
60
2 Saxophones, Piano
57
2 Flûtes traversières, Piano
56
5 Flûtes à bec
52
Clarinette, Guitare (duo)
50
Saxophone Baryton
49
Flûte à bec Soprano
47
Flûte, Hautbois (duo)
47
Clarinette, Violoncelle (duo)
44
Saxophone
42
Saxophone Soprano
41
Clarinette, Violoncelle, Piano (trio)
40
2 Clarinettes, Basson
38
Flûte, Violoncelle, Piano (trio)
34
Piccolo, Piano
34
Flûte, trombone et piano
32
Saxophone et Piano
32
Ensemble De Flûte à bec
28
Flûte à bec Soprano, Piano
28
4 Hautbois
27
3 Flûtes à bec (trio)
27
Flûte, Hautbois, Piano (trio)
26
Flûte, Alto et Piano
23
Flûte, Basson et Piano
22
Saxophone et Orgue
22
Ensemble à vent
21
Harmonica, Piano
20
Flûte à bec Alto
19
Flûte à bec Alto, Piano
19
Flûte, Violon, Violoncelle et Piano
18
Flûte traversière, Orchestre
17
Hautbois, violon (duo)
16
Flûte à bec Tenor
16
Saxophone et Orchestre
15
3 Hautbois
15
Clarinette, Basson, Piano (trio)
15
Clarinette, Trombone (duo)
15
Cornemuse
15
2 Cors Anglais Et Pianoforte
14
Clarinette, trompette et piano
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
12
Flûte, Trombone (duo)
12
Clarinette, Orchestre
12
Flûte traversière, Orgue (duo)
11
Hautbois, Guitare (duo)
10
Clarinette, Alto et Piano (trio)
10
Hautbois, Violoncelle
8
Flûte à Bec, Piano
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Clarinette, Harpe (duo)
7
Flûte et Quatuor à Cordes
7
Clarinette, Orgue
7
Saxophone et Guitare
6
Flute, harpe et violon
6
Ocarina
6
Flute, Cor (duo)
5
Saxophone, Violon (duo)
5
Flûte, Tuba (duo)
5
Hautbois, Clarinette et Piano (Trio)
5
Hautbois et Orchestre
4
Flûte, Violoncelle, Guitare
4
Ensemble de Hautbois
4
Flûte, Violon, Guitare
3
Flûte, Harpe et Violoncelle
3
Flûte, Clarinette, Violon (trio)
3
Hautbois, Violon, Piano
3
Harmonica
3
Flûte et Trio à cordes
3
Instruments en Mib
2
Clarinette, Contrebasse (duo)
2
Hautbois, Harpe
2
2 Flûtes, Basse continue
2
Saxophone et Harpe
2
Flûte à bec, Harpe
2
Flûte à bec Alto, Basse continue
2
Cor anglais, Guitare (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte à bec, Guitare (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, alto et harpe
1
Flûte, Hautbois, Violon
1
2 Hautbois et Basson
1
Flûte à bec Soprano, Basse continue
1
Cor anglais et Harpe (duo)
1
Clarinette, Saxophone, Piano
1
Flûte traversière, Basse continue
1
3 Flûtes à bec, Piano
1
2 Flûtes à bec, Piano
1
+ 147 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
8 649
Trompette (partie séparée)
6 783
Cor (partie séparée)
4 556
Tuba (partie séparée)
3 649
Trombone et Piano
1 187
Trompette, Piano
1 172
Quatuor de Cuivres : 2 trompettes, trombone, tuba
931
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
908
Cor
836
Trompette
794
Cor et Piano
789
Quatuor de Cuivres: 2 trompettes, Cor, trombone
490
2 Trompettes (duo)
473
2 Trombones (duo)
418
Tuba
402
Trombone
396
Cornet A Pistons
358
Trompette, Trombone (duo)
318
Tuba et Piano
275
Euphonium, Piano (duo)
261
Trompette, Saxophone (duo)
254
Tuba ou Euphonium ou Saxhorn
254
Cor anglais, Piano
201
2 Cors (duo)
197
Trompette, Cor (duo)
167
Quatuor de cuivres: 4 cors
147
Quatuor de Cuivres
132
Quatuor de cuivres: 4 trombones
132
Ensemble de Trompettes
97
Euphonium (partie séparée)
83
Ensemble de Trombones
75
Cor Anglais
74
3 Trompettes (trio)
68
Quatuor de cuivres: 4 trompettes
67
2 Tubas (duo)
55
Euphonium
52
Quatuor de cuivres: 2 trompettes, 2 trombones
49
3 Trombones (trio)
48
4 Tubas
40
2 Euphoniums (duo)
37
Trio de Cuivres
37
Ensemble de Cors
35
Trombone basse et Piano
34
Trombone, Tuba (duo)
33
Trompette, Violoncelle et Piano
28
2 Euphoniums et 2 Tubas
24
3 Cors (trio)
21
Trombone, Orgue
20
Trombone basse
19
Euphonium, Tuba (duo)
18
2 Trompettes, Clavier (piano ou orgue)
17
Tuba et Orgue
16
2 Cors Anglais Et Pianoforte
14
Trombone, Cor (duo)
12
Trompette, Orchestre
11
Trompette, Violoncelle (duo)
11
Trompette, Tuba (duo)
10
Trompette, violon (duo)
10
Cor, Tuba (duo)
10
Bugle
8
Cor, Orchestre
7
Cor, Violoncelle (duo)
7
Trompette, Trombone, Piano
6
Cor et Orgue
6
3 Tubas (trio)
5
2 Trombones, Piano
4
Instruments en Sib
4
G Instruments
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
3 Euphoniums
3
Trompette, Euphonium (duo)
3
Trombone et orchestre
3
Cor et Harpe
3
Cor et Basson (duo)
3
Trompette et Guitare
2
Clarinette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Ensemble de Tubas
1
Cornet et Piano
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Bass Clef Instruments
1
Cornet et orchestre
1
Cor, Violoncelle et Piano
1
Trompette, Basson (duo)
1
+ 80 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 104
Violon et Piano
2 566
Violon (partie séparée)
1 999
Violoncelle, Piano
1 672
Contrebasse (partie séparée)
1 654
Alto, Piano
1 374
Violon
1 266
Violon, Violoncelle (duo)
753
Violoncelle (partie séparée)
718
2 Violons (duo)
650
Harpe
628
Alto (partie séparée)
622
Violoncelle
605
Alto seul
562
2 Violoncelles (duo)
522
Violon, Alto (duo)
508
Trio à Cordes: violon, alto, violoncelle
501
Contre Basse
424
2 Altos (duo)
368
Piano Trio: Violon, Alto, Piano
249
Contrebasse, Piano (duo)
218
Alto, Violoncelle (duo)
195
Trio à Cordes: 2 violons, violoncelle
171
4 Violoncelles
130
Trio à cordes: 3 violins
107
Quatuor à cordes: 4 violons
101
Quintette à cordes: 2 violons, alto, violoncelle, basse
96
Violon, Guitare (duo)
86
Violoncelle, Contrebasse (duo)
67
Harpe (partie séparée)
64
Harpe, Flûte (duo)
55
Quatuor à cordes : 4 altos
52
Trio à Cordes: 3 violoncelles
52
Trio à cordes: 3 altos
47
2 Contrebasses (duo)
40
Violoncelle , Guitare (duo)
40
Trio à Cordes: 2 violons, alto
37
Alto, Guitare (duo)
35
Harpe, Violon (duo)
35
2 Violons, Piano
33
Ensemble de Violons
32
Ensemble d'Altos
28
4 Contrebasses
26
Violoncelle, Orchestre
22
Harpe, Violoncelle (duo)
18
Violoncelle, Orgue
16
Harpe, Voix
15
Violon, Basson (duo)
15
Violon, Orgue
14
Violon, Clarinette, Piano (trio)
14
Alto et Harpe
13
2 Harpes (duo)
12
3 Contrebasses
11
Flûte, Contrebasse (duo)
7
Alto et orchestre
7
Ensemble de Violoncelles
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Alto, Orgue
6
Alto et Basson
5
Violoncelle, Basse continue
5
2 Violoncelles, Piano
5
Violon, Basse continue
4
Harpe, Violon, Violoncelle
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe et Piano
4
Trio à cordes
4
Violon, Violoncelle, Clarinette
3
Violon, Trompette et Piano
2
2 Altos, Piano
2
Harpe, Trombone (duo)
1
Harpe, Orchestre
1
3 Harpes
1
2 Violons et Basse continue
1
Harpe, Quatuor à cordes
1
+ 69 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
76 533
Percussion (partie séparée)
6 557
Orchestre
3 953
Orchestre à Cordes
3 316
Timbales (partie séparée)
1 904
Percussion
1 477
Ensemble de cuivres
1 131
Ensemble Jazz
992
Orchestre de chambre
934
Cloches
607
Fanfare
422
Timbales
385
Batterie
355
Batterie (partie séparée)
278
Ensemble de Percussions
207
Jazz combo
155
Piano et Orchestre
73
Xylophone
53
Orchestre, Violon
38
Marimba
34
Vibraphone
29
Xylophone, Piano
29
Xylophone (partie séparée)
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble d'École
7
Instrumentation Flexible
7
Vibraphone (partie séparée)
6
Quintette de Cuivres: autres combinaisons
4
Quintette à Vent
3
Bongos
3
Vibraphone et Marimba
3
Big band
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone, Piano
1
2 Xylophones
1
Caisse Claire
1
Voix et Orchestre
1
Marimba, Piano (duo)
1
Trio à Vent: 3 instruments à vents
1
Marimba et Orgue
1
+ 35 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Concert
Saxophone Baryton, Piano
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201
Allegro from Mozart's 4th horn concerto - Baritone Sax and Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Anne Christopherson GRSM ARCM
#
Allegro from Mozart's 4th horn
#
Music-Scores.com
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.722149 Composed by Wolfgang Amadeus Mozart. Arranged by Anne Christopherson GRSM ARCM. Classical,Concert,St...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.722149 Composed by Wolfgang Amadeus Mozart. Arranged by Anne Christopherson GRSM ARCM. Classical,Concert,Standards. Score and part. 18 pages. Music-Scores.com #5865763. Published by Music-Scores.com (A0.722149). 1st movement of Mozart's beautiful 4th horn concerto, transcribed for Baritone Sax and Piano.About 7 and a half minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
Concerto No. 1 in D-Minor, Op. 11a
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Ian Deterling
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Concerto No. 1 in D-Minor, Op.
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Ian Deterling
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.1197440 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796611. Published by...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.1197440 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796611. Published by Ian Deterling (A0.1197440). Concerto No. 1 in D-Minor is a dark and magical journey through mystical lands that ends in a fiery dance! Originally for bass trombone, this concerto has been adapted for solo baritone saxophone with piano accompaniment.
$25.00
Bach: Largo from Concerto BWV 1056 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4600731. Published by jmsgu3 (A0.550220). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Baritone Sax and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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3rd Movement, Rondo, from Moza
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Music-Scores.com
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.729591 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.729591 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,Holiday,Instructional,Wedding. Score and part. 15 pages. Music-Scores.com #337852. Published by Music-Scores.com (A0.729591). This Rondo from Mozart's 4th Concerto (originally for Horn) is very well known and adored, for its simple and humorous theme which was immortalised by the comedians Flanders and Swann in their song: I once had a whim and I had to obey it, to buy a french horn in a second-hand shop. For Baritone Sax and Piano. Duration 4 minutes. Transcribed by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$3.95
Concerto No. 1
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Saxophone Baryton, Piano
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AVANCÉ
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Joseph Serafin Alschausky
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Bertrand Moren
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Concerto No. 1
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 5 - SKU: R0.44227 Bb Major. Composed by Joseph Serafin Alschausky. Arranged by Bertrand Moren. Baritone Saxoph...
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Baritone Saxophone & Piano - Grade 5 - SKU: R0.44227 Bb Major. Composed by Joseph Serafin Alschausky. Arranged by Bertrand Moren. Baritone Saxophone & Piano. Score and parts. 22 pages. Duration 11'16. Editions Marc Reift - Digital #44227. Published by Editions Marc Reift - Digital (R0.44227).
$17.95
Jazzy Concerto
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Saxophone Baryton, Piano
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AVANCÉ
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Jirka Kadlec
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Jazzy Concerto
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 5 - SKU: R0.47727 Composed by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 17 pages. Duration 7'39. Edi...
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Baritone Saxophone & Piano - Grade 5 - SKU: R0.47727 Composed by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 17 pages. Duration 7'39. Editions Marc Reift - Digital #47727. Published by Editions Marc Reift - Digital (R0.47727).
$22.95
Concerto Piccolo
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Saxophone Baryton, Piano
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Norman Tailor
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Colette Mourey
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Concerto Piccolo
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 3+ - SKU: R0.23932 Composed by Norman Tailor. Arranged by Colette Mourey. Baritone Saxophone & Piano. Score and parts...
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Baritone Saxophone & Piano - Grade 3+ - SKU: R0.23932 Composed by Norman Tailor. Arranged by Colette Mourey. Baritone Saxophone & Piano. Score and parts. 10 pages. Duration 2'59. Editions Marc Reift - Digital #23932. Published by Editions Marc Reift - Digital (R0.23932).
$8.95
Concerto
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Harry James
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Ted Parson
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Concerto
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 4 - SKU: R0.43226 Composed by Harry James. Arranged by Ted Parson. Baritone Saxophone & Piano. Score and parts. 10 pa...
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Baritone Saxophone & Piano - Grade 4 - SKU: R0.43226 Composed by Harry James. Arranged by Ted Parson. Baritone Saxophone & Piano. Score and parts. 10 pages. Duration 3'15. Editions Marc Reift - Digital #43226. Published by Editions Marc Reift - Digital (R0.43226).
$13.95
Concerto No. 2
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Saxophone Baryton, Piano
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Amilcare Ponchielli
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Max Sommerhalder
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Concerto No. 2
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 5+ - SKU: R0.49522 In Bb Major Op. 198. Composed by Amilcare Ponchielli. Arranged by Max Sommerhalder. Bariton...
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Baritone Saxophone & Piano - Grade 5+ - SKU: R0.49522 In Bb Major Op. 198. Composed by Amilcare Ponchielli. Arranged by Max Sommerhalder. Baritone Saxophone & Piano. Score and parts. 20 pages. Duration 9'28. Editions Marc Reift - Digital #49522. Published by Editions Marc Reift - Digital (R0.49522).
$27.95
Concerto No. 1
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Saxophone Baryton, Piano
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Classique
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Wolfgang Amadeus Mozart
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Ifor James
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Concerto No. 1
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 4+ - SKU: R0.50761 K412. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Baritone Saxophone & Pia...
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Baritone Saxophone & Piano - Grade 4+ - SKU: R0.50761 K412. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Baritone Saxophone & Piano. Score and parts. 20 pages. Duration 8'43. Editions Marc Reift - Digital #50761. Published by Editions Marc Reift - Digital (R0.50761).
$18.95
Guthrie: Toccata Agitato for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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AVANCÉ
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James M
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Guthrie: Toccata Agitato for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.1384356 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.1384356 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968675. Published by jmsgu3 (A0.1384356). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Paul Wehage
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Paul Wehage: Ryoanji for contr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabri...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3010455. Published by Musik Fabrik Music Publishing (A0.533522). Written for Jay C. Easton, this piece is named for the Japanese Zen Rock Garden in Kyoto, which uses 15 stones, but only 14 of them can ever been seen at one time. The work is in three large sections, played without pause: Prelude, Recitativo and Dance. Composer, conductor and saxophonist, Paul Wehage is a complete musican. After his studies at the University of Texas and at the Paris Conservatory (1st prize in Saxophone in 1990), he began his career as a concertiste, performing throughout Europe, Asia, and North America. Several generations of composers have wirtten pieces specially for him, from Jean Françaix to Carson Cooman. His own catalog of nearly a hundred works includes chamber works, works for solo instruments, vocal works, choral works and orchestral music. Since 1997, he has directed Music Fabrik Music Publishing where he has amassed a catalog of over a thousand titles; 
$19.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
A Christmas Sonnet
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Noël
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Kenneth D
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A Christmas Sonnet
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KFS Publishing
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.699253 Composed by Kenneth D. Friedrich. Christmas. Score and part. 11 pages. KFS Publishing #2926415. Publ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.699253 Composed by Kenneth D. Friedrich. Christmas. Score and part. 11 pages. KFS Publishing #2926415. Published by KFS Publishing (A0.699253). Written originally for a quartet, including a trio of 5th grade flute players and a 7th grade marimba player, A Christmas Sonnet premiered in December 2005 at a Christmas concert in front of over 700 family and friends at a Catholic church in Austin, TX . This arrangement for solo and piano is great for Christmas concerts, church services, or home performances.
$15.00
Adagio from BWV 974 for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Barito
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Diego Marani
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1208360 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1208360 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #806468. Published by Diego Marani (A0.1208360). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for baritone sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
#
J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Sc...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding....
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
Air on the G String by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650183. Published by Woods Only, Arrangements (A0.1045604). This easy arrangement for baritone sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Badinerie - J.S.Bach - for Baritone Sax and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Raymond Fenech
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Badinerie - J.S.Bach - for Bar
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Raymond Fenech
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1304476 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Fes...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1304476 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893967. Published by Raymond Fenech (A0.1304476). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.
$3.99
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
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