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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto in A major
Sheetmusicplus
Non classifié
276
Piano & claviers
Piano seul
58
Piano Facile
14
Piano, Voix
5
2 Pianos, 4 mains
5
Orgue
5
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Clavecin
2
Accompagnement Piano
2
Instruments en Do
1
Piano grosses notes
1
Piano, Voix et Guitare
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
2
Guitare notes et tablatures
1
Voix
Chorale SATB
2
Voix Soprano, Piano
1
Chorale TTBB
1
Chorale SSAA
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Flûte traversière et Piano
19
Clarinette et Piano
19
Quintette de Saxophone: 5 saxophones
15
Ensemble de Clarinettes
14
Ensemble de saxophones
13
Hautbois, Piano (duo)
13
Quatuor de Saxophones: 4 saxophones
8
3 Saxophones (trio)
7
Saxophone Alto et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
2 Saxophones (duo)
6
2 Clarinettes (duo)
6
Clarinette
6
2 Flûtes traversières (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Cor anglais, Piano
5
Saxophone Soprano et Piano
5
Flûte traversière
4
Quintette de Flûte : 5 flûtes
4
Saxophone Tenor et Piano
4
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
3
Flûte et Guitare
3
Flûte, Hautbois, Clarinette, Basson
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
2 Flûtes, Basse continue
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
Harmonica
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Saxophone Tenor
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano
1
Flûte traversière, Basse continue
1
3 Flûtes à bec (trio)
1
Clarinette, Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone Alto
1
Ensemble de Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Harpe (duo)
1
Flûte traversière, Orchestre
1
Piccolo, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois (partie séparée)
1
5 Flûtes à bec
1
Clarinette, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
2 Flûte à bec (duo)
1
Saxophone (partie séparée)
1
+ 52 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette, Piano
9
Trombone et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
8
Cor anglais, Piano
5
Euphonium, Piano (duo)
4
Tuba et Piano
3
Cor et Piano
3
Ensemble de Trompettes
2
Ensemble de Cors
2
Cor
2
3 Trombones (trio)
2
Ensemble de Trombones
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Trombones (duo)
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
Trombone
1
3 Cors (trio)
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 cors
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon et Piano
41
Violoncelle, Piano
20
Violon
19
Alto, Piano
18
Contrebasse, Piano (duo)
9
Violon (partie séparée)
9
Violon, Violoncelle (duo)
9
2 Violons (duo)
7
2 Violoncelles (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Violoncelle
4
4 Violoncelles
4
Violoncelle, Basse continue
3
Alto (partie séparée)
3
Trio à cordes: 3 altos
2
Contre Basse
2
Violoncelle (partie séparée)
2
2 Altos (duo)
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
Violon, Alto (duo)
1
Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
Alto seul
1
Harpe et Piano
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
65
Orchestre de chambre
49
Orchestre
33
Orchestre d'harmonie
12
Ensemble de cuivres
7
Piano et Orchestre
3
Cloches
2
Orchestre, Violon
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Crtitères actifs :
Concerto in A major
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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1
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Sc...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Bar
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding....
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Air on the G String by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
#
Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650183. Published by Woods Only, Arrangements (A0.1045604). This easy arrangement for baritone sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
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Concerto in A major
