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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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Cry Cry
Non classifié
493
Piano & claviers
Piano seul
798
Piano, Voix et Guitare
736
Piano, Voix
275
Piano Facile
187
Piano grosses notes
45
Orgue
45
Instruments en Do
41
Accordéon
39
1 Piano, 4 mains
20
Accompagnement Piano
6
2 Pianos, 4 mains
3
Ligne De Mélodie, Piano
2
Accordéon, Voix
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
357
Ligne De Mélodie, (Paroles) et Accords
235
Paroles et Accords
141
Guitare
135
Ukulele
72
Basse electrique
46
Dulcimer
18
Banjo
6
Mandoline
4
Piano, Guitare (duo)
4
Guitare (partie séparée)
3
2 Guitares (duo)
3
Guitare Pedal Steel
2
Ensemble de guitares
1
Partitions De Groupes
1
Dobro
1
Ukulele Baryton
1
+ 12 instrumentations
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Voix
Chorale SATB
252
Chorale 3 parties
88
Chorale TTBB
46
Chorale 2 parties
41
Chorale SSAA
28
Pack Instrumental pour Chorale
25
Voix seule
19
Chorale Unison
17
Voix duo, Piano
11
Voix Soprano, Piano
9
Chorale
9
Voix duo
7
Voix haute
6
Voix Soprano
1
Chorale SSATBB
1
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix Tenor, Piano
1
+ 14 instrumentations
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Vents
Saxophone
92
Clarinette
92
Flûte traversière
92
Saxophone Alto
60
Saxophone Tenor
44
Saxophone (partie séparée)
34
Quatuor de Saxophones: 4 saxophones
22
Clarinette (partie séparée)
18
Hautbois
16
Flûte à Bec
15
Saxophone Soprano
15
Flûte traversière et Piano
15
Flûte, Hautbois, Clarinette, Basson
13
Clarinette et Piano
12
Saxophone Alto et Piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Hautbois (partie séparée)
9
Saxophone Tenor et Piano
9
Quatuor de Clarinettes: 4 clarinettes
7
Flute (partie séparée)
6
Hautbois, Piano (duo)
5
2 Flûtes traversières (duo)
4
Harmonica
4
Saxophone Soprano et Piano
4
Quintette de Saxophone: 5 saxophones
4
Instruments en Mib
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble de saxophones
3
2 Saxophones (duo)
2
Flûte, Clarinette (duo)
2
Clarinette Basse
2
Flute, harpe et violon
2
Ocarina
2
Ensemble de Clarinettes
2
Flûte, Violon
1
3 Saxophones (trio)
1
Clarinette Basse, Piano
1
2 Clarinettes (duo)
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
2 Saxophones, Piano
1
Saxophone et Orgue
1
Cor Anglais
1
5 Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Flûte à bec Soprano
1
Clarinette et Alto
1
Ensemble de Flûtes
1
+ 48 instrumentations
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Cuivres
Trompette
86
Trombone
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Cor
32
Trompette (partie séparée)
15
Trombone (partie séparée)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette, Piano
10
Tuba
9
Euphonium
8
Trombone et Piano
6
Tuba et Piano
6
Instruments en Sib
4
Cor et Piano
4
Cor (partie séparée)
4
Bass Clef Instruments
4
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Ensemble de Cors
3
Tuba (partie séparée)
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
1
Ensemble de Trompettes
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Cor Anglais
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba ou Euphonium ou Saxhorn
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
Clarinette, Cor (duo)
1
+ 29 instrumentations
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Cordes
Violon
81
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violoncelle
39
Alto seul
35
Violon et Piano
23
Harpe
15
Violon (partie séparée)
14
Violoncelle, Piano
12
Contrebasse (partie séparée)
8
Alto, Piano
8
Violoncelle (partie séparée)
7
Violon, Violoncelle (duo)
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
2
4 Violoncelles
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe (partie séparée)
1
2 Violoncelles (duo)
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Harpe, Voix
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
104
Batterie
37
Orchestre
35
Fanfare
27
Ensemble de cuivres
26
Ensemble Jazz
24
Orchestre à Cordes
21
Cloches
12
Percussion (partie séparée)
10
Orchestre de chambre
10
Percussion
9
Jazz combo
7
Batterie (partie séparée)
3
Ensemble de Percussions
2
Timbales
1
Vibraphone
1
Timbales (partie séparée)
1
Xylophone
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Crtitères actifs :
Cry Cry
Saxophone Baryton, Piano
Partitions à imprimer
1 partition trouvée
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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Cry Cry
