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--INSTRUMENTS--
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Vous avez sélectionné:
Emily
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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When We All Get to Heaven, Gospel Hymn for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Eliza Hewitt, Emily Wilson
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David McKeown
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When We All Get to Heaven, Gos
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593501 Composed by Eliza Hewitt, Emily Wilson. Arranged by David McKeown. Christian,Gospel,Praise & Worship...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593501 Composed by Eliza Hewitt, Emily Wilson. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421321. Published by David McKeown (A0.593501). When We All Get To Heaven is a beautiful gospel hymn arranged here for Solo Baritone Saxophone and Piano.When We All Get To Heaven was written in 1898 by friends Eliza Hewitt and Emily Wilson after meeting at camp meetings in New Jersey.
$2.49
WHEN WE ALL GET TO HEAVEN (Baritone Sax and Piano with Baritone Sax Part)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Emily D
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Gary Lanier
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WHEN WE ALL GET TO HEAVEN
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The Lanier Company
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.617040 Composed by Emily D. Wilson. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pag...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.617040 Composed by Emily D. Wilson. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages. The Lanier Company #4289007. Published by The Lanier Company (A0.617040). WHEN WE ALL GET TO HEAVEN is an arrangement for Baritone Sax and Piano of a popular old Gospel hymn. It works great for special music, worship services, or for the joy of presenting it in any situation where Gospel music is desired (9 pages).
$6.99
Until I Found You
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Saxophone Baryton, Piano
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DÉBUTANT
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Stephen Sanchez
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Ivan Marini
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Until I Found You
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www.dalsegno.eu
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1212776 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Ivan Marini. Contemporary,Cou...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1212776 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Ivan Marini. Contemporary,Country,Instructional,Pop,Singer/Songwriter. Score and part. 7 pages. Www.dalsegno.eu #810024. Published by www.dalsegno.eu (A0.1212776). Easy but accurate transcription of the 2022 world hit, to be played with or without piano (free backing track on YouTube!).Original key and range (quite high, look at the preview).Also available on this website for other instruments.Duration: ca. 3 mins., 6 pages (2 pages solo, 4 pages opt. piano accompaniment).Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
O Holy Night for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Baritone Sax
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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