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Trombone
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Quatuor de cuivres: 4 cors
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Tuba et Orgue
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Cor
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Violoncelle, Piano
46
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41
Violon, Violoncelle (duo)
18
2 Violoncelles (duo)
16
Violon
14
Trio à Cordes: violon, alto, violoncelle
13
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2 Violons (duo)
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Piano Trio: Violon, Alto, Piano
8
Ensemble d'Altos
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2 Altos (duo)
7
Violoncelle (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto seul
4
Harpe
4
Trio à Cordes: 2 violons, alto
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
2 Harpes (duo)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Contrebasses (duo)
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Contrebasse (partie séparée)
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Contrebasse, Piano (duo)
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2 Violons, Piano
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4 Violoncelles
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
26
Ensemble Jazz
16
Orchestre à Cordes
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Cloches
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Orchestre de chambre
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Marimba
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Instrumentation Flexible
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AUTRES
Vous avez sélectionné:
Eric Church
Saxophone Baryton, Piano
Partitions à imprimer
17 partitions trouvées
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1
All By Myself
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548098 By Celine Dion…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548098 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 11 pages. Jmsgu3 #3130503. Published by jmsgu3 (A0.548098). Score: 6 pages. Solo part: 2 pages. Piano part: 3 pages. Duration: 4'41 Extremely popular song, well suited for a variety of venues: church, concert hall, nightclub, etc. Interesting crossover production with Sergei Rachmaninoff.
$49.95
46.19 €
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Saxophone Baryton, Piano
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Celine Dion
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James M
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All By Myself
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549425 Composed by An…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.47 €
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Saxophone Baryton, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Ga…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.47 €
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Saxophone Baryton, Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Ma…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.07 €
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Saxophone Baryton, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Gary Lanier: BENEATH THE CROSS OF JESUS (Duet – Baritone Sax & Piano with Parts)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.614618 Composed by FE…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.614618 Composed by FEDERICK C. MAKER. Arranged by Gary Lanier. Easter,Praise & Worship,Sacred. Score and part. 8 pages. The Lanier Company #1921971. Published by The Lanier Company (A0.614618). BENEATH THE CROSS OF JESUS is a duet arrangement for Baritone Sax & Piano of one of our most cherished Hymns. The score, including cover and Baritone Sax part is 8 pages long. This arrangement is perfect for any Church or gathering where the Passion of our Lord, Jesus Christ is the focus. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: BENEATH THE CROSS OF JESUS (Piano Accompaniment for Baritone Sax).
$6.99
6.46 €
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Saxophone Baryton, Piano
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FEDERICK C
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Gary Lanier
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Gary Lanier: BENEATH THE CROSS OF JESUS
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The Lanier Company
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SheetMusicPlus
Closer
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.507922 By The Chainsm…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.507922 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kennett, Isaac Slade, Joseph King, and Shaun Frank. Arranged by Alison Hall. Pop. Score and part. 9 pages. Alison Hall #3111377. Published by Alison Hall (A0.507922). ONLY THE SCORE for Bari Saxophone and Piano. This is a Electronic / Dance, Dance genre. This is for fun. This does not work for church services.Duration of Work: 3:46 (3mins and 46secs)Social Media Channels and Contact Informationhttps://www.facebook.com/musicteacherdoghousesit/
$5.00
4.62 €
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Saxophone Baryton, Piano
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The Chainsmokers
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Alison Hall
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Closer
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Alison Hall
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SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549619 Composed by Pe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549619 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515097. Published by jmsgu3 (A0.549619). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.47 €
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Saxophone Baryton, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nutcracker Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Christmas Joy Medley (Baritone Sax and Piano)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.616949 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.616949 Composed by George Frideric Handel, James R. Murray, and John F. Wade. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Score and part. 14 pages. The Lanier Company #3877881. Published by The Lanier Company (A0.616949). Christmas Joy Medley is an instrumental arrangement for Baritone Sax and Piano using 3 of our most popular Christmas Songs, (1) Joy to the World, (2) O Come, All Ye Faithful, and (3) Away In a Manger. The score, including cover and instrumental part is 14 pages long. This work is perfect for any church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: Christmas Joy Medley (Piano Accompaniment for Baritone Sax).
$7.99
7.39 €
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Saxophone Baryton, Piano
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George Frideric Handel, James R
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Gary Lanier
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Christmas Joy Medley
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The Lanier Company
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SheetMusicPlus
CHRISTMAS JOY MEDLEY (Trio - Bb Clarinet & Baritone Sax with Piano)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.616965 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.616965 Composed by George Frideric Handel, John F. Wade, and and James R. Murray. Arranged by Gary Lanier. Christmas,Sacred. Score and part. 19 pages. The Lanier Company #3881179. Published by The Lanier Company (A0.616965). CHRISTMAS JOY MEDLEY is an instrumental arrangement for Bb Clarinet & Baritone Sax with Piano, using 3 of our most popular Christmas Songs, (1) Joy to the World, (2) O Come, All Ye Faithful, and (3) Away In a Manger. The score, including cover and instrumental parts is 19 pages long. This work is perfect for any church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: CHRISTMAS JOY MEDLEY (Piano Accompaniment for Bb Clarinet & Baritone Sax).
$9.99
9.24 €
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Saxophone Baryton, Piano
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George Frideric Handel, John F
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Gary Lanier
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CHRISTMAS JOY MEDLEY
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The Lanier Company
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SheetMusicPlus
There Is A Balm In Gilead (Baritone Saxophone and Piano)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1362250 By Stephen De…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1362250 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Spiritual,Standards. Score and part. 10 pages. Exultet Music #946728. Published by Exultet Music (A0.1362250). The traditional African American spiritual which refers to the concept of salvation through Jesus Christ has been freshly arranged for a Baritone Saxophone solo with Piano accompaniment. Â Accessible for any church or concert setting. Â An accompaniment track is also available.
$4.99
4.61 €
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Saxophone Baryton, Piano
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Stephen DeCesare
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Stephen DeCesare
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There Is A Balm In Gilead
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Exultet Music
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SheetMusicPlus
Take Up Your Cross (Baritone Saxophone and Piano)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1356670 By Stephen De…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1356670 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Standards,Traditional. Score and part. 8 pages. Exultet Music #941308. Published by Exultet Music (A0.1356670). The American Christian hymn that is mostly used during the season of Lent has been freshly arranged for a Baritone Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
4.61 €
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Saxophone Baryton, Piano
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Stephen DeCesare
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Stephen DeCesare
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Take Up Your Cross
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Exultet Music
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Colour My World
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548361 By Chicago. By…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548361 By Chicago. By James Pankow. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 10 pages. Jmsgu3 #3243011. Published by jmsgu3 (A0.548361). Duration: 3:04 Score: 38 measures in 12/8 at dotted quarter = 50, 6 pages, solo part: 1 page, piano part: 3 pages. Suitable for performance in recital, church or small combo. Colour My World was written by American musician James Pankow, one of the founding members of the rock/jazz fusion band Chicago. Part of Pankow's Ballet for a Girl in Buchannon song cycle/suite, it was recorded for their second album Chicago, also called Chicago II (1970). Terry Kath sings the lead vocal, and Walter Parazaider performs the highly recognizable flute solo.
$53.95
49.88 €
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Saxophone Baryton, Piano
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Chicago
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James M
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Colour My World
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jmsgu3
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SheetMusicPlus
Gary Lanier: I'VE GOT PEACE LIKE A RIVER (Duet – Baritone Sax & Piano with Parts)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.614639 Composed by Am…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.614639 Composed by American Spiritual. Arranged by Gary Lanier. Praise & Worship,Sacred,Spiritual. Score and part. 8 pages. The Lanier Company #1932801. Published by The Lanier Company (A0.614639). I'VE GOT PEACE LIKE A RIVER is a duet arrangement for Baritone Sax & Piano of one of our most cherished Spiritual Hymns. The score, including cover and Baritone Sax part is 8 pages long. This arrangement is perfect for any Church or gathering where Spirituals are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: I'VE GOT PEACE LIKE A RIVER (Piano Accompaniment for Baritone Sax).
$6.99
6.46 €
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Saxophone Baryton, Piano
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American Spiritual
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Gary Lanier
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Gary Lanier: I'VE GOT PEACE LIKE A RIVER
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The Lanier Company
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SheetMusicPlus
Jesus, Friend Of Sinners
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1348327 By Casting Cr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1348327 By Casting Crowns. By Mark Hall and Matthew West. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and part. 13 pages. Exultet Music #933103. Published by Exultet Music (A0.1348327). The song by American Christian rock band Casting Crowns has now been arranged for a Baritone Saxophone solo with Piano accompaniment. Accessible and appropriate for all levels of playing in any church or concert setting.
$4.99
4.61 €
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Saxophone Baryton, Piano
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Casting Crowns
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Stephen DeCesare
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Jesus, Friend Of Sinners
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Exultet Music
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SheetMusicPlus
Jingle Bells for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by Ja…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Saxophone Baryton, Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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