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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Final Song
Non classifié
570
Piano & claviers
Piano seul
254
Piano, Voix
101
Piano, Voix et Guitare
101
Piano Facile
87
Instruments en Do
38
Orgue
16
Piano Trio: piano, violon, violoncelle
15
Piano Quatuor: piano, violon, alto, violoncelle
8
Accompagnement Piano
7
2 Pianos, 4 mains
4
1 Piano, 4 mains
3
Accordéon
3
Piano grosses notes
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble d'Accordéons
1
+ 11 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
2
Banjo
2
Paroles et Accords
2
Ukulele
2
Mandoline
2
Ensemble de guitares
1
Dulcimer
1
2 Guitares (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
284
Chorale 3 parties
92
Chorale TTBB
76
Chorale 2 parties
75
Chorale Unison
49
Chorale SSAA
33
Voix duo
18
Voix duo, Piano
10
Voix haute
8
Voix Soprano, Piano
6
Voix Baryton, Piano
5
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Voix basse, Piano
2
Chorale
1
Voix Tenor
1
Voix Alto, Piano
1
Voix seule
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
43
2 Saxophones (duo)
38
Flûte traversière et Piano
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Flûte, Hautbois, Clarinette, Basson
29
Saxophone Alto et Piano
28
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto
27
Saxophone Tenor
23
Flûte traversière
19
Clarinette et Piano
18
Hautbois, Piano (duo)
17
Saxophone Soprano et Piano
16
Quintette de Saxophone: 5 saxophones
16
Saxophone Tenor et Piano
15
Saxophone, Clarinette (duo)
15
2 Flûtes traversières (duo)
15
Saxophone Baryton, Piano
14
Ensemble de Clarinettes
10
2 Clarinettes (duo)
10
Clarinette Basse, Piano
10
Clarinette
9
Saxophone (partie séparée)
9
Flûte, Clarinette (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Cor anglais, Piano
7
Clarinette, Trompette (duo)
6
Saxophone Soprano
6
Clarinette, Violon (duo)
6
Hautbois, Clarinette (duo)
6
Flûte et Guitare
5
3 Saxophones (trio)
5
Hautbois, Basson (duo)
5
Hautbois (partie séparée)
5
Clarinette et Alto
5
Flûte, Violon, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Saxophone (duo)
5
Cor Anglais
4
Ensemble de saxophones
4
Clarinette, Guitare (duo)
4
Quintette de Flûte : 5 flûtes
4
3 Clarinettes (trio)
4
Flûte à bec Soprano
4
Hautbois, Flûte
4
Quatuor de Flûtes à bec
4
Trio de Flûtes: 3 flûtes
3
Ensemble de Flûtes
3
Flûte, Alto (duo)
3
Flûte, Violon
3
Cor anglais, Guitare (duo)
2
Ocarina
2
2 Hautbois (duo)
2
Hautbois, Guitare (duo)
1
Ensemble de Hautbois
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
Flute (partie séparée)
1
Flûte, Basson et Piano
1
Piccolo, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
5 Flûtes à bec
1
+ 60 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette
25
Trombone et Piano
17
Cor et Piano
13
Euphonium, Piano (duo)
10
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
8
Trompette, Piano
8
Trombone
8
Tuba et Piano
7
Cor anglais, Piano
7
2 Trombones (duo)
5
Quatuor de cuivres: 4 trombones
5
Trompette, Trombone (duo)
5
Trompette (partie séparée)
5
2 Trompettes (duo)
5
Cor Anglais
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trompettes
3
Euphonium
3
Tuba
3
Quatuor de cuivres: 4 cors
3
4 Tubas
2
Cor anglais, Guitare (duo)
2
Trombone (partie séparée)
2
2 Cors (duo)
2
Cor
2
Ensemble de Tubas
1
Trompette, Cor (duo)
1
Cor (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon
57
Violon et Piano
50
Violoncelle, Piano
30
Alto, Piano
28
Violoncelle
21
Violon, Violoncelle (duo)
20
2 Violons (duo)
16
Harpe
15
2 Altos (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
8
Alto seul
8
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse, Piano (duo)
5
Violon (partie séparée)
4
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
Violon, Guitare (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle , Guitare (duo)
3
4 Violoncelles
3
Contre Basse
2
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 violins
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
240
Orchestre
49
Ensemble de cuivres
42
Orchestre à Cordes
38
Ensemble Jazz
15
Cloches
12
Orchestre de chambre
11
Fanfare
5
Batterie
4
Jazz combo
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Xylophone (partie séparée)
1
Vibraphone
1
Vibraphone et Marimba
1
Marimba
1
+ 11 instrumentations
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Autres
Formation musicale - Solfège
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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Vous avez sélectionné:
Final Song
Saxophone Baryton, Piano
Partitions à imprimer
14 partitions trouvées
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1
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Goodbye Yellow Brick Road
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 8 pages. Jmsgu3 #3073391. Published by jmsgu3 (A0.547876). BARITONE SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of tonal harmony. The verses are syllabic, arranged in 8 regular phrases. The last phrase is elided with a melismatic bridge that suddenly modulates to the lowered mediant, causing a chromatic mediant relation. Further drama is introduced by the voice leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. -jmsgu3
$53.95
Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
"Valse op.64-1" (Desdur) baritone sax & piano, 2nd edition
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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F
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pfkaori
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"Valse op.64-1"
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pfkaorimusic
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1404515 By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #98...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1404515 By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987586. Published by pfkaorimusic (A0.1404515). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Desdur (Sax inEâ™) Orchestration: baritone sax & piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 2nd edition..In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note. At the beginning, the melody is passed to the piano. The ending that appears first (not as a tuplet) is the ending.In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.[Other keys] Gdur→.
$6.50
"Valse op.64-1" (Gdur) baritone sax & piano, 2nd edition
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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F
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pfkaori
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"Valse op.64-1"
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pfkaorimusic
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1404516 By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #98...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1404516 By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987588. Published by pfkaorimusic (A0.1404516). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Gdur (Sax inEâ™) Orchestration: baritone sax & piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 2nd edition..In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note. At the beginning, the melody is passed to the piano. The ending that appears first (not as a tuplet) is the ending.In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.[Other keys] Desdur→.
$6.50
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
It's Been A Long, Long Time
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366361. Published by David McKeown (A0.592551). It’s Been a Long Long Time is arranged as a solo for one Baritone Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
This Is My Father's World for Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Traditional English Melody
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Lawrence H
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This Is My Father's World for
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.968434 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Pr...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.968434 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6566647. Published by Lawrence H Underwood (A0.968434). Arranged by veteran performer and music educator, Lawrence Underwood, as the eighth installment in his 2021 Hymn Song Collection series, this brand new setting of the traditional English melody This Is My Father's World begins as a wistful ballad, moving into a lilting waltz feel, before its rousing march finale. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
The River Is Wide for Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Traditional
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Lawrence H
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The River Is Wide for Bari Sax
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.968416 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.968416 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6564449. Published by Lawrence H Underwood (A0.968416). Arranged by veteran performer and music educator, Lawrence Underwood, as the seventh installment in his 2021 Hymn Song Collection series, this brand new setting of The River Is Wide is a study in movement - from flowing ballad through bounding 4/4, lilting 6/8 through a slow march finale - all the while highlighting the beautiful traditional melody at its heart. Suitable for use as special music in church or as a recital piece, this new arrangement will really make an impact!
$5.99
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