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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fire
Non classifié
1 317
Piano & claviers
Piano seul
1 613
Piano, Voix et Guitare
809
Piano, Voix
447
Piano Facile
340
Accordéon
81
Instruments en Do
58
Piano grosses notes
44
Orgue
40
1 Piano, 4 mains
38
Piano (partie séparée)
20
Accompagnement Piano
17
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Instrument seul et Orgue
3
2 Pianos, 8 mains
2
Clavier
1
1 Piano, 6 mains
1
Accordéon, Voix
1
Clavecin
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
484
Ligne De Mélodie, (Paroles) et Accords
227
Basse electrique
190
Guitare
137
Paroles et Accords
113
Ukulele
100
Guitare (partie séparée)
24
Banjo
12
2 Guitares (duo)
11
Basse électrique (partie séparée)
8
Dulcimer
6
Mandoline
6
Ensemble de guitares
5
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
2
Partitions De Groupes
2
3 Guitares (trio)
2
Ensemble de Ukulélés
2
Dobro
2
2 Ukuleles
1
Orchestre à Plectres
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
375
Chorale 3 parties
150
Chorale 2 parties
81
Chorale TTBB
75
Voix seule
60
Pack Instrumental pour Chorale
54
Chorale SSAA
48
Chorale
33
Chorale Unison
28
Voix duo, Piano
13
Voix Soprano, Piano
7
Voix duo
7
Voix haute
6
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Chorale SSATTB
2
Voix Alto, Piano
2
Chorale SSATBB
2
Voix Soprano
1
Chorale SSATB
1
Voix moyenne, Piano
1
Voix basse
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
+ 19 instrumentations
Retracter
Vents
Saxophone
299
Saxophone (partie séparée)
280
Flûte traversière
208
Clarinette
186
Clarinette (partie séparée)
165
Saxophone Alto
83
Quatuor de Saxophones: 4 saxophones
78
Saxophone Tenor
72
Flute (partie séparée)
68
Flûte traversière et Piano
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Hautbois (partie séparée)
48
Quatuor de Clarinettes: 4 clarinettes
44
Flûte, Hautbois, Clarinette, Basson
43
Clarinette et Piano
32
Saxophone Alto et Piano
30
Hautbois, Piano (duo)
28
2 Saxophones (duo)
28
Quatuor de Flûtes : 4 flûtes
26
Saxophone Tenor et Piano
26
Quintette de Saxophone: 5 saxophones
22
Ensemble de saxophones
18
2 Flûtes traversières (duo)
17
Hautbois
14
Ensemble de Clarinettes
13
3 Saxophones (trio)
13
2 Clarinettes (duo)
12
Saxophone Soprano et Piano
11
Ensemble de Flûtes
10
Quintette de Clarinettes: 5 clarinettes
9
Clarinette, Violon (duo)
7
Saxophone, Clarinette (duo)
7
3 Clarinettes (trio)
7
Flûte, Clarinette (duo)
7
Trio de Flûtes: 3 flûtes
6
2 Hautbois (duo)
6
Saxophone Baryton, Piano
6
Flûte, Violon
5
Clarinette Basse, Piano
5
Instruments en Mib
5
Flûte et Guitare
5
Clarinette, Trompette (duo)
5
Hautbois, Basson (duo)
5
Piccolo
5
2 Saxophones, Piano
4
Flûte, Violon, Piano
4
Cor anglais, Piano
4
Saxophone Soprano
4
Clarinette Basse
3
Hautbois, Flûte
3
Flûte, Trompette (duo)
3
Flûte à bec Alto, Piano
3
Quatuor de Flûtes à bec
3
Clarinette et Alto
3
Hautbois, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Saxophone (duo)
3
Piccolo, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois (duo)
2
Flûte à Bec
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
Flûte, Violon, Violoncelle et Piano
2
2 Flûte à bec (duo)
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Basson
2
Melodica
2
Saxophone Baryton
2
Flûte, Alto (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte à Bec, Piano
2
Flûte, Hautbois, Basson
2
Harmonica
2
Flûte, Basson et Piano
1
Flûte à bec, Guitare (duo)
1
Cor Anglais
1
Ocarina
1
Ensemble De Flûte à bec
1
Flûte, Clarinette et Basson
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Tuba
1
Saxophone, Tuba (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle
1
Flute, harpe et violon
1
2 Harmonicas
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
Ensemble à vent
1
Flûte irlandaise
1
Clarinette, Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois, Violon
1
Clarinette, trompette et piano
1
Flûte, Trombone (duo)
1
Flûte, trombone et piano
1
+ 98 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
208
Trompette (partie séparée)
206
Trompette
183
Trombone
158
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Cor (partie séparée)
85
Cor
63
Tuba (partie séparée)
46
Trompette, Piano
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trombone et Piano
26
Tuba
23
Cor et Piano
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Trombones (duo)
11
2 Trompettes (duo)
9
Tuba ou Euphonium ou Saxhorn
8
Tuba et Piano
8
Euphonium, Piano (duo)
8
Trompette, Saxophone (duo)
7
Trompette, Trombone (duo)
6
Euphonium
6
Quatuor de cuivres: 4 cors
6
Instruments en Sib
5
3 Trombones (trio)
5
Bass Clef Instruments
4
Trio de Cuivres
4
Cor anglais, Piano
4
2 Euphoniums et 2 Tubas
3
Ensemble de Trompettes
3
3 Trompettes (trio)
3
Quatuor de Cuivres
3
2 Cors (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Cors
2
4 Tubas
2
2 Euphoniums (duo)
2
Trompette, Violoncelle (duo)
1
Cor Anglais
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trompettes
1
Instruments en Fa
1
Euphonium, Tuba (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Clarinette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Trompette, Trombone, Piano
1
Trompette, Tuba (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
262
Violon (partie séparée)
132
Violon
128
Violoncelle
82
Violon et Piano
81
Alto seul
70
Contrebasse (partie séparée)
58
Alto (partie séparée)
46
Violoncelle (partie séparée)
46
Trio à Cordes: violon, alto, violoncelle
44
Harpe
42
Violoncelle, Piano
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Alto, Piano
28
Violon, Violoncelle (duo)
26
2 Violoncelles (duo)
16
2 Violons (duo)
16
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
11
Trio à cordes: 3 violins
8
Contre Basse
6
4 Violoncelles
5
2 Harpes (duo)
4
Trio à cordes
4
2 Altos (duo)
4
Alto, Violoncelle (duo)
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
2
Alto, Guitare (duo)
2
2 Violons, Piano
2
Harpe (partie séparée)
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
899
Fanfare
274
Batterie
243
Orchestre
210
Orchestre à Cordes
203
Ensemble Jazz
138
Percussion (partie séparée)
89
Ensemble de cuivres
79
Percussion
37
Batterie (partie séparée)
27
Cloches
26
Orchestre de chambre
25
Jazz combo
22
Timbales (partie séparée)
17
Ensemble de Percussions
11
Timbales
6
Marimba
5
Quintette à Vent
4
Xylophone
3
Quatuor à Vent : 4 instruments à vents
2
Ensemble d'École
2
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
1
Vibraphone
1
Batterie-Fanfare
1
Xylophone, Piano
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
Fire
Saxophone Baryton, Piano
Partitions à imprimer
6 partitions trouvées
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1
Ritual Fire Dance
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Manuel de Falla
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Jirka Kadlec
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Ritual Fire Dance
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 4 - SKU: R0.30779 From ballet The Bewitched Love. Composed by Manuel de Falla. Arranged by Jirka Kadlec. Barit...
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Baritone Saxophone & Piano - Grade 4 - SKU: R0.30779 From ballet The Bewitched Love. Composed by Manuel de Falla. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 11 pages. Duration 4'07. Editions Marc Reift - Digital #30779. Published by Editions Marc Reift - Digital (R0.30779).
$6.95
Feast of Love - Baritone Sax/Piano
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Saxophone Baryton, Piano
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FACILE
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Robert Franz
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Phil Beaman
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Feast of Love - Baritone Sax/P
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Phil Beaman
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.844549 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. ...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.844549 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517819. Published by Phil Beaman (A0.844549). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
Morning Has Broken
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Saxophone Baryton, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
O Come, O Come Emmanuel for Solo Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Traditional
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Lawrence H
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O Come, O Come Emmanuel for So
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.967690 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Sacred. Score a...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.967690 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Sacred. Score and part. 12 pages. Lawrence H Underwood #6189345. Published by Lawrence H Underwood (A0.967690). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the seventh installment in his A Christmas Portfolio series, this brand new setting of O Come, O Come Emmanuel brings a breath of fresh air into this ancient melody. Set against a driving mid-tempo montuno in the opening, the piece shifts into a double-time tumbao before once again bringing back the opening groove. This arrangement it a surefire way to spice up the holiday season! Suitable for performance in church or any holiday setting.
$5.99
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