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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fon-Fon
Non classifié
1 716
Piano & claviers
Piano seul
741
Piano Facile
307
Instruments en Do
244
Piano, Voix et Guitare
234
Piano, Voix
231
Orgue
65
1 Piano, 4 mains
53
Accordéon
37
2 Pianos, 4 mains
16
Piano grosses notes
12
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
9
1 Piano, 6 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
4
Clavecin
3
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
2
Ensemble d'Accordéons
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
208
Guitare notes et tablatures
126
Ukulele
53
Basse electrique
33
Ligne De Mélodie, (Paroles) et Accords
30
Paroles et Accords
28
2 Guitares (duo)
14
Mandoline
10
4 Guitares (Quatuor)
10
3 Guitares (trio)
8
Banjo
5
Ensemble de guitares
5
Dulcimer
2
Piano, Guitare (duo)
2
Ukulele Baryton
1
Basse électrique (partie séparée)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
183
Chorale 3 parties
60
Chorale 2 parties
29
Chorale SSAA
24
Chorale TTBB
21
Voix duo, Piano
20
Voix seule
17
Pack Instrumental pour Chorale
13
Chorale
12
Voix haute
5
Chorale Unison
5
Voix Baryton, Piano
4
Voix basse, Piano
4
Voix duo
2
Voix Tenor, Piano
2
Chorale, Orgue
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
+ 16 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
110
Saxophone
99
Flûte traversière
78
Clarinette
76
Saxophone (partie séparée)
57
Saxophone Alto
56
2 Saxophones (duo)
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Saxophone Tenor
49
Flûte traversière et Piano
46
3 Clarinettes (trio)
38
Flûte à Bec
32
Saxophone Alto et Piano
29
Quintette de Saxophone: 5 saxophones
27
Clarinette et Piano
27
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Tenor et Piano
25
2 Flûtes traversières (duo)
24
Hautbois, Piano (duo)
21
Hautbois (partie séparée)
20
Flûte, Hautbois, Clarinette, Basson
20
Hautbois, Clarinette, Basson (trio d'anches)
20
Saxophone Soprano et Piano
20
Clarinette (partie séparée)
19
2 Clarinettes (duo)
17
Ensemble de Clarinettes
16
Quatuor de Flûtes à bec
15
Flûte, Clarinette (duo)
10
3 Flûtes à bec (trio)
10
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Flûtes
8
3 Saxophones (trio)
8
Saxophone Baryton, Piano
8
Flûte à bec Soprano
8
2 Flûte à bec (duo)
7
Flute (partie séparée)
7
Ensemble de saxophones
7
Clarinette Basse, Piano
6
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Trio de Flûtes: 3 flûtes
6
Saxophone, Clarinette (duo)
6
Ocarina
6
Piccolo
5
Harmonica
5
Instruments en Mib
5
Flûte à bec Alto
5
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Flûte, Violon
4
Hautbois
4
Piccolo, Piano
4
Cor Anglais
3
2 Hautbois (duo)
3
Hautbois, Clarinette (duo)
3
Ensemble De Flûte à bec
3
5 Flûtes à bec
3
Flûte, Violon, Piano
2
Flûte, Clarinette et Basson
2
Saxophone Soprano
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Tenor
2
Flûte, Hautbois (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte à Bec, Piano
1
Clarinette Basse
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
2 Clarinettes, Basson
1
Clarinette, Orgue
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
Hautbois, Flûte
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
94
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Trompette
78
Trombone
50
Trompette (partie séparée)
26
Trombone (partie séparée)
25
Trompette, Piano
21
Cor
20
Trombone et Piano
20
Cor et Piano
14
2 Trompettes (duo)
13
Cor (partie séparée)
12
Euphonium, Piano (duo)
11
2 Trombones (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Trombone (duo)
7
Quatuor de Cuivres
7
Tuba et Piano
6
3 Trombones (trio)
6
Tuba
6
Instruments en Sib
5
Trio de Cuivres
5
Quatuor de cuivres: 4 cors
4
2 Cors (duo)
4
Ensemble de Cors
4
2 Euphoniums et 2 Tubas
4
Cor anglais, Piano
4
Cor Anglais
3
Bass Clef Instruments
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
2
2 Tubas (duo)
2
Euphonium
2
Tuba (partie séparée)
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
3 Euphoniums
2
Ensemble de Tubas
1
Ensemble de Trombones
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
143
Violon (partie séparée)
73
Violon
73
Violon et Piano
58
Trio à Cordes: violon, alto, violoncelle
45
Violon, Violoncelle (duo)
36
Violoncelle
32
Harpe
30
Alto, Piano
29
Alto seul
27
Violoncelle, Piano
25
Alto (partie séparée)
23
2 Violons (duo)
18
2 Violoncelles (duo)
16
Violon, Alto (duo)
15
Contre Basse
11
Violon, Guitare (duo)
10
Violoncelle (partie séparée)
10
Trio à Cordes: 2 violons, violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
2 Altos (duo)
9
Trio à cordes
8
2 Harpes (duo)
7
Contrebasse (partie séparée)
7
Contrebasse, Piano (duo)
6
Trio à Cordes: 3 violoncelles
6
Piano Trio: Violon, Alto, Piano
4
Violoncelle, Orchestre
4
Ensemble de Violoncelles
4
Harpe, Violon (duo)
3
2 Contrebasses (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
1
Harpe et Piano
1
2 Violons, Piano
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
232
Orchestre à Cordes
168
Orchestre
139
Xylophone
133
Ensemble Jazz
100
Orchestre de chambre
71
Batterie
45
Fanfare
38
Ensemble de cuivres
38
Marimba
13
Percussion (partie séparée)
12
Ensemble de Percussions
9
Vibraphone
7
Cloches
5
Jazz combo
3
Timbales (partie séparée)
3
Percussion
2
Instrumentation Flexible
2
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Big band
1
Batterie (partie séparée)
1
3 Percussions
1
Timbales
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A DIX…
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HARMONICA
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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XYLOPHONE
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Vous avez sélectionné:
Fon-Fon
Saxophone Baryton, Piano
Partitions à imprimer
8 partitions trouvées
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1
ARIOSO, by J. S. Bach (sinfonia) - for Baritone Saxophone and accompaniment
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.964381 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,S...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.964381 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321041. Published by Leyandder Trustworthy (A0.964381). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Baritone Saxophone along with a piano accompaniment that comes with the product.
$1.99
(A. Piazzolla) Years Of Solitude
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Astor Piazzolla/Gerry Mullgan
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Matteo Di Prospero
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(A. Piazzolla) Years Of Solitu
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Matteo Di Prospero
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1251431 Composed by Astor Piazzolla/Gerry Mullgan. Arranged by Matteo Di Prospero. 20th Century,Multicultur...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1251431 Composed by Astor Piazzolla/Gerry Mullgan. Arranged by Matteo Di Prospero. 20th Century,Multicultural,World. Score and part. 12 pages. Matteo Di Prospero #845715. Published by Matteo Di Prospero (A0.1251431). (A. Piazzolla) Years Of Solitude Trascrizione e Arrangiamento per Sassofono Baritono o Contralto e Pianoforte.Riceverete la partitura e le parti staccate.
$16.99
Intermezzo from Cavalleria Rusticana - Baritone Sax and Piano
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Saxophone Baryton, Piano
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FACILE
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Pietro Mascagni
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Valdir Maia
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Intermezzo from Cavalleria Rus
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Valdir Maia
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1437181 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. Score and part. 4...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1437181 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. Score and part. 4 pages. Valdir Maia #1017252. Published by Valdir Maia (A0.1437181). Intermezzo from Cavalleria Rusticana for Baritone Saxophone and PianoImmerse yourself in the enchanting beauty of Intermezzo from Cavalleria Rusticana with our easy intermediate sheet music tailored for baritone saxophone and piano. Perfect for musicians seeking a captivating duet, this high-quality PDF offers a simplified yet expressive rendition of Pietro Mascagni's timeless opera piece. Dive into the graceful melodies and masterful harmonies effortlessly, whether you're playing the baritone saxophone or accompanying on the piano.- Easy intermediate sheet music suitable for baritone saxophone and piano duet- Simplified yet expressive arrangement of the iconic Intermezzo sinfonico- High-quality PDF format for optimal readabilityUnlock the magic of this classical gem and elevate your musical collaboration. Purchase now and embark on a harmonious journey filled with elegance and charm!
$9.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Despacito
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Erika Ender, Luis Fonsi, and R
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Jirka Kadlec
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Despacito
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.44131 Composed by Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jirka Kadlec. Baritone Saxophone ...
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.44131 Composed by Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 9 pages. Duration 3'26. Editions Marc Reift - Digital #44131. Published by Editions Marc Reift - Digital (R0.44131).
$8.95
Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317589. Published by jmsgu3 (A0.551572). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
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