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PIANO & CLAVIERS
Piano seul
837
Piano, Voix
228
Orgue
172
Piano Facile
101
Piano, Voix et Guitare
86
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
16
Accompagnement Piano
14
Instruments en Do
9
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 4 mains
5
Piano grosses notes
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Orgue, Trompette (duo)
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Accordéon
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Piano Quatuor: piano, violon, alto, violoncelle
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Accordéon, Voix
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Piano (partie séparée)
1
Orgue, Piano (duo)
1
Instrument seul et Orgue
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Clavecin
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Guitare notes et tablatures
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Guitare
16
Basse electrique
16
Ligne De Mélodie, (Paroles) et Accords
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Mandoline
7
Paroles et Accords
3
Ukulele
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
2 Guitares (duo)
2
Mandoline, Piano (duo)
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
294
Chorale 2 parties
212
Voix duo, Piano
88
Chorale 3 parties
69
Voix duo
56
Chorale Unison
52
Chorale TTBB
30
Voix haute
8
Voix seule
6
Chorale SSAA
6
Voix moyenne, Piano
5
Chorale
4
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Chorale SSATTB
2
Voix, Guitare
2
Voix basse
2
Chorale SSATB
2
Voix Soprano, Piano
2
Voix Moyenne
1
Chorale SATBB
1
Voix Tenor
1
Voix basse, Piano
1
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VENTS
Flûte traversière et Piano
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
90
Quintette de Saxophone: 5 saxophones
81
Clarinette et Piano
71
Quatuor de Saxophones: 4 saxophones
70
Saxophone Alto et Piano
69
Saxophone
48
Saxophone Tenor et Piano
48
2 Saxophones (duo)
47
Quatuor de Clarinettes: 4 clarinettes
42
Hautbois, Piano (duo)
40
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Soprano et Piano
33
Ensemble de saxophones
27
Flûte traversière
25
Clarinette
25
3 Saxophones (trio)
23
Ensemble de Clarinettes
19
Cor anglais, Piano
16
2 Clarinettes (duo)
16
Saxophone (partie séparée)
15
2 Flûtes traversières (duo)
14
Flûte, Clarinette (duo)
14
Saxophone Alto
13
Saxophone Baryton, Piano
12
Quintette de Flûte : 5 flûtes
12
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Flûtes
9
Quintette de Clarinettes: 5 clarinettes
9
2 Flûte à bec (duo)
7
Trio de Flûtes: 3 flûtes
6
Clarinette (partie séparée)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
2 Saxophones, Piano
5
Saxophone et Orgue
5
3 Clarinettes (trio)
5
3 Flûtes à bec (trio)
5
Saxophone Tenor
5
Flûte, Violoncelle, Piano (trio)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Guitare, Piano
4
Clarinette Basse, Piano
4
Clarinette, Basson (duo)
4
Hautbois (partie séparée)
3
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Flûte à bec Alto
3
Flûte et Guitare
3
Flute (partie séparée)
3
Quatuor de Flûtes à bec
3
5 Flûtes à bec
3
Flûte, Violon
3
Flûte à Bec
3
2 Flûtes traversières, Piano
2
Flûte, Violoncelle
2
2 Clarinettes, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Orgue
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
2 Hautbois (duo)
1
2 Hautbois, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
Flûte à Bec, Piano
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
2 Flûtes traversières, Harpe
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
Flûte irlandaise
1
Flûte, trombone et piano
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, trompette et piano
1
Clarinette, Violoncelle (duo)
1
Cornemuse
1
Flûte, Violon, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte et Quatuor à Cordes
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette, Piano
59
Trombone et Piano
54
Trompette
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Cor et Piano
30
Trombone
21
Ensemble de Trombones
19
Cor anglais, Piano
16
Quatuor de Cuivres
14
Ensemble de Trompettes
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 cors
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
3 Trombones (trio)
9
Trompette, Cor (duo)
9
Euphonium, Piano (duo)
8
2 Trombones (duo)
8
Trombone (partie séparée)
8
Quatuor de cuivres: 4 trombones
7
Trompette (partie séparée)
7
4 Tubas
7
Ensemble de Cors
7
Cor
7
Trompette, Trombone (duo)
6
Tuba et Piano
6
2 Cors (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Quatuor de cuivres: 4 trompettes
4
Trio de Cuivres
4
3 Trompettes (trio)
4
3 Cors (trio)
3
3 Tubas (trio)
3
Tuba
3
Trombone, Cor (duo)
3
Cor (partie séparée)
3
Trombone, Orgue
3
Euphonium, Tuba (duo)
2
Trompette, Violoncelle et Piano
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor, Tuba (duo)
1
Tuba (partie séparée)
1
Cor anglais et Harpe (duo)
1
2 Trombones, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
127
Violon et Piano
121
Violoncelle, Piano
76
Alto, Piano
56
Harpe
53
Violon
35
Violoncelle
30
Violon, Violoncelle (duo)
25
Trio à Cordes: violon, alto, violoncelle
25
Alto seul
20
Piano Trio: Violon, Alto, Piano
16
2 Violons (duo)
14
2 Violoncelles (duo)
13
Violon, Alto (duo)
12
2 Altos (duo)
9
Trio à Cordes: 3 violoncelles
8
Ensemble de Violons
7
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Quatuor à cordes: 4 violons
6
Alto, Violoncelle (duo)
6
Alto (partie séparée)
5
Ensemble d'Altos
5
Quatuor à cordes : 4 altos
5
Trio à cordes
5
Harpe, Flûte (duo)
5
Trio à cordes: 3 violins
5
Harpe, Voix
4
Trio à cordes: 3 altos
4
Violon, Orgue
3
Violoncelle, Orchestre
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violons, Piano
2
Violoncelle, Orgue
2
Contre Basse
2
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
2 Harpes (duo)
1
2 Violoncelles, Piano
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Contrebasse (partie séparée)
1
Contrebasse, Piano (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
34
Ensemble de cuivres
21
Orchestre à Cordes
20
Orchestre
17
Orchestre de chambre
9
Marimba
9
Batterie
9
Cloches
5
Ensemble Jazz
3
Jazz combo
3
Vibraphone
1
Batterie (partie séparée)
1
Timbales (partie séparée)
1
Percussion (partie séparée)
1
Quatuor à Vent : 4 instruments à vents
1
Fanfare
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Funeral Music
Saxophone Baryton, Piano
Partitions à imprimer
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Fauré: Élégie Op. 24 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Ga…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
29.88 €
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Saxophone Baryton, Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Moonlight Sonata by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1156946 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757290. Published by Woods Only, Arrangements (A0.1156946). This arrangement adapted for baritone saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.8 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 7 by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158467 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758753. Published by Woods Only, Arrangements (A0.1158467). This arrangement adapted for baritone saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.8 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J.…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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Saxophone Baryton, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Ba…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.88 €
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Saxophone Baryton, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.8 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Morning Has Broken
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548735 By Cat Stevens…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
43.48 €
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Saxophone Baryton, Piano
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
29.88 €
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Saxophone Baryton, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.62 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Jo…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
29.88 €
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Saxophone Baryton, Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Symphony No. 5 by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1154912 Composed by L…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755188. Published by Woods Only, Arrangements (A0.1154912). This adaptation was intended for a small group of baritone saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
1.8 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
I'll Go Where You Want Me to Go (Solo Bari Sax & Piano)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.723393 Composed by Ma…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.723393 Composed by Mary Brown, Carrie Rounsefell. Arranged by Garrett Breeze. Contemporary,Graduation,Sacred. Score and part. 13 pages. Lagom Music #6139211. Published by Lagom Music (A0.723393). This popular baptist hymn is sung throughout the world, especially as a farewell to those departing for missionary service. This moving and expressive setting is perfect for worship services, funerals, and other spiritual occasions.
$5.99
5.43 €
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Saxophone Baryton, Piano
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Mary Brown, Carrie Rounsefell
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Garrett Breeze
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I'll Go Where You Want Me to Go
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Lagom Music
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SheetMusicPlus
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