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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
M
Non classifié
10 939
Piano & claviers
Piano seul
10 117
Piano, Voix
3 147
Piano, Voix et Guitare
3 061
Piano Facile
1 883
Orgue
1 193
Instruments en Do
688
1 Piano, 4 mains
202
Piano grosses notes
155
Accordéon
142
Accompagnement Piano
99
Piano Trio: piano, violon, violoncelle
77
Piano Quatuor: piano, violon, alto, violoncelle
60
2 Pianos, 4 mains
60
Piano (partie séparée)
30
Orgue, Piano (duo)
30
Piano Quintette: piano, 2 violons, alto, violoncelle
24
Orgue, Trompette (duo)
13
Ligne De Mélodie, Piano
11
2 Accordéons
10
Clavecin
5
1 Piano, 6 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
4
Instrument seul et Orgue
3
2 Pianos, 8 mains
2
Orgue, Voix
1
Accordéon, Piano
1
Accordéon, Corde(s)
1
Accordéon, Voix
1
+ 24 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
39 070
Guitare
2 227
Guitare notes et tablatures
1 568
Paroles et Accords
394
Ukulele
313
Basse electrique
226
2 Guitares (duo)
61
4 Guitares (Quatuor)
31
Piano, Guitare (duo)
27
Guitare (partie séparée)
25
Banjo
20
Mandoline
20
Ensemble de Ukulélés
20
Dulcimer
16
Ukulele Baryton
13
3 Guitares (trio)
11
Ensemble de guitares
6
Basse électrique (partie séparée)
5
Guitare, Violon, Violoncelle (trio)
4
Guitare Pedal Steel
3
2 Ukuleles
3
Orchestre à Plectres
2
Partitions De Groupes
2
Mandoline, Guitare (duo)
2
Dobro
2
Guitare, Quatuor à cordes
1
2 Dulcimers (duo)
1
+ 22 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
3 246
Chorale SATB
3 151
Chorale 3 parties
925
Chorale TTBB
572
Voix seule
485
Chorale 2 parties
347
Chorale SSAA
294
Chorale
183
Chorale Unison
128
Voix haute
79
Voix duo, Piano
52
Voix basse, Piano
50
Voix Soprano, Piano
42
Voix Moyenne
34
Voix duo
21
Voix moyenne, Piano
18
Voix Tenor, Piano
16
Voix Baryton, Piano
15
Chorale SSATB
15
Chorale SSATTB
14
Chorale SSAATTBB
12
Voix Alto, Piano
12
Voix, Guitare
6
Chorale SSAATB
3
Voix Soprano
3
Voix basse
3
Chorale, Orchestre
2
Voix Tenor
2
Voix et basse continue
2
Soli, choeur mixte et accompagnement
2
Chorale SATBB
2
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Chorale SSATBB
1
Chorale SSAATB A Cappella
1
+ 32 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 293
Hautbois, Piano (duo)
784
Clarinette et Piano
593
Clarinette
473
Flûte traversière
470
Saxophone Alto et Piano
393
2 Saxophones (duo)
332
Saxophone (partie séparée)
293
Flute (partie séparée)
287
Quatuor de Saxophones: 4 saxophones
287
Saxophone Alto
274
2 Flûtes traversières (duo)
267
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
256
Saxophone Tenor
250
Saxophone Tenor et Piano
241
Saxophone
234
Saxophone Soprano et Piano
219
Clarinette (partie séparée)
210
2 Clarinettes (duo)
206
Cor anglais, Piano
197
Quintette de Saxophone: 5 saxophones
174
Quatuor de Clarinettes: 4 clarinettes
152
Saxophone Baryton, Piano
146
Flûte, Hautbois, Clarinette, Basson
137
Hautbois
134
Ensemble de saxophones
131
Hautbois (partie séparée)
117
Clarinette Basse, Piano
112
Ensemble de Clarinettes
88
2 Hautbois (duo)
84
Quatuor de Flûtes : 4 flûtes
72
3 Saxophones (trio)
66
Flûte à Bec
56
3 Clarinettes (trio)
54
2 Flûte à bec (duo)
54
Ensemble de Flûtes
52
Trio de Flûtes: 3 flûtes
50
Flûte, Violoncelle
45
Flûte, Clarinette (duo)
42
Flûte et Guitare
41
Hautbois, Basson (duo)
40
Flûte, Violon
36
Saxophone Soprano
32
Flûte à bec Soprano
31
Clarinette et Alto
31
Instruments en Mib
31
Flûte, Alto (duo)
31
2 Flûtes traversières, Piano
29
Quintette de Flûte : 5 flûtes
28
Clarinette, Violon (duo)
25
Quintette de Clarinettes: 5 clarinettes
24
Quatuor de Flûtes à bec
23
Flûte, Violon et Violoncelle
22
Harmonica
22
Clarinette, Violoncelle (duo)
20
Ocarina
18
Flûte, Violon, Piano
17
Piccolo, Piano
15
Saxophone et Piano
15
2 Cors Anglais Et Pianoforte
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Clarinette et Basson
13
Flûte à bec Alto
12
Saxophone, Clarinette (duo)
11
Clarinette, Harpe (duo)
10
Flûte à bec Tenor
10
Flûte, Hautbois, Clarinette (trio)
10
3 Flûtes à bec (trio)
10
Clarinette, Guitare (duo)
10
Flûte, Hautbois (duo)
10
Hautbois, Violoncelle
9
Hautbois, Clarinette (duo)
8
Ensemble De Flûte à bec
8
Clarinette, Basson (duo)
8
Hautbois, Harpe
8
Flûte, Hautbois, Basson
8
Clarinette Basse
8
Flûte, Guitare, Piano
7
Clarinette, Trompette (duo)
6
Flûte, Saxophone (duo)
6
Hautbois, Flûte
6
Saxophone Baryton
6
Cor Anglais
5
Saxophone et violoncelle
5
Flûte traversière, Orgue (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Piccolo
5
5 Flûtes à bec
5
2 Clarinettes, Basson
4
Saxophone et Guitare
4
Flûte à bec Alto, Piano
3
Flûte et Trio à cordes
3
Flûte à Bec, Piano
3
Flûte à bec Soprano, Piano
3
Saxophone et Harpe
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Trombone (duo)
2
2 Clarinettes, Piano
2
2 Saxophones, Piano
2
3 Hautbois
2
Flûte, Violon, Guitare
2
Flûte, Hautbois, Piano (trio)
2
Harmonica, Piano
2
Clarinette, Trombone (duo)
2
Flûte, Basson et Piano
2
Saxophone, Basson (duo)
2
Clarinette, Orgue
2
Cor anglais et Harpe (duo)
2
Flûte à bec, Guitare (duo)
2
Flûte, Trompette (duo)
2
Cornemuse
2
Hautbois et alto (duo)
2
Flûte, Hautbois, Violon
1
Flûte, Alto et Violoncelle
1
Flute, harpe et violon
1
Clarinette, Orchestre
1
Flûte à bec Soprano, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Flûte traversière, Orchestre
1
2 Hautbois et Cor anglais
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Guitare
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Hautbois, trombone (duo)
1
Flûte, Alto et Piano
1
Ensemble à vent
1
2 Hautbois et Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Hautbois, Piano
1
+ 127 instrumentations
Retracter
Cuivres
Trompette
412
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
349
Trompette, Piano
329
Trombone (partie séparée)
296
Trombone
292
Trompette (partie séparée)
280
Trombone et Piano
250
Cor et Piano
246
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Cor anglais, Piano
197
Cor
175
Euphonium, Piano (duo)
135
Cor (partie séparée)
116
Tuba et Piano
109
2 Trompettes (duo)
81
2 Trombones (duo)
79
2 Cors (duo)
74
Tuba (partie séparée)
64
Tuba
64
Quatuor de Cuivres: 2 trompettes, Cor, trombone
58
Ensemble de Trompettes
48
Ensemble de Trombones
42
Quatuor de Cuivres
42
2 Euphoniums (duo)
39
Trompette, Trombone (duo)
34
Instruments en Sib
30
Euphonium
24
Trio de Cuivres
23
Quatuor de cuivres: 4 cors
23
Bass Clef Instruments
20
2 Tubas (duo)
20
2 Cors Anglais Et Pianoforte
14
Quatuor de cuivres: 4 trombones
14
Trompette, Saxophone (duo)
12
Trompette, Cor (duo)
11
2 Euphoniums et 2 Tubas
9
Cornet A Pistons
8
Cor, Violoncelle (duo)
8
Ensemble de Cors
7
Euphonium, Tuba (duo)
7
Tuba et Orgue
7
Trombone, Cor (duo)
6
Trombone basse et Piano
6
3 Trombones (trio)
6
Trombone, Tuba (duo)
6
Cor Anglais
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
4 Tubas
4
3 Trompettes (trio)
4
Tuba ou Euphonium ou Saxhorn
4
Trompette, Violoncelle (duo)
3
Trompette, Tuba (duo)
3
Cor et Basson (duo)
2
Trombone, Violon (duo)
2
Trombone, violoncelle (duo)
2
Trombone, Alto (duo)
2
Trombone basse
2
Cor, Tuba (duo)
2
Cor anglais et Harpe (duo)
2
Instruments en Fa
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cornet et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
3 Cors (trio)
1
Trompette, Violoncelle et Piano
1
Euphonium (partie séparée)
1
Cor anglais, Guitare (duo)
1
Trompette, Harpe
1
+ 66 instrumentations
Retracter
Cordes
Violon et Piano
1 621
Quatuor à cordes: 2 violons, alto, violoncelle
1 457
Violon
750
Violoncelle, Piano
568
Alto, Piano
503
Violon, Violoncelle (duo)
456
Harpe
434
Violoncelle
399
Trio à Cordes: violon, alto, violoncelle
347
Alto seul
295
2 Violons (duo)
220
Violon (partie séparée)
214
2 Violoncelles (duo)
193
2 Altos (duo)
145
Violon, Alto (duo)
133
Trio à Cordes: 2 violons, violoncelle
132
Alto (partie séparée)
93
Violoncelle (partie séparée)
88
Contre Basse
86
Contrebasse, Piano (duo)
83
Contrebasse (partie séparée)
73
Quintette à cordes: 2 violons, alto, violoncelle, basse
63
Alto, Violoncelle (duo)
42
2 Contrebasses (duo)
37
Trio à cordes: 3 violins
37
Trio à Cordes: 2 violons, alto
35
4 Violoncelles
30
Ensemble d'Altos
27
Ensemble de Violons
27
Violon, Guitare (duo)
24
Harpe, Flûte (duo)
20
Trio à Cordes: 3 violoncelles
18
Alto et Basson
18
Violon, Basson (duo)
17
Violoncelle, Contrebasse (duo)
16
Violoncelle , Guitare (duo)
15
Piano Trio: Violon, Alto, Piano
15
Trio à cordes
12
Harpe, Violon (duo)
11
Alto, Guitare (duo)
7
Violon, Orgue
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Quatuor à cordes : 4 altos
6
Trio à cordes: 3 altos
6
2 Harpes (duo)
6
Flûte, Contrebasse (duo)
5
Harpe (partie séparée)
5
Ensemble de Violoncelles
4
Harpe, Violoncelle (duo)
4
Alto et Harpe
4
2 Violons, Piano
4
Quatuor à cordes: 4 violons
3
Violoncelle, Orgue
3
2 Altos, Piano
2
3 Harpes
2
5 Harpes
2
4 Harpes
1
Harpe et Piano
1
3 Contrebasses
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Basse continue
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 399
Orchestre
890
Orchestre à Cordes
596
Ensemble Jazz
313
Fanfare
263
Batterie
262
Ensemble de cuivres
168
Orchestre de chambre
153
Percussion (partie séparée)
151
Cloches
143
Jazz combo
82
Ensemble de Percussions
45
Timbales
44
Batterie (partie séparée)
38
Timbales (partie séparée)
35
Marimba
28
Percussion
21
Instrumentation Flexible
17
Vibraphone
15
Piano et Orchestre
10
Xylophone
9
Vibraphone et Marimba
6
2 Xylophones
6
Xylophone, Piano
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Quintette à Vent
5
Orchestre Symphonique
4
Marimba et Orgue
3
Quatuor à Vent : 4 instruments à vents
2
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
2 Percussions
1
Caisse Claire
1
3 Percussions
1
Big band
1
+ 30 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BOUZOUKI
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CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
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style (tous)
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Saxophone Baryton, Piano
Partitions à imprimer
146 partitions trouvées
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LORD, I'M COMING HOME (for Baritone Sax and Piano with Score/Part)
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
William J
#
Gary Lanier
#
LORD, I'M COMING HOME
#
The Lanier Company
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.617579 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The L...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.617579 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5789479. Published by The Lanier Company (A0.617579). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Baritone Sax and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
I'm Getting Sentimental Over You
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
George Bassman and Ned Washing
#
Jirka Kadlec
#
I'm Getting Sentimental Over Y
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.43287 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Baritone Saxophone & Piano...
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.43287 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 6 pages. Duration 3'44. Editions Marc Reift - Digital #43287. Published by Editions Marc Reift - Digital (R0.43287).
$11.95
M'Elodie
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Bertrand Gay
#
M'Elodie
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Baritone Saxophone & Piano - Grade 4 - SKU: R0.28907 Composed by Bertrand Gay. Baritone Saxophone & Piano. Score and parts. 12 pages. Duration 4'48. Edi...
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Baritone Saxophone & Piano - Grade 4 - SKU: R0.28907 Composed by Bertrand Gay. Baritone Saxophone & Piano. Score and parts. 12 pages. Duration 4'48. Editions Marc Reift - Digital #28907. Published by Editions Marc Reift - Digital (R0.28907).
$11.95
Hallelujah
#
Saxophone Baryton, Piano
#
FACILE
#
Andrea Bocelli
#
Glauco Fernandes
#
Hallelujah
#
Glauco Fernandes
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1444431 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Po...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1444431 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #1024357. Published by Glauco Fernandes (A0.1444431). Você está procurando um arranjo de partituras que combine facilidade de execução com qualidade profissional? Apresentamos nosso arranjo simplificado de “Hallelujah”, a icônica música de Leonard Cohen, também presente na trilha sonora do filme Shrek. Este arranjo é perfeito para estudantes que buscam um repertório satisfatório e desafiador, além de ser uma excelente ferramenta de ensino para educadores.Nosso arranjo é ideal para músicos de todos os níveis, inclusive profissionais que necessitam de praticidade e qualidade em suas apresentações. Seja para eventos, shows ou casamentos, esse arranjo oferece a combinação perfeita entre simplicidade e sofisticação, permitindo interpretar essa linda música com maestria e emoção.Obtenha sua partitura agora e leve suas apresentações musicais a um novo nível. Garanta um material que alie acessibilidade e excelência, atendendo às necessidades de músicos exigentes e comprometidos com a qualidade.Tags: partituras, arranjo simplificado, Aleluia, Leonard Cohen, trilha sonora, Shrek, estudantes de música, professores de música, músicos profissionais, eventos, casamentos, repertório musical, material didático, qualidade profissional, praticidade.
$7.99
Hallelujah
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Saxophone Baryton, Piano
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FACILE
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Andrea Bocelli
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Glauco Fernandes
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Hallelujah
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Glauco Fernandes
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1444432 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Po...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1444432 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #1024358. Published by Glauco Fernandes (A0.1444432). Você está procurando um arranjo de partituras que combine facilidade de execução com qualidade profissional? Apresentamos nosso arranjo simplificado de “Hallelujah”, a icônica música de Leonard Cohen, também presente na trilha sonora do filme Shrek. Este arranjo é perfeito para estudantes que buscam um repertório satisfatório e desafiador, além de ser uma excelente ferramenta de ensino para educadores.Nosso arranjo é ideal para músicos de todos os níveis, inclusive profissionais que necessitam de praticidade e qualidade em suas apresentações. Seja para eventos, shows ou casamentos, esse arranjo oferece a combinação perfeita entre simplicidade e sofisticação, permitindo interpretar essa linda música com maestria e emoção.Obtenha sua partitura agora e leve suas apresentações musicais a um novo nível. Garanta um material que alie acessibilidade e excelência, atendendo às necessidades de músicos exigentes e comprometidos com a qualidade.Tags: partituras, arranjo simplificado, Aleluia, Leonard Cohen, trilha sonora, Shrek, estudantes de música, professores de música, músicos profissionais, eventos, casamentos, repertório musical, material didático, qualidade profissional, praticidade.
$7.99
Après un rêve (Fauré) for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1303400 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Romantic Period. Score and part. ...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1303400 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892974. Published by SCORE EDITIONS (A0.1303400). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
Beethoven: 12 Variations Op. 66 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: 12 Variations Op. 6
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.551971 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Ins...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.551971 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Instructional,Love. Score and part. 49 pages. Jmsgu3 #6025859. Published by jmsgu3 (A0.551971). Variations on Ein Mädchen oder Weibschen from Mozart's The Magic Flute
$21.95
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Debussy: Claire de Lune for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James M
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Debussy: Claire de Lune for Ba
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550117 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standar...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550117 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595977. Published by jmsgu3 (A0.550117). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Lionel Richie: Endless Love for Baritone Sax & Piano
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Saxophone Baryton, Piano
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Lionel Richie & Diana Ross
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James M
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Lionel Richie: Endless Love fo
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jmsgu3
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SheetMusicPlus
By Lionel Richie & Diana Ross. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.311299-224100). - Score,Set of Parts ...
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By Lionel Richie & Diana Ross. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.311299-224100). - Score,Set of Parts - - jmsgu3
$46.95
David Bowie: Life On Mars for Baritone Sax & Piano
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Saxophone Baryton, Piano
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David Bowie
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James M
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David Bowie: Life On Mars for
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jmsgu3
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SheetMusicPlus
By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.266233-475597). - Score,Set of Parts - - jmsgu3...
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By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3 (H0.266233-475597). - Score,Set of Parts - - jmsgu3
$49.95
Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 6 f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic P...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053655. Published by jmsgu3 (A0.1476129). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95
Pavane Pour Une Infante Défunte (Maurice Ravel) for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Maurice Ravel
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Harry Walker
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Pavane Pour Une Infante D&eacu
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SCORE EDITIONS
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1454241 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic P...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1454241 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033372. Published by SCORE EDITIONS (A0.1454241). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
Guthrie: Toccata Agitato for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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AVANCÉ
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James M
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Guthrie: Toccata Agitato for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.1384356 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.1384356 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968675. Published by jmsgu3 (A0.1384356). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Bach: Largo from Concerto BWV 1056 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4600731. Published by jmsgu3 (A0.550220). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
Vivaldi: The Four Seasons Complete for Baritone Sax & Piano
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.551434 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Stan...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.551434 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 191 pages. Jmsgu3 #5204975. Published by jmsgu3 (A0.551434). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Vivaldi: Summer from the Four Seasons for Baritone Sax & Piano
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Summer from the Four
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.551421 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,We...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.551421 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 56 pages. Jmsgu3 #5203833. Published by jmsgu3 (A0.551421). Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$32.95
Andantino
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Saxophone Baryton, Piano
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Classique
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Muzio Clementi
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Nick M Lacanski
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Andantino
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theupperstaff
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SheetMusicPlus
Baritone Saxophone,Piano - SKU: A0.1046974 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 6 pages. Theupperstaff #6...
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Baritone Saxophone,Piano - SKU: A0.1046974 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 6 pages. Theupperstaff #651482. Published by theupperstaff (A0.1046974).
$2.99
Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Allegretto
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Nick M Lacanski
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Allegretto
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theupperstaff
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1045406 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 9 pages. Theupp...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1045406 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 9 pages. Theupperstaff #649983. Published by theupperstaff (A0.1045406).
$2.99
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Schumann: Abendlied for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Robert Schumann
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James M
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Schumann: Abendlied for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549039 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sa...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549039 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448159. Published by jmsgu3 (A0.549039). Op. 85/12 Baritone Sax: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
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