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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
M'man
Non classifié
2 553
Piano & claviers
Piano seul
2 347
Piano, Voix
1 134
Piano, Voix et Guitare
406
Piano Facile
392
Orgue
256
Instruments en Do
154
1 Piano, 4 mains
44
Piano grosses notes
44
Piano Trio: piano, violon, violoncelle
38
Piano Quatuor: piano, violon, alto, violoncelle
35
Accompagnement Piano
32
2 Pianos, 4 mains
22
Orgue, Piano (duo)
12
Accordéon
9
Piano (partie séparée)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Clavier
1
Accordéon, Voix
1
Ligne De Mélodie, Piano
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 916
Guitare
159
Guitare notes et tablatures
142
Ukulele
46
Paroles et Accords
40
Basse electrique
25
Mandoline
20
2 Guitares (duo)
14
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
8
Ensemble de Ukulélés
5
Ukulele Baryton
4
Guitare (partie séparée)
4
Banjo
3
Ensemble de guitares
2
Orchestre à Plectres
2
Mandoline, Guitare (duo)
2
Partitions De Groupes
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
560
Pack Instrumental pour Chorale
202
Chorale TTBB
196
Chorale 3 parties
189
Chorale 2 parties
65
Chorale SSAA
61
Voix seule
24
Chorale Unison
20
Voix duo, Piano
19
Voix haute
16
Voix Soprano, Piano
14
Voix basse, Piano
14
Voix Baryton, Piano
10
Chorale
9
Voix moyenne, Piano
8
Voix duo
7
Voix Tenor, Piano
7
Chorale SSATB
5
Chorale SSAATTBB
4
Chorale SSATTB
4
Voix Moyenne
3
Voix basse
3
Soli, choeur mixte et accompagnement
2
Voix Alto, Piano
2
Chorale SSAB a cappella
1
Voix Soprano
1
Voix, Guitare
1
Chorale SATBB
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
539
Hautbois, Piano (duo)
313
Clarinette et Piano
262
Saxophone Alto et Piano
179
Clarinette
134
Saxophone Tenor et Piano
118
Saxophone Soprano et Piano
117
Flûte traversière
111
Quintette de Saxophone: 5 saxophones
110
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
2 Saxophones (duo)
102
Quatuor de Saxophones: 4 saxophones
89
Ensemble de saxophones
84
Saxophone Baryton, Piano
83
Cor anglais, Piano
78
2 Flûtes traversières (duo)
68
Clarinette Basse, Piano
64
Saxophone Tenor
60
Saxophone Alto
60
2 Clarinettes (duo)
55
Quatuor de Clarinettes: 4 clarinettes
54
Saxophone (partie séparée)
44
Ensemble de Clarinettes
41
Quatuor de Flûtes : 4 flûtes
28
2 Flûtes traversières, Piano
28
Flûte, Hautbois, Clarinette, Basson
27
Ensemble de Flûtes
25
2 Hautbois (duo)
20
Hautbois, Basson (duo)
19
Flûte à Bec
19
Clarinette (partie séparée)
18
3 Saxophones (trio)
17
Clarinette, Violon (duo)
16
Flûte, Violon
16
Quintette de Flûte : 5 flûtes
16
3 Clarinettes (trio)
16
Clarinette et Alto
16
Flute (partie séparée)
15
Saxophone
14
Flûte, Violoncelle
13
Flûte et Guitare
13
Hautbois (partie séparée)
12
Flûte à bec Soprano
12
Flûte, Alto (duo)
11
Flûte, Clarinette (duo)
11
Hautbois
9
Saxophone, Clarinette (duo)
9
Flûte, Violon, Piano
9
Ocarina
8
Clarinette, Violoncelle (duo)
8
Piccolo, Piano
8
Quintette de Clarinettes: 5 clarinettes
8
Trio de Flûtes: 3 flûtes
7
2 Flûte à bec (duo)
7
Clarinette, Trompette (duo)
6
Harmonica
6
Clarinette, Guitare (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette Basse
4
Hautbois, Violoncelle
4
Flûte à bec Alto
4
Saxophone Soprano
4
Hautbois, Flûte
3
Saxophone et violoncelle
3
Clarinette, Harpe (duo)
3
Flûte, Violon et Violoncelle
3
Hautbois, Clarinette (duo)
3
Flûte, Saxophone (duo)
3
Flûte traversière, Orgue (duo)
3
Flûte, Clarinette et Basson
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Harpe
3
2 Saxophones, Piano
2
Flûte à bec Tenor
2
Flûte, Trompette (duo)
2
Saxophone et Piano
2
Flûte, Trombone (duo)
2
Flûte, Guitare, Piano
2
Cor Anglais
2
Cor anglais et Harpe (duo)
2
2 Clarinettes, Piano
2
Instruments en Mib
2
Saxophone, Basson (duo)
1
2 Hautbois et Cor anglais
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
2 Hautbois, Piano
1
Flûte à bec, Guitare (duo)
1
Saxophone et Orgue
1
Flûte, Violon, Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Hautbois, trombone (duo)
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Guitare
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
134
Trompette, Piano
122
Cor et Piano
118
Trombone et Piano
114
Quatuor de Cuivres : 2 trompettes, trombone, tuba
110
Trompette
100
Euphonium, Piano (duo)
86
Cor anglais, Piano
78
Trombone
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Ensemble de Trompettes
42
Cor
38
Tuba et Piano
34
Trompette (partie séparée)
32
Ensemble de Trombones
28
Trombone (partie séparée)
27
2 Cors (duo)
22
2 Trompettes (duo)
21
2 Trombones (duo)
18
Trompette, Trombone (duo)
17
Quatuor de Cuivres
17
Tuba
8
Trio de Cuivres
7
Trompette, Saxophone (duo)
7
2 Euphoniums (duo)
6
Quatuor de cuivres: 4 cors
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trombones
6
Tuba (partie séparée)
5
Ensemble de Cors
5
Cor (partie séparée)
5
Euphonium, Tuba (duo)
4
Trombone basse et Piano
4
Cor, Violoncelle (duo)
4
2 Tubas (duo)
4
Tuba ou Euphonium ou Saxhorn
3
Tuba et Orgue
3
2 Cors Anglais Et Pianoforte
3
Trombone, Cor (duo)
2
Cor et Basson (duo)
2
Trompette, Violoncelle (duo)
2
Trombone, Alto (duo)
2
Instruments en Sib
2
Cor Anglais
2
Cor anglais et Harpe (duo)
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Trombone, Violon (duo)
2
Trompette, Violoncelle et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
613
Quatuor à cordes: 2 violons, alto, violoncelle
519
Violoncelle, Piano
228
Violon, Violoncelle (duo)
225
Alto, Piano
205
Violon
151
Trio à Cordes: violon, alto, violoncelle
134
Violoncelle
120
Harpe
92
Trio à Cordes: 2 violons, violoncelle
86
2 Violons (duo)
80
Alto seul
62
2 Violoncelles (duo)
59
Violon, Alto (duo)
57
2 Altos (duo)
47
Contrebasse, Piano (duo)
27
Violon (partie séparée)
23
Ensemble d'Altos
16
Alto (partie séparée)
16
Contre Basse
15
Ensemble de Violons
15
Trio à cordes: 3 violins
15
Alto, Violoncelle (duo)
14
2 Contrebasses (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Trio à Cordes: 2 violons, alto
12
Violoncelle (partie séparée)
11
Harpe, Flûte (duo)
10
4 Violoncelles
10
Alto et Basson
10
Piano Trio: Violon, Alto, Piano
9
Contrebasse (partie séparée)
9
Violon, Basson (duo)
8
Violon, Guitare (duo)
6
Violon, Orgue
6
Trio à Cordes: 3 violoncelles
5
Harpe, Violon (duo)
5
Violoncelle , Guitare (duo)
4
Trio à cordes
4
Ensemble de Violoncelles
3
Quatuor à cordes : 4 altos
3
Harpe, Violoncelle (duo)
2
Violoncelle, Orgue
2
Alto, Guitare (duo)
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Violoncelle, Orchestre
1
2 Harpes (duo)
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
2 Violons, Piano
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
239
Orchestre à Cordes
213
Orchestre
186
Ensemble Jazz
70
Orchestre de chambre
67
Ensemble de cuivres
47
Cloches
28
Fanfare
19
Jazz combo
14
Percussion (partie séparée)
12
Batterie
10
Ensemble de Percussions
9
Piano et Orchestre
7
Marimba
5
Timbales
5
2 Xylophones
4
Percussion
4
Xylophone
4
Vibraphone
3
Batterie (partie séparée)
3
Xylophone, Piano
3
Instrumentation Flexible
2
Quintette à Vent
1
Quatuor à Vent : 4 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
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METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
M'man
Saxophone Baryton, Piano
Partitions à imprimer
83 partitions trouvées
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Wichita Lineman
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1078299 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1078299 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682507. Published by jmsgu3 (A0.1078299). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
(You Make Me Feel Like) A Natural Woman
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Saxophone Baryton, Piano
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FACILE
#
Soul/R&B
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Celine Dion
#
James M
#
(You Make Me Feel Like) A Natu
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548595 By Celine Dion. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by James M. Guthrie, ASCAP....
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548595 By Celine Dion. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by James M. Guthrie, ASCAP. R & B,Soul. Score and part. 14 pages. Jmsgu3 #3398705. Published by jmsgu3 (A0.548595). Duration 3:41 Score: 84 measures, 9 pg. (You Make Me Feel Like) A Natural Woman is a 1967 single released by American soul singer Aretha Franklin on the Atlantic label. The song was co-written by Carole King and Gerry Goffin, with input from Atlantic producer Jerry Wexler. The record was a big hit for Franklin, reaching number 8 on the Billboard Hot 100, and became a standard song for her. Franklin also included a live recording on the album Aretha in Paris in 1968. Versions have also been performed and recorded by King herself, Mary J. Blige, Celine Dion, and many others. At the 2015 Kennedy Center Honors, Aretha Franklin performed the song to honor award-recipient Carole King. Wikipedia.
$29.95
Saint-Saens: Romance for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
#
Classique
#
Camille Saint-Saens
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James M
#
Saint-Saens: Romance for Barit
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549087 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549087 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3451309. Published by jmsgu3 (A0.549087). Camille Saint-Saens Romance Op. 36. Score - 10 pg. 93 ms. Duration - 3:41 Solo part - 2 pg. Piano part - 3 pg.
$32.95
Schumann: Abendlied for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
#
Robert Schumann
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James M
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Schumann: Abendlied for Barito
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549039 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sa...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549039 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448159. Published by jmsgu3 (A0.549039). Op. 85/12 Baritone Sax: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
Rocket Man (I Think It's Gonna Be A Long Long Time)
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Rock
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Elton John
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James M
#
Rocket Man
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548132 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.548132 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214119. Published by jmsgu3 (A0.548132). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
Schumann: Träumerei Op. 15 No. 7 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550188 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Stan...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550188 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598353. Published by jmsgu3 (A0.550188). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Telemann: Sonata in F Major for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in F Major fo
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550850 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550850 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #4839661. Published by jmsgu3 (A0.550850). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
Telemann: Sonata in G Major for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in G Major fo
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550728 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Stand...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550728 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #4798411. Published by jmsgu3 (A0.550728). Sonata in four movements. Duration: 6:45, Score: 19 pages. 159 measures. 1. Cantabile 2. Allegro 3. Affetuoso 4. Allegro
$32.95
Telemann: Sonata in G Major for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in G Major fo
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550757 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Stand...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550757 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 39 pages. Jmsgu3 #4803597. Published by jmsgu3 (A0.550757). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
Telemann: Sonata in Bb Major for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in Bb Major f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550872 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550872 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 33 pages. Jmsgu3 #4850843. Published by jmsgu3 (A0.550872). Sonata in Bb Major, Score: 17 pages, duration: ca. 9:30in five movements:1. Largo2. Allegro3. Allegretto4. Vivace5. Allegro.
$32.95
Dangerous Woman
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ariana Grande
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James M
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drums) and nightclubs.
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Dangerous Woman
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.548235 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.548235 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. Score and part. 8 pages. Jmsgu3 #3224945. Published by jmsgu3 (A0.548235). DUration: 3:20 Score: 6 pages, Part: 2 pages, Tempo: eighth note = 134, Meter: 12/8 Works well for recitals, encores, jazz combo performance (just add bass & drums) and nightclubs.
$64.95
I'm Getting Sentimental Over You
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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George Bassman and Ned Washing
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Jirka Kadlec
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I'm Getting Sentimental Over Y
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.43287 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Baritone Saxophone & Piano...
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.43287 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 6 pages. Duration 3'44. Editions Marc Reift - Digital #43287. Published by Editions Marc Reift - Digital (R0.43287).
$11.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Mussorgsky: Pictures at an Exhibition for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549928 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Pe...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549928 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 92 pages. Jmsgu3 #4303361. Published by jmsgu3 (A0.549928). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502515. Published by jmsgu3 (A0.549512). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Morning Has Broken
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Saxophone Baryton, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Sc...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
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